Chapin brothers: Difference between revisions
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==List of Works== | ==List of Works== | ||
*'''Bethel''' (HTI 14115) First published in Law, Twenty | {{top}} | ||
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*'''Bethel''' (HTI 14115). First published in ''Law, Twenty Tunes†'' (1812): Let Zion and her sons rejoice (C.M., C, 4 vo.) | |||
*''' | ::Also in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'', 1813 – How sweet and awful is the place | ||
::Also in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – How sweet and awful is the place | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony]]'', 1816 – Let Zion and her sons rejoice | |||
::Also in ''[[The Missouri Harmony]]'', 1820 – Let Zion and her sons rejoice | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – My God, the spring of all my joys (3 vo.) | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Let Zion and her sons rejoice (3 vo.) | |||
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{{Text|Simple|Attributed to [[Lucius Chapin]] by Law (1812) and by Temperley*.}} | |||
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*'''Bourbon''' (HTI 14915a). First published in ''[[The Beauties of Harmony (Freeman Lewis)|The Beauties of Harmony]]'' (1814): Look down in pity, Lord, and see (L.M., a, 4 vo.) | |||
::Also in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – Look down in pity, Lord, and see | |||
::Also in ''[[The Virginia Sacred Musical Repository]]'', 1818 – Look down in pity, Lord, and see | |||
::Also (14915b) in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – Twas on that dark, that doleful night (3 vo.) | |||
::Also (14915b) in ''[[The Missouri Harmony]]'', 1820 – Twas on that dark, that doleful night (3 vo.) | |||
::Also Dismission (14915c) in ''[[The Missouri Harmony]]'', 1820 – I cannot bear thine absence, Lord (3 vo.) | |||
::Also in ''[[Supplement to the Kentucky Harmony (Ananias Davisson)|Supplement to the Kentucky Harmony]]'', 1820 – Look down in pity, Lord, and see | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Twas on that dark, that doleful night (3 vo.) | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – From deep distress and troubled thoughts (3 vo.) | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Twas on that dark, that doleful night (3 vo.) | |||
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*'''Brentford''' (HTI 14116). First published in ''Law, Twenty Tunes†'' (1812): Well, the redeemer's gone, t'appear before our God (S.M., C, 4 vo.) | |||
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*'''Consolation''' (HTI 14117). First published in ''Law, Twenty Tunes†'' (1812): Come, humble sinner, in whose breast (C.M., a, 4 vo.) | |||
::Also in ''[[Wyeth's Repository, Part Second]]'', 1813 – Once more, my soul, the rising day (3 vo.) | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony]]'', 1816 – Once more, my soul, the rising day | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 2]]'', 1817 – Once more, my soul, the rising day | |||
::Also in ''[[The Virginia Sacred Musical Repository]]'', 1818 – Now shall my inward joys arise | |||
::Also in ''[[Johnson's Tennessee Harmony]]'', 1818 – Once more, my soul, the rising day (3 vo.) | |||
::Also in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – Once more, my soul, the rising day | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 3]]'', 1819 – Once more, my soul, the rising day | |||
::Also in ''[[The Missouri Harmony]]'', 1820 – Once more, my soul, the rising day | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Once more, my soul, the rising day (3 vo.) | |||
::Also in ''[[Virginia Harmony]]'', 1831 – Once more, my soul, the rising day (3 vo.) | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1831 – Once more, my soul, the rising day (3 vo.) | |||
::Also in ''[[Southern Harmony]]'', 1835 – Once more, my soul, the rising day (3 vo.) | |||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Once more, my soul, the rising day (3 vo.) | |||
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*'''Consolation New''' (HTI 14765). First published as '''Consolation''' in ''[[Wyeth's Repository, Part Second]]'' (1813): Come on, my partners in distress (886.886., a, 2 vo.) | |||
::Also in ''[[Johnson's Tennessee Harmony]]'', 1818 – Come on, my partners in distress (3 vo.) | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Come on, my partners in distress (3 vo.) | |||
::Also Consolation in ''[[Supplement to the Kentucky Harmony (Ananias Davisson)|Supplement to the Kentucky Harmony]]'', 1826 – Come on, my partners in distress (3 vo.) | |||
