Come, blessed bird (Edward Johnson): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{CPDLno|11751}} [[Media:Johnson-ComeBlessedBird.pdf|{{pdf}}]] [[Media:Johnson-ComeBlessedBird.mid|{{mid}}]] [[Media:Johnson-ComeBlessedBird.mxl|{{XML}}]] [[Media:Johnson-ComeBlessedBird.mus|{{mus}}]] (Finale 2006) | * {{PostedDate| 2020-06-03}} {{CPDLno|59037}} [[Media:Johnson_-_Come,_blessed_bird.pdf|{{pdf}}]] [[Media:Johnson_-_Come,_blessed_bird.mxl|{{XML}}]] | ||
{{Editor|Gary D. Cannon|2020-06-03}} {{ScoreInfo|Letter|6|77}}{{Copy|CPDL}} | |||
:{{EdNotes|}} | |||
*{{PostedDate|2006-05-19}} {{CPDLno|11751}} [[Media:Johnson-ComeBlessedBird.pdf|{{pdf}}]] [[Media:Johnson-ComeBlessedBird.mid|{{mid}}]] [[Media:Johnson-ComeBlessedBird.mxl|{{XML}}]] [[Media:Johnson-ComeBlessedBird.mus|{{mus}}]] (Finale 2006) | |||
{{Editor|Roel Griffioen|2006-05-19}}{{ScoreInfo|A4|4|100}}{{Copy|CPDL}} | {{Editor|Roel Griffioen|2006-05-19}}{{ScoreInfo|A4|4|100}}{{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
==General Information== | ==General Information== | ||
{{Title|''Come, blessed bird''}} | |||
{{Composer|Edward Johnson}} | {{Composer|Edward Johnson}} | ||
{{Voicing|6|SSAATB}} | {{Voicing|6|SSAATB}} | ||
{{Genre|Secular|Madrigals}} | {{Genre|Secular|Madrigals}} | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments| vocal}} | {{Instruments| vocal}} | ||
{{Pub|1|1601|in ''[[The Triumphs of Oriana]]''|no=24}} | {{Pub|1|1601|in ''[[The Triumphs of Oriana]]''|no=24}} | ||
{{Descr| }} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{Text|English| | {{Text|English| | ||
Come, come, blessed bird, | Come, come, blessed bird, | ||
and with thy sugared relish | and with thy sugared relish | ||
help our declining choir now to embellish, | help our declining choir now to embellish, | ||
For Bonnyboots, for Bonnyboots, | For Bonnyboots, for Bonnyboots, | ||
that so aloft would fetch it, | that so aloft would fetch it, | ||
Ohe is dead and none of us can reach it. | Ohe is dead and none of us can reach it. | ||
Then tune to us, | Then tune to us, | ||
sweet bird, thy shrill recorder, | sweet bird, thy shrill recorder, | ||
and Elpin, and I, and Dorus, | and Elpin, and I, and Dorus, | ||
for fault of better, | for fault of better, | ||
will serve in the chorus: | will serve in the chorus: | ||
Begin and we will follow thee in order, | Begin and we will follow thee in order, | ||
Then sang the woodborn minstrel of Diana: | Then sang the woodborn minstrel of Diana: | ||
Long live fair Oriana. | Long live fair Oriana. | ||
}} | }} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Latest revision as of 21:05, 19 March 2022
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Finale | |
File details | |
Help |
- Editor: Gary D. Cannon (submitted 2020-06-03). Score information: Letter, 6 pages, 77 kB Copyright: CPDL
- Edition notes:
- Editor: Roel Griffioen (submitted 2006-05-19). Score information: A4, 4 pages, 100 kB Copyright: CPDL
- Edition notes:
General Information
Title: Come, blessed bird
Composer: Edward Johnson
Number of voices: 6vv Voicing: SSAATB
Genre: Secular, Madrigal
Language: English
Instruments: vocal
First published: 1601 in The Triumphs of Oriana, no. 24
Description:
External websites:
Original text and translations
English text
Come, come, blessed bird,
and with thy sugared relish
help our declining choir now to embellish,
For Bonnyboots, for Bonnyboots,
that so aloft would fetch it,
Ohe is dead and none of us can reach it.
Then tune to us,
sweet bird, thy shrill recorder,
and Elpin, and I, and Dorus,
for fault of better,
will serve in the chorus:
Begin and we will follow thee in order,
Then sang the woodborn minstrel of Diana:
Long live fair Oriana.