I follow, lo, the footing (Thomas Morley): Difference between revisions
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:'''Edition notes:''' Based on #15052, with corrections, including major realignment of the Cantus underlay between bars 3 and 72. In most cases, the realignment needed is obvious; Bars 70-72 are putative. In addition, the rather exotic rhythm in bar 72 has been simplified. Transposed down a tone. | :'''Edition notes:''' Based on #15052, with corrections, including major realignment of the Cantus underlay between bars 3 and 72. In most cases, the realignment needed is obvious; Bars 70-72 are putative. In addition, the rather exotic rhythm in bar 72 has been simplified. Transposed down a tone. | ||
*{{CPDLno|15052}} [{{filepath:Morl-ifol.pdf}} {{pdf}}] [{{website|brianrussell}}404.mid {{mid}}] [{{website|brianrussell}}404.nwc NoteWorthy Composer | *{{CPDLno|15052}} [{{filepath:Morl-ifol.pdf}} {{pdf}}] [{{website|brianrussell}}404.mid {{mid}}] [{{website|brianrussell}}404.nwc {{NWC}}] (NoteWorthy Composer) | ||
{{Editor|Brian Russell|2007-09-11}}{{ScoreInfo|A4|8|121}}{{Copy|CPDL}} | {{Editor|Brian Russell|2007-09-11}}{{ScoreInfo|A4|8|121}}{{Copy|CPDL}} | ||
:'''Edition notes:''' PDF file created and uploaded to CPDL server 2008-10-09. {{NWCV}} | :'''Edition notes:''' PDF file created and uploaded to CPDL server 2008-10-09. {{NWCV}} | ||
Revision as of 18:14, 4 August 2016
Music files
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File details |
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- CPDL #25285:
[ 
]
- Editor: James Gibb (submitted 2012-01-05). Score information: A4, 7 pages, 67 kB Copyright: CPDL
- Edition notes: Based on #15052, with corrections, including major realignment of the Cantus underlay between bars 3 and 72. In most cases, the realignment needed is obvious; Bars 70-72 are putative. In addition, the rather exotic rhythm in bar 72 has been simplified. Transposed down a tone.
- CPDL #15052:
(NoteWorthy Composer)
- Editor: Brian Russell (submitted 2007-09-11). Score information: A4, 8 pages, 121 kB Copyright: CPDL
- Edition notes: PDF file created and uploaded to CPDL server 2008-10-09. NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer.
Possible error(s) identified. See the discussion page for full description.
General Information
Title: I follow, lo, the footing
Composer: Thomas Morley
Number of voices: 5vv Voicing: SSATB
Genre: Secular, Madrigal
Language: English
Instruments: A cappella
Published: 1597
Description:
External websites:
Original text and translations
English text
I follow, lo! the footing still of my lovely cruel:
Proud of herself, that she is beauty's jewel:
And fast away she flieth, love's sweet delight deriding,
In woods and groves sweet, sweet nature's treasure hiding.
Yet cease I not pursuing; but since I thus have sought her,
Will run me out of breath, till I have caught her.