Gloria (Tr. 93, 170v - 171r) (John Dunstable): Difference between revisions
Jump to navigation
Jump to search
m (Text replacement - "{{Published|}}" to "{{Pub|1|}}") |
m (Text replacement - "\{\{Voicing\|(.*)\|(.*)\}\}\<br\> " to "{{Voicing|$1|$2}} ") |
||
| (5 intermediate revisions by 3 users not shown) | |||
| Line 1: | Line 1: | ||
==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2016-03-01}} {{CPDLno|38738}} [[Media:Gloria_(Dunstable)_Tr._93,_170v_-_171r.pdf|{{pdf}}]] [[Media:Gloria_in_F_(Dunstable).mid|{{mid}}]] | *{{PostedDate|2016-03-01}} {{CPDLno|38738}} [[Media:Gloria_(Dunstable)_Tr._93,_170v_-_171r.pdf|{{pdf}}]] [[Media:Gloria_in_F_(Dunstable).mid|{{mid}}]] [[Media:Gloria_(Dunstable)_Tr._93,_170v_-_171r.mxl|{{XML}}]] | ||
{{Editor|Simon Biazeck|2016-03-01}}{{ScoreInfo|A4|3|98}}{{Copy|CPDL}} | {{Editor|Simon Biazeck|2016-03-01}}{{ScoreInfo|A4|3|98}}{{Copy|CPDL}} | ||
: | :{{EdNotes|This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. The original mensuration sign, tempus imperfectum, prolatio minor, suggests a moderate two in a bar. Cue-sized and cautionary accidentals are editorial. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and, indeed, much music of the late Medieval and early Renaissance periods. No attempt has been made to correct so-called forbidden intervals. All voices retain their linear integrity.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Gloria (Tr. 93, 170v - 171r)''}} | |||
{{Composer|John Dunstable}} | {{Composer|John Dunstable}} | ||
{{Lyricist|Traditional}} | {{Lyricist|Traditional}} | ||
{{Voicing|3|ATB|ATBar.}} | {{Voicing|3|ATB|ATBar.}} | ||
{{Genre|Sacred|Mass fragments}} | {{Genre|Sacred|Mass fragments}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|}} | {{Pub|1|}} | ||
{{Descr|This telescoped setting of the Gloria presents three sections of the text simultaneously.}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Gloria}} | {{LinkText|Gloria}} | ||
Latest revision as of 03:38, 18 July 2021
Music files
| ICON | SOURCE |
|---|---|
 |
|
 |
Midi |
 |
MusicXML |
 |
File details |
 |
Help |
- (Posted 2016-03-01) CPDL #38738:
- Editor: Simon Biazeck (submitted 2016-03-01). Score information: A4, 3 pages, 98 kB Copyright: CPDL
- Edition notes: This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. The original mensuration sign, tempus imperfectum, prolatio minor, suggests a moderate two in a bar. Cue-sized and cautionary accidentals are editorial. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and, indeed, much music of the late Medieval and early Renaissance periods. No attempt has been made to correct so-called forbidden intervals. All voices retain their linear integrity.
General Information
Title: Gloria (Tr. 93, 170v - 171r)
Composer: John Dunstable
Lyricist: Traditional
Number of voices: 3vv Voicing: ATBar.
Genre: Sacred, Mass fragment
Language: Latin
Instruments: A cappella
First published:
Description: This telescoped setting of the Gloria presents three sections of the text simultaneously.
External websites:
Original text and translations
Original text and translations may be found at Gloria.