Gott, man lobet dich in der Stille, BWV 120 (Johann Sebastian Bach): Difference between revisions

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{{Instruments|Orchestra:| 2 oboes d'amore, 3 trumpets, timpani, strings, continuo}}
{{Instruments|Orchestra:| 2 oboes d'amore, 3 trumpets, timpani, strings, continuo}}
{{Pub|1|1876|in ''Bach-Gesellschaft Ausgabe'' 24}}
{{Pub|1|1876|in ''Bach-Gesellschaft Ausgabe'' 24}}
{{Opus|BWV|0000|mvt=1}}


'''Description:''' Cantata for the inauguration of a new town council. It is now accepted that the work acquired its surviving form no earlier than 1742, but 3 movements appear to be parodied from 2 lost works known from their libretti:''Gott, man lobet dich'' BWV 120b for the 1730 commemoration of the Augsburg Confession, and the c.1729 wedding cantata ''Herr Gott, Beherrscher aller Dinge'' BWV 120a, and the music of the soprano aria appears in the violin sonata BWV 1019a, c. 1725.
'''Description:''' Cantata for the inauguration of a new town council. It is now accepted that the work acquired its surviving form no earlier than 1742, but 3 movements appear to be parodied from 2 lost works known from their libretti:''Gott, man lobet dich'' BWV 120b for the 1730 commemoration of the Augsburg Confession, and the c.1729 wedding cantata ''Herr Gott, Beherrscher aller Dinge'' BWV 120a, and the music of the soprano aria appears in the violin sonata BWV 1019a, c. 1725.

Revision as of 22:10, 23 September 2020

Music files

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  • (Posted 2017-04-03)  CPDL #43866:  Network.png
Contributor: Paolo Pandolfo (submitted 2017-04-03).  Score information: A4, 28 pages, 1.95 MB   Copyright: CPDL
Edition notes: A scan of the piano-vocal score by Berhard Todt.

General Information

Title: Gott, man lobet dich in der Stille, BWV 120
Composer: Johann Sebastian Bach
Lyricist:

Number of voices: 4vv   Voicing: SATB

Genre: SacredCantata

Language: German
Instruments: Orchestra: 2 oboes d'amore, 3 trumpets, timpani, strings, continuo

First published: 1876 in Bach-Gesellschaft Ausgabe 24
Opus: BWV 0

Description: Cantata for the inauguration of a new town council. It is now accepted that the work acquired its surviving form no earlier than 1742, but 3 movements appear to be parodied from 2 lost works known from their libretti:Gott, man lobet dich BWV 120b for the 1730 commemoration of the Augsburg Confession, and the c.1729 wedding cantata Herr Gott, Beherrscher aller Dinge BWV 120a, and the music of the soprano aria appears in the violin sonata BWV 1019a, c. 1725. Bach reworked the choral second movement for the Symbolum Nicenum of his Mass in B minor.

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Original text and translations

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