Category:Canons
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A composition or passage in which a melody is imitated by one or more voices at fixed intervals of pitch and time.
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Pages in this category
The following 159 pages are in this category, out of 516 total.
(previous page) (next page)O
- O Absalom my son (Charles King)
- O bone Jesu, Op. 37, No. 1 (Johannes Brahms)
- O cravo e a rosa (Traditional)
- O Domine (Gregor Aichinger)
- O du eselhafter Martin (Wolfgang Amadeus Mozart)
- O filii et filiae (Frédéric Debons)
- O Israel, trust in the lord (William Paxton)
- O Lord show us thy mercy (Samuel Webbe)
- O Lord, in thee have I trusted (William Paxton)
- O salutaris hostia (Adrian Cuello)
- O sing unto the Lord a new song (John Alcock Sr.)
- O taste and see (Charles H. Giffen)
- O that you were like a brother (John Hetland)
- Of all the instruments, Z 263 (Henry Purcell)
- Oh my love (Thomas Ravenscroft)
- Omnis consummationis (Adrianus Petit Coclico)
- Omnis spiritus laudet Dominum (Frédéric Debons)
- On a Puritan Drunk (William Hayes)
- On the king's coming home (John Blow)
- On the poor confined debtors (Maurice Greene)
- Once, Twice, Thrice, I Julia try'd, Z 265 (Henry Purcell)
- One industrious insect, Z 266 (Henry Purcell)
- Out of the deep (John Wall Callcott)
P
- Padre nuestro, ten piedad! (Adrian Cuello)
- Pammelia: The three part canons (Thomas Ravenscroft)
- Perfida Clori (Luigi Cherubini)
- Pietas omnium (William Byrd)
- Pleni sunt coeli (Giovanni Pierluigi da Palestrina)
- Poor Owen (John Church)
- Postal Round (Barbara Rosen)
- Pox on you for a fop, Z 269 (Henry Purcell)
- Praise God upon the lute and viol (John Dowland)
- Presulem ephebeatum (Petrus Wilhelmi de Grudencz)
- Prithee be n't so sad and serious, Z 269 (Henry Purcell)
Q
R
- Recordare Domine (Rogier Pathie)
- Reges Tharsis (Wilhelm Meyer Lutz)
- Regina coeli, Op. 37, No. 3 (Johannes Brahms)
- Repleatur os meum laude tua (Jacquet de Mantua)
- Requiem aeternam (round) (John Hetland)
- Ring Round (Barbara Rosen)
- Room for th'express, Z 270 (Henry Purcell)
- Rosa florum gloria (David Colerus)
- A round is like a universe (Barbara Rosen)
- A round is like a universe (John Hetland)
- A round keeps running 'round my brain (Barbara Rosen)
- A round of three country dances in one (Thomas Ravenscroft)
- Round on a well-known text (David Ellyard)
- Rounds
- Row, row, row your boat (Eliphalet Oram Lyte)
- Räthsel-Kanon für 8 Stimmen (Sigismund Ritter von Neukomm)
S
- Sailing on the sea (John Hetland)
- Salve radix (The Rose Canon) (Anonymous)
- Salve Regina (round) (John Hetland)
- Sancta Maria ora pro nobis (Sigismondo d'India)
- Sancta Maria succurre miseris (Benedictus Appenzeller)
- Sancta Maria, libera nos (Francesco della Porta)
- Sancte Iesu Christe (Benedictus Ducis)
- Sanctus (Jacobus Clemens non Papa)
- Il sangue dell'umanato Verbo (Carlotta Ferrari)
- Shall I compare thee (John Hetland)
- She who lies here (John Wall Callcott)
- Si Deus nobiscum (Simon Ives)
- Sic unda impellitur unda (Anonymous)
- Sicut cervus (Adrian Cuello)
