Talk:Martin's Lane (Behold the rose of Sharon here) (Thomas Arne)

The false relation in bar 7 (vallies) between the tenor and bass seems a little out of place for the 18th Century. I wonder if the second B flat in the bass was sharpened by a later editor than Dr. Arne? Nice though it is, it doesn't seem to be right when compared with similar tunes from tht era.