Cancionero de Medinaceli: Difference between revisions
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==List of choral works== | ==List of choral works== | ||
*''[[A bente y siete de março (Anonymous)]] | *''[[A bente y siete de março (Anonymous)]]'' | ||
*''[[Corten espadas afiladas (Anonymous)]]'' | |||
*''[[Di perra mora (Anonymous)]]'' | *''[[Di perra mora (Anonymous)]]'' | ||
*''[[Lagrimas de mi consuelo (Antonio Cebrian)]]'' | |||
*''[[Llaman a Teresica (Anonymous)]]'' | *''[[Llaman a Teresica (Anonymous)]]'' | ||
*''[[Por ese mar d´Helesponto (Anonymous)]]'' | *''[[Por ese mar d´Helesponto (Anonymous)]]'' | ||
*''[[Prado Verde y Florido (Francisco Guerrero)]]'' | |||
*''[[Pues que no puedo olvidarte (Ginés de Morata)]]'' | |||
[[Category:Music publications]] | [[Category:Music publications]] | ||
Revision as of 01:22, 5 September 2008
The Cancionero de Medinaceli or Cancionero Musical de Medinaceli (CMM) is a manuscript containing Spanish music of the Renaissance. It was copied during the second half of the 16th century and kept at the Library of the Duke of Medinaceli's house, hence its name. Is it probably the most important compilation of Spanish secular polyphony of the Renaissance after the Cancionero de Palacio. (excerpt translated from the Spanish Wikipedia article)
View the Wikipedia article on Cancionero de Medinaceli.