::Also in ''[[Southern Harmony]]'', 1835 – Come on, my partners in distress (3 vo.) | |||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Come on, my partners in distress (3 vo.) | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come on, my partners in distress (3 vo.) | |||
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*'''Liberty Hall''' (HTI 13551a). First published as '''Communion''' in ''[[Wyeth's Repository of Sacred Music (John Wyeth)|Wyeth's Repository of Sacred Music]]'' (1810): Alas! and did my Savior bleed (C.M., a, 3 vo.) | |||
::Also (13551c) in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'', 1813 – Alas! and did my Savior bleed (4 vo.) | |||
::Also (13551c) in ''Law, Twenty Tunes†'', 1812 – My soul forsakes her vain delights (4 vo.) | |||
::Also (13551c) in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'', 1813 – Alas! and did my Savior bleed (4 vo.) | |||
::Also (13551c) in ''[[The Beauties of Harmony (Freeman Lewis)|The Beauties of Harmony]]'', 1814 – Alas! and did my Savior bleed (4 vo.) | |||
::Also (13551c) in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – Alas! and did my Savior bleed (4 vo.) | |||
::Also (13551c) in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony]]'', 1816 – Death! What a solemn word to all (4 vo.) | |||
::Also Communion in ''[[The New-Brunswick Collection of Sacred Music]]'', 1817 – Alas! and did my Savior bleed (2 vo.) | |||
::Also (13551c) in ''[[The Virginia Sacred Musical Repository]]'', 1818 – Alas! and did my Savior bleed (4 vo.) | |||
::Also Communion in ''[[Johnson's Tennessee Harmony]]'', 1818 – Alas! and did my Savior bleed | |||
::Also (13551c) in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – Alas! and did my Savior bleed (4 vo.) | |||
::Also (13551c) in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 3]]'', 1819 – Death! What a solemn word to all (4 vo.) | |||
::Also Sincerity (13551b) in ''[[The Evening Star]]'', 1820 – My soul, come meditate the day | |||
::Also (13551c) in ''[[The Missouri Harmony]]'', 1820 – Death! What a solemn word to all (4 vo.) | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Alas! and did my Savior bleed (4 vo.) | |||
::Also Whiting in ''[[The Christian Lyre (Joshua Leavitt)|The Christian Lyre]]'', 1831 – Long have I tried terrestrial joys (2 vo.) | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Alas! and did my Savior bleed | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Death, what a solemn word to all (4 vo.) | |||
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*'''Maitland''' (HTI ). First published in ''[[Plymouth Collection of Hymns and Tunes]]'' (1855): Must Jesus bear the cross alone (C.M., B{{flat}}, 4 vo.) | |||
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*'''New Monmouth ''' (HTI 14120). First published in ''Law, Twenty Tunes†'' (1812): Come thou fount of every blessing (87.87., a, 4 vo.) | |||
::Also in ''[[Wyeth's Repository, Part Second]]'', 1813 – Come thou fount of every blessing (2 vo.) | |||
::Also New-Monmouth in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony]]'', 1816 – Come thou fount of every blessing (3 vo.) | |||
::Also New-Monmouth in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 2]]'', 1817 – Come thou fount of every blessing (3 vo.) | |||
::Also Monmouth in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – Come thou fount of every blessing (3 vo.) | |||
::Also Newmonmouth in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 3]]'', 1819 – Come thou fount of every blessing (3 vo.) | |||
::Also New-Monmouth in ''[[The Missouri Harmony]]'', 1820 – Come thou fount of every blessing | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Come thou fount of every blessing (3 vo.) | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come thou fount of every blessing | |||
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*'''Ninety-Fifth''' (HTI 14592). First published in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'' (1813): When I can read my title clear (C.M., A, 4 vo.) | |||
::Also in ''[[Wyeth's Repository, Part Second]]'', 1813 – When I can read my title clear | |||
::Also in ''[[The Beauties of Harmony (Freeman Lewis)|The Beauties of Harmony]]'', 1814 – When I can read my title clear | |||
::Also in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – When I can read my title clear | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony]]'', 1816 – When I can read my title clear | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 2]]'', 1817 – When I can read my title clear | |||
::Also in ''[[Johnson's Tennessee Harmony]]'', 1818 – When I can read my title clear | |||
::Also in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – When I can read my title clear | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 3]]'', 1819 – When I can read my title clear | |||
