I couldn't find an e-mail address for the editor, so will post my queries here. There are several places in this score where the top voice has more notes than will fit into the bar without using tuplets. In bar 19, first two notes, and bar 24, last two notes, perhaps the quarter-notes should be eighth-notes? In bar 22, where the equivalent of 5 quarter-notes appear in the space of 3, things are more complicated. One other question: Can you shed any light on the order in which the sections are to be sung? Should the carol really finish with the section shown last, or would one of the 3-voice sections probably be repeated at the end? —The preceding unsigned comment was added by Mick Swithinbank (talk • contribs) on 11:00, 27 March 2006.