Christe redemptor omnium IV (Anonymous): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2011-11-27}} {{CPDLno|25018}} [[Media:Anonymous-Christe_redemptor_IV.pdf|{{pdf}}]] [[Media:Anonymous-Christe_redemptor_IV.mid|{{mid}}]] [[Media:Anonymous-Christe_redemptor_IV-XML.zip|{{Zip}}]](XML)
*{{CPDLno|25018}} [{{filepath:Anonymous-Christe_redemptor_IV.pdf}} {{pdf}}] [{{filepath:Anonymous-Christe_redemptor_IV.mid}} {{mid}}] [{{filepath:Anonymous-Christe_redemptor_IV-XML.zip}} MusicXML]  
{{Editor|Renato Calcaterra|2011-11-27}}{{ScoreInfo|A4|1|37}}{{Copy|CPDL}}
{{Editor|Renato Calcaterra|2011-11-27}}{{ScoreInfo|A4|1|37}}{{Copy|CPDL}}
:'''Edition notes:''' MusicXML file is [[zipped]]. Original note values, no barlines.
:{{EdNotes|MusicXML file is [[zipped]]. Original note values, no barlines.}}


==General Information==
==General Information==
'''Title:''' ''Christe redemptor omnium IV''<br>
{{Title|''Christe redemptor omnium IV''}}
{{Composer|Anonymous}}
{{Composer|Anonymous}}


{{Voicing|2|AT}}<br>
{{Voicing|2|AT}}
{{Genre|Sacred|Hymns}} &nbsp; {{Meter|88. 88 (L.M.)}}
{{Genre|Sacred|Hymns}} &nbsp; {{Meter|88. 88 (L.M.)}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
'''Published:'''
{{Pub|1|}}
 
{{Descr|“De Omnibus Sanctis et de Nativitate” hymn transcribed from the Trent manuscript tr88. The notes' values, colourings and text underlay are as in the manuscript. The time signature is missing in both the voices, the “tempus perfectum” has been assumed from the context. The 1st and 3rd verse “de Omnibus Sanctis” are written on the top of the page, the even verses “de Nativitate” are written on the bottom of the page. The coloured notes are in “proportio sesquialtera” (3 vs. 2). The notes' values within the "ligaturæ" are semibreves. The “musica ficta” suggestions are in the MIDI and MusicXML files.}}
'''Description:''' “De Omnibus Sanctis et de Nativitate” hymn transcribed from the Trent manuscript tr88. The notes' values, colourings and text underlay are as in the manuscript. The time signature is missing in both the voices, the “tempus perfectum” has been assumed from the context. The 1st and 3rd verse “de Omnibus Sanctis” are written on the top of the page, the even verses “de Nativitate” are written on the bottom of the page. The coloured notes are in “proportio sesquialtera” (3 vs. 2). The notes' values within the "ligaturæ" are semibreves. The “musica ficta” suggestions are in the MIDI and MusicXML files.
{{#ExtWeb:
 
*[https://web.archive.org/web/20110729125253/http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 Source manuscript]}}
'''External websites:'''
*[http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 Source manuscript]
 
==Original text and translations==
==Original text and translations==
{{LinkText|Christe Redemptor omnium, ex Patre}}
{{LinkText|Christe Redemptor omnium, ex Patre}}
{{Linktext|Christe Redemptor omnium, conserva}}
 
See also: [[Christe Redemptor omnium, conserva]].


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Medieval music]]
[[Category:Medieval music]]

Latest revision as of 19:04, 11 July 2021

Music files

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  • (Posted 2011-11-27)  CPDL #25018:      (XML)
Editor: Renato Calcaterra (submitted 2011-11-27).   Score information: A4, 1 page, 37 kB   Copyright: CPDL
Edition notes: MusicXML file is zipped. Original note values, no barlines.

General Information

Title: Christe redemptor omnium IV
Composer: Anonymous

Number of voices: 2vv   Voicing: AT
Genre: SacredHymn   Meter: 88. 88 (L.M.)

Language: Latin
Instruments: A cappella

First published:
Description: “De Omnibus Sanctis et de Nativitate” hymn transcribed from the Trent manuscript tr88. The notes' values, colourings and text underlay are as in the manuscript. The time signature is missing in both the voices, the “tempus perfectum” has been assumed from the context. The 1st and 3rd verse “de Omnibus Sanctis” are written on the top of the page, the even verses “de Nativitate” are written on the bottom of the page. The coloured notes are in “proportio sesquialtera” (3 vs. 2). The notes' values within the "ligaturæ" are semibreves. The “musica ficta” suggestions are in the MIDI and MusicXML files.

External websites:

Original text and translations

Original text and translations may be found at Christe Redemptor omnium, ex Patre.

See also: Christe Redemptor omnium, conserva