- Sicut lilium (Rogier Pathie)
- The sifting snow (John Hetland)
- Since time so kind to us does prove, Z 272 (Henry Purcell)
- Sing we now merrily (Thomas Ravenscroft)
- The Singers (Barbara Rosen)
- The size of your hands (Barbara Rosen)
- Slaves are they that heap up mountains (John Stafford Smith)
- Snow (Ty Kroll)
- So fahr ich hin (Adam Gumpelzhaimer)
- The Social Distance Waltz (Barbara Rosen)
- Sol at Eighty (Barbara Rosen)
- Some Musical Catches (Various)
- The Space (Barbara Rosen)
- Specie tua (Francisco Valls)
- Spin your round (Barbara Rosen)
- Spring has sprung (Barbara Rosen)
- Spring is here! (Barbara Rosen)
- Subway turnstiles (Barbara Rosen)
- Suenan cascabeles (Adrian Cuello)
- Sumer is icumen in (Anonymous)
- The sun is round (Barbara Rosen)
- The sun rises (John Hetland)
- Suschens Vogel (1. Fassung) (Hugo Distler)
T
- Ta ta ta, lieber Mälzel (Anton Schindler)
- Te, Ioseph (Frédéric Debons)
- The Telephone (Barbara Rosen)
- Tell me, my only love (John Hetland)
- The Cure of Love (Anonymous)
- The Silver Swan (Anonymous)
- They call it Fall (John Hetland)
- The thirsty vampires (William Hayes)
- Thou, Lord, hast been a defence unto the poor (John Wall Callcott)
- Three (More or Less Naughty) Catches (Various)
- Three Blinde Mice (Thomas Ravenscroft)
- Three dead rats (Barbara Rosen)
- Threescore are the queens (John Hetland)
- Timete Dominum (Georg Forster)
- Tis women (Henry Purcell)
- To thee all angels (Samuel Webbe)
- To thee, to thee and to a Maid, Z 283 (Henry Purcell)
- Tod und Schlaf (Joseph Haydn)
- Todo es ya mansedumbres (Juan del Vado)
- Tom Jolly's nose (Henry Aldrich)
- Tom making a manteau for a lass (Henry Purcell)
- Tout au rebours (Jean Maillard)
- Trinitas in unitate (Johann Prenner)
- Trost (Adrian Cuello)
- True Englishmen, drink a good health, Z 284 (Henry Purcell)
- A truth... (Barbara Rosen)
- Tu es Petrus (Frédéric Debons)
- Turn thou us, O good Lord a4 (Thomas Tomkins)
U
V
- V'amo di core, KV 348/382g (Wolfgang Amadeus Mozart)
- V-8 (John Hetland)
- Vanitas vanitatum (Anonymous)
- Vater unser (Adam Gumpelzhaimer)
- Vater unser (Burkhart M. Schürmann)
- Veni Creator Spiritus (Frédéric Debons)
- Veni electa mea (Francisco Valls)
- Verbum Domini (Adam Gumpelzhaimer)
- Vide Domine, ZWV 179 (Jan Dismas Zelenka)
- Viri Galilaei (Frédéric Debons)
- Viva, viva (Antonio Salieri)
W
- A waiter with some water (Barbara Rosen)
- Wake every breath (William Billings)
- Was mein Gott will (Michael Praetorius)
- We make love with our voices (Barbara Rosen)
- A weapon of mass instruction (Barbara Rosen)
- Well rung Tom Boy (Anonymous)
- What has been (John Hetland)
- What if there were nothing? (John Hetland)
- When Jesus wept (William Billings)
- Where are you faire Maides (Thomas Ravenscroft)
- Why I Leave When I Do (Barbara Rosen)
- Wie der Hirsch (Georg Philipp Telemann)
- Willow's daughter (Maggie Furtak)
- The wind blows out of the west (Thomas Ravenscroft)
- Wine in a morning (Henry Purcell)
- Wo Gott zum Haus nicht gibt sein Gunst (Adam Gumpelzhaimer)
- Would you know how we meet, Z 290 (Henry Purcell)
- Write me a round that's easy to sing (John Hetland)