::Also in ''[[The Missouri Harmony]]'', 1820 – When I can read my title clear | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – When I can read my title clear | |||
::Also in ''[[Virginia Harmony]]'', 1831 – When I can read my title clear | |||
::Also in ''[[Southern Harmony]]'', 1835 – When I can read my title clear | |||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – When I can read my title clear | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – When I can read my title clear | |||
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*'''Ninety-Third''' (HTI 10990a). First published as '''Delay''' in ''[[The Christian Harmony (Jeremiah Ingalls)|Ingalls' Christian Harmony]]'' (1805): Ah, whither should I go (S.M., C, 3 vo.) | |||
::Also Kentucky (10990c) in ''[[David's Harp]]'', 1813 – My God, my life, my love | |||
::Also (10990b) in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'', 1813 – Raise your triumphant songs (4 vo.) | |||
::Also (10990b) in ''[[Wyeth's Repository, Part Second]]'', 1813 – Raise your triumphant songs (4 vo.) | |||
::Also (10990b) in ''[[The Beauties of Harmony (Freeman Lewis)|The Beauties of Harmony]]'', 1814 – Come, all harmonious tongues (4 vo.) | |||
::Also (10990b) in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – Come, all harmonious tongues (4 vo.) | |||
::Also (10990b) in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony]]'', 1816 – My Savior and my King (4 vo.) | |||
::Also Kentucky (10990c) in ''[[The Virginia Sacred Minstrel]]'', 1817 – Behold the throne of grace | |||
::Also (10990b) in ''[[Johnson's Tennessee Harmony]]'', 1818 – Raise your triumphant songs (4 vo.) | |||
::Also (10990b) in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – Come, all harmonious tongues (4 vo.) | |||
::Also (10990b) in ''[[The Missouri Harmony]]'', 1820 – My Savior and my King (4 vo.) | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – And must this body die (4 vo.) | |||
::Also in ''[[Virginia Harmony]]'', 1831 – O may thy powerful word | |||
::Also Kentucky in ''[[The Christian Lyre (Joshua Leavitt)|The Christian Lyre]]'', 1831 – A charge to keep I have (2 vo.) | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – My Savior and my King | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – We lift our hearts to thee (4 vo.) | |||
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*'''Olney''' (HTI 15960a). First published in ''[[The Virginia Sacred Musical Repository]]'' (1818): Lo, he cometh! Countless trumpets (87.87.47., G, 4 vo.) | |||
::Also (15960b) in ''[[Johnson's Tennessee Harmony]]'', 1818 – Come, thou fount of every blessing (87.87.D.3 vo.) | |||
::Also (15960c) in ''[[The Missouri Harmony]]'', 1820 – Come, thou fount of every blessing (87.87.D.3 vo.) | |||
::Also in ''[[Supplement to the Kentucky Harmony (Ananias Davisson)|Supplement to the Kentucky Harmony]]'', 1820 – Come, thou fount of every blessing | |||
::Also Ebenezer in ''[[Songs of Zion (James P. Carrell)|Songs of Zion]]'', 1821 – Come, thou fount of every blessing (87.87.D.) | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Come, thou fount of every blessing (87.87.D.3 vo.) | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Hail! Thou once despised Jesus (87.87.D.3 vo.) | |||
::Also in ''[[Southern Harmony]]'', 1835 – Come, thou fount of every blessing (87.87.D.3 vo.) | |||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Come, thou fount of every blessing (87.87.D.3 vo.) | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come, thou fount of every blessing (87.87.D.) | |||
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*'''Primrose''' (HTI 14122). First published as '''Twenty-Fourth''' in ''Law, Twenty Tunes†'' (1812): My Savior, my almighty friend (C.M., A, 4 vo.) | |||
::Also Twenty-Fourth in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'', 1813 – Salvation! Oh, the joyful sound | |||
::Also Twenty-Fourth in ''[[Wyeth's Repository, Part Second]]'', 1813 – Salvation! Oh, the joyful sound (3 vo.) | |||
::Also Twenty-Fourth in ''[[The Beauties of Harmony (Freeman Lewis)|The Beauties of Harmony]]'', 1814 – Salvation! Oh, the joyful sound | |||
::Also Duffield in ''[[The Philadelphia Third Presbyterian Church Collection]]'', 1815 – Give me the wings of faith to rise (in B{{flat}}2 vo.) | |||
::Also Twenty-Fourth in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – Salvation! Oh, the joyful sound | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony]]'', 1816 – Salvation! Oh, the joyful sound | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 2]]'', 1817 – Salvation! Oh, the joyful sound | |||
::Also Twenty-Fourth in ''[[The Virginia Sacred Musical Repository]]'', 1818 – Salvation! Oh, the joyful sound | |||
::Also Orange in ''[[Johnson's Tennessee Harmony]]'', 1818 – Come, happy souls, approach your God | |||
