Caecilia (Anonymous): Difference between revisions

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*{{PostedDate|2011-07-17}} {{CPDLno|23646}} [[Media:Anon-cae.pdf|{{pdf}}]] [[Media:Anon-cae.mid|{{mid}}]] [[Media:Anon-cae.mxl|{{XML}}]]
*{{PostedDate|2011-07-17}} {{CPDLno|23646}} [[Media:Anon-cae.pdf|{{pdf}}]] [[Media:Anon-cae.mid|{{mid}}]] [[Media:Anon-cae.mxl|{{XML}}]]
{{Editor|Mick Swithinbank|2011-06-02}}{{ScoreInfo|A4|3|45}}{{Copy|CPDL}}
{{Editor|Mick Swithinbank|2011-06-02}}{{ScoreInfo|A4|3|45}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}


==General Information==
==General Information==
{{Title|''Caecilia''}}
{{Title|''Caecilia''}}
{{Composer|Anonymous}}<br>
{{Composer|Anonymous}}
{{Arranger|Mick Swithinbank}}
{{Arranger|Mick Swithinbank}}
{{Lyricist|}}


{{Voicing|5|SATBB}}<br>
{{Voicing|5|SATBB|SATBarB}}
{{Genre|Sacred|Sacred songs}} for {{Cat|St. Cecilia}}'s Day
{{Genre|Sacred|Sacred songs}} for {{Cat|St. Cecilia}}'s Day
{{Language|German}}
{{Language|German}}
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{{Pub|1|}}
{{Pub|1|}}
{{Descr|The melody and words are traditional in the Grand-Duchy of Luxembourg and probably in neighbouring areas of Germany. They are of unknown age (the move on line 4 to the dominant might suggest the 19c). The source used presented the music as a duet for women's voices, which this arranger either lost or discarded years ago. Each verse was set identically. In Luxembourg at least, it is traditional in Catholic churches to sing the piece at the end of Mass on St Cecilia's Day, although how widely this is done the arranger does not know. In this arrangement, each of the three verses has its own setting for S A T Bar B, with dynamics added. The very beginning of verse one is identical to the music in the source on which the arrangement is based; as the congregation at the first performance in 1998 was expecting to hear the traditional setting for two voices, the arranger thought it would be amusing to add the extra voices one by one as unobtrusively as possible.}}
{{Descr|The melody and words are traditional in the Grand-Duchy of Luxembourg and probably in neighbouring areas of Germany. They are of unknown age (the move on line 4 to the dominant might suggest the 19c). The source used presented the music as a duet for women's voices, which this arranger either lost or discarded years ago. Each verse was set identically. In Luxembourg at least, it is traditional in Catholic churches to sing the piece at the end of Mass on St Cecilia's Day, although how widely this is done the arranger does not know. In this arrangement, each of the three verses has its own setting for S A T Bar B, with dynamics added. The very beginning of verse one is identical to the music in the source on which the arrangement is based; as the congregation at the first performance in 1998 was expecting to hear the traditional setting for two voices, the arranger thought it would be amusing to add the extra voices one by one as unobtrusively as possible.}}
'''External websites:'''
{{#ExtWeb:}}
 
==Original text and translations==
==Original text and translations==
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{{top}}
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[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Romantic music]]
[[Category:Romantic music]]
[[Category:Music about music]]

Latest revision as of 16:55, 9 July 2021

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  • (Posted 2011-07-17)  CPDL #23646:       
Editor: Mick Swithinbank (submitted 2011-06-02).   Score information: A4, 3 pages, 45 kB   Copyright: CPDL
Edition notes:

General Information

Title: Caecilia
Composer: Anonymous
Arranger: Mick Swithinbank
Lyricist:

Number of voices: 5vv   Voicing: SATBarB
Genre: SacredSacred song for St. Cecilia's Day

Language: German
Instruments: A cappella

First published:
Description: The melody and words are traditional in the Grand-Duchy of Luxembourg and probably in neighbouring areas of Germany. They are of unknown age (the move on line 4 to the dominant might suggest the 19c). The source used presented the music as a duet for women's voices, which this arranger either lost or discarded years ago. Each verse was set identically. In Luxembourg at least, it is traditional in Catholic churches to sing the piece at the end of Mass on St Cecilia's Day, although how widely this is done the arranger does not know. In this arrangement, each of the three verses has its own setting for S A T Bar B, with dynamics added. The very beginning of verse one is identical to the music in the source on which the arrangement is based; as the congregation at the first performance in 1998 was expecting to hear the traditional setting for two voices, the arranger thought it would be amusing to add the extra voices one by one as unobtrusively as possible.

External websites:

Original text and translations

German.png German text

1  Caecilia wie lieblich klingt
dein edler Nam' in aller Welt,
der Engelschar, die Gott lobsingt,
bist du o Jungfrau zugesellt.
Die Rose glüht, die Lilie glänzt
im Lichte, das dein Haupt umkränzt.

2  Dein Leben war ein Lobgesang,
dein Herz ein goldnes Saitenspiel,
das Gott zu ehren lieblich klang
und seinem Herzen wohl gefiel.
Der Harmonien Königin
bist du, o heil’ge Martyrin.

3  Ins Himmelreich erhebt und zieht
die Sehnsucht uns're Seel empor,
sie sänge gern das hohe Lied
mit dir im heil'gen Engelchor.
Hilf ihr im Kampf und führe sie
ins Reich der ew'gen Harmonie!

English.png English translation

1  Cecilia, your noble name is hymned
in pleasing tones the world over.
Your place, virgin, is among the company of angels
who sing God’s praises.
The rose and the lily
add their colours to your halo.

2  Your life was a song of praise,
your heart the sound of golden strings being plucked,
honouring God with their charming sound,
well pleasing to His heart.
You are the queen of harmony,
holy martyr.

3  Our longing draws our souls
towards Heaven,
desirous to sing celestial songs with you
in the holy choir of angels.
Help our souls in their striving and lead them
the realm of eternal harmony.

Translation by Mick Swithinbank