::Also Twenty-Fourth in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – Salvation! Oh, the joyful sound | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 3]]'', 1819 – Salvation! Oh, the joyful sound | |||
::Also in ''[[The Missouri Harmony]]'', 1820 – Salvation! Oh, the joyful sound | |||
::Also Orange in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Salvation! Oh, the joyful sound | |||
::Also in ''[[Virginia Harmony]]'', 1831 – Salvation! Oh, the joyful sound (3 vo.) | |||
::Also Melody in ''[[The Christian Lyre (Joshua Leavitt)|The Christian Lyre]]'', 1831 – There is a land of pure delight (2 vo.) | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Hosanna to the Prince of light (3 vo.) | |||
::Also in ''[[Southern Harmony]]'', 1835 – Salvation! Oh, the joyful sound (3 vo.) | |||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Salvation! Oh, the joyful sound (3 vo.) | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Salvation! Oh, the joyful sound | |||
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*'''Rockbridge ''' (HTI 14121). First published in ''Law, Twenty Tunes†'' (1812): Sweet is the work, my God, my king (L.M., C, 4 vo.) | |||
::Also in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'', 1813 – Far from my thoughts, vain world, be gone | |||
::Also in ''[[Wyeth's Repository, Part Second]]'', 1813 – Far from my thoughts, vain world, be gone (3 vo.) | |||
::Also in ''[[The Beauties of Harmony (Freeman Lewis)|The Beauties of Harmony]]'', 1814 – Far from my thoughts, vain world, be gone | |||
::Also in ''[[The Philadelphia Third Presbyterian Church Collection]]'', 1815 – The Lord, how wondrous are his ways (2 vo.) | |||
::Also in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – Far from my thoughts, vain world, be gone | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony]]'', 1816 – Sweet is the work, my God, my king | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 2]]'', 1817 – Sweet is the work, my God, my king | |||
::Also in ''[[The New-Brunswick Collection of Sacred Music]]'', 1817 – Far from my thoughts, vain world, be gone (2 vo.) | |||
::Also in ''[[Johnson's Tennessee Harmony]]'', 1818 – Before Jehovah's awful throne | |||
::Also in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – Far from my thoughts, vain world, be gone | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 3]]'', 1819 – Sweet is the work, my God, my king | |||
::Also in ''[[The Missouri Harmony]]'', 1820 – Sweet is the work, my God, my king | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Sweet is the work, my God, my king | |||
::Also in ''[[Virginia Harmony]]'', 1831 – Sweet is the work, my God, my king (3 vo.) | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Sweet is the work, my God, my king (3 vo.) | |||
::Also in ''[[Southern and Western Pocket Harmonist]]'', 1846 – Life is the time to serve the Lord (3 vo.) | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Sweet is the work, my God, my king | |||
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*'''Rockingham''' (HTI 14593). First published in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'' (1813): My God, the spring of all my joys (C.M., A, 4 vo.) | |||
::Also in ''[[Wyeth's Repository, Part Second]]'', 1813 – Salvation! Oh, the joyful sound | |||
::Also in ''[[The Beauties of Harmony (Freeman Lewis)|The Beauties of Harmony]]'', 1814 – My God, what endless pleasures dwell | |||
::Also in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – My God, what endless pleasures dwell | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 2]]'', 1817 – Thus saith the mercy of the Lord | |||
::Also in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – My God, what endless pleasures dwell | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony, Ed. 3]]'', 1819 – Thus saith the mercy of the Lord | |||
::Also in ''[[The Missouri Harmony]]'', 1820 – Thus saith the mercy of the Lord | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Alas, and did my Savior bleed | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Come, happy souls, approach your God (3 vo.) | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Thus saith the mercy of the Lord | |||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1850 – Salvation! Oh, the joyful sound (3 vo.) | |||
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*'''Thirtieth''' (HTI 14590). First published in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'' (1813): And am I born to die (S.M., G, 4 vo.) | |||
::Also in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'', 1813 – And am I born to die | |||
::Also in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – And am I born to die | |||
::Also in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – And am I born to die | |||
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*'''Tribulation''' (HTI 14594). First published in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'' (1813): Lord, what a wretched land is this (C.M., d, 4 vo.) | |||
::Also in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – Lord, what a wretched land is this | |||
::Also in ''[[Kentucky Harmony (Ananias Davisson)|Kentucky Harmony]]'', 1816 – Death! 'Tis a melancholy day | |||
::Also in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – Lord, what a wretched land is this | |||
::Also in ''[[The Missouri Harmony]]'', 1820 – Death! 'Tis a melancholy day | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Death! 'Tis a melancholy day | |||
::Also in ''[[Virginia Harmony]]'', 1831 – Death! 'Tis a melancholy day (3 vo.) | |||
::Also Youthful Piety in ''[[A Compilation of Genuine Church Music]]'', 1835 – Come, let us now forget our mirth (3 vo.) | |||
::Also in ''[[Southern Harmony]]'', 1835 – Death! 'Tis a melancholy day (3 vo.) | |||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Death! 'Tis a melancholy day (3 vo.) | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Death! 'Tis a melancholy day | |||
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*'''Unitia''' (HTI 14118). First published as '''Eunitia''' in ''Law, Twenty Tunes†'' (1812): Oh, tell me no more (55.65., G, 4 vo.) | |||
::Also in ''[[Wyeth's Repository, Part Second]]'', 1813 – Oh, tell me no more | |||
::Also in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'', 1813 – Oh, tell me no more | |||
::Also in ''[[The Beauties of Harmony (Freeman Lewis)|The Beauties of Harmony]]'', 1814 – Oh, tell me no more | |||
::Also in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – Oh, tell me no more | |||
::Also in ''[[The Virginia Sacred Musical Repository]]'', 1818 – Oh, tell me no more | |||
::Also in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – Oh, tell me no more | |||
::Also (17140) in ''[[Supplement to the Kentucky Harmony (Ananias Davisson)|Supplement to the Kentucky Harmony]]'', 1820 – Oh, tell me no more | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Oh, tell me no more | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Begone, unbelief (3 vo.) | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – But this I do find | |||
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*'''Vernon''' (HTI 10998a). First published as '''Farewell Hymn''' in ''[[The Christian Harmony (Jeremiah Ingalls)|Ingalls' Christian Harmony]]'' (1805): Give ear to me, ye sons of men (L.M., d, 4 vo.) | |||
::Also (10998b) in ''[[Patterson's Church Music (Robert Patterson)|Patterson's Church Music]]'', 1813 – Lord, what a heaven of saving grace (in e) | |||
::Also (10998b) in ''[[Wyeth's Repository, Part Second]]'', 1813 – Lord, what a heaven of saving grace (in e) | |||
::Also (10998b) in ''[[The Pittsburgh Selection (John Armstrong)|The Pittsburgh Selection]]'', 1816 – Lord, what a heaven of saving grace (in e) | |||
::Also (10998b) in ''[[The Virginia Sacred Musical Repository]]'', 1818 – Lord, what a heaven of saving grace (in e) | |||
::Also (10998c) in ''[[Kentucky Harmonist (Samuel Metcalf)|Kentucky Harmonist]]'', 1818 – Come, O thou traveller unknown (in e) | |||
::Also (10998c) in ''[[The Missouri Harmony]]'', 1820 – Come, O thou traveller unknown (in e) | |||
::Also (10998b) in ''[[Supplement to the Kentucky Harmony (Ananias Davisson)|Supplement to the Kentucky Harmony]]'', 1820 – Lord, what a heaven of saving grace (in e) | |||
::Also in ''[[Columbian Harmony (William Moore)|Moore's Columbian Harmony]]'', 1825 – Come, O thou traveller unknown (in e) | |||
::Also in ''[[A Compilation of Genuine Church Music]]'', 1835 – Come, O thou traveller unknown (88.88.88.in e) | |||
::Also in ''[[Southern Harmony]]'', 1835 – Come, O thou traveller unknown (88.88.88.in e3 vo.) | |||
::Also in ''[[The Sacred Harp (1844)|The Sacred Harp]]'', 1844 – Come, O thou traveller unknown (88.88.88.in e) | |||
::Also in ''[[The Hesperian Harp (William Hauser)|The Hesperian Harp]]'', 1848 – Come, O thou traveller unknown (in e) | |||
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:{{aster}}. [http://hymntune.library.uiuc.edu/default.asp Nicholas Temperley. ''The Hymn Tune Index''] | :{{aster}}. [http://hymntune.library.uiuc.edu/default.asp Nicholas Temperley. ''The Hymn Tune Index''] | ||
:†. Included in an informal publication (not distributed) by Andrew Law in 1812. | :†. Included in an informal publication (not distributed) by Andrew Law in 1812. |
Revision as of 15:28, 30 August 2019
General Information
Description: This is a list of all works said to be composed by Lucius Chapin or his brother Amzi Chapin.
List of Works
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