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| '''Aliases:''' Enzina, Juan dell; del Encina, Juan; del Enzina, Juan; de la Encina, Juan
| | {{Aliases|Juan dell Enzina|Juan del Encina|Juan del Enzina|Juan de la Encina}} |
| ==Life== | | ==Life== |
| '''Born:''' 12 July 1468 | | '''Born:''' 12 July 1468 |
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| '''Biography''' | | '''Biography''' |
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| Born in Salamanca, Spain, in July 12, 1468, his original name was "Juan de Fermoselle", taking "del Encina" in 1490 (perhaps his mother's last name). In the Universidad de Salamanca (Salamanca University) studied laws achieving his doctorate. Despite his father was a shoemaker, del Encina had some brothers with important education and positions, one of them (probably the oldest one), Diego de Fermoselle, was cathedratic of music in Salamanca University and one of his works remains in the "Cancionero Musical de Palacio" (Music Palace Songbook). | | Born in Salamanca, Spain, in July 12, 1468, his original name was "Juan de Fermoselle", adopting "del Encina" in 1490 (perhaps his mother's last name). In the Universidad de Salamanca (Salamanca University) he studied Law, achieving his doctorate. Despite his father being a shoemaker, some of del Encina's brothers received a good education and reached important positions; one of them (probably the oldest one), Diego de Fermoselle, was head of music in Salamanca University and one of his works remains in the "[[Cancionero Musical de Palacio]]" (Palace's Music Songbook). |
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| In 1490, del Encina became Choir's Chaplain at Salamanca's Cathedral, job what he loose for not becoming finally a priest, serving (1492-1502) to some aristocratic courts (in ex.: the Duke of Alba). In the meanwhile del Encina tryed to become Main Singer at the Cathedral, but in vain, because the position was for his coleague (and some kind of Nemesis, for some people), Lucas Fernández. But what del Encina didn't find at Spain he found it at Rome. In 1502 Alessandro VI (Pope) finally gave him the position at the Cathedral. The favor that del Encina had at Rome (the Vatican) still continued under the next Pope: Julius II, who gave to him the position of "Arcediano" at the Cathedral of Malaga. | | In 1490, del Encina became Choir Chaplain at Salamanca Cathedral, a job that he forfeited by not becoming a priest, serving instead (1492-1502) at some aristocratic courts (for example, the Duke of Alba). Meanwhile, del Encina tried to become the main singer at the Cathedral, but in vain, because the position was given to his colleague (and some kind of Nemesis, for some people), Lucas Fernández. But what del Encina didn't attain in Spain, he received in Rome. In 1502 Alessandro VI (Pope) finally gave him the position at the Cathedral. The favour that del Encina was held in at the Vatican continued under the next Pope: Julius II, who gave to him the position of "Arcediano" at Malaga Cathedral. |
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| In 1519, del Encina was finally ordered as priest and decided to celebrate his first mass in Jerusalem. Since 1519 to his death, del Encina was Prior of the Cathedral of Leon. | | In 1519, del Encina was finally ordained a priest and decided to celebrate his first mass in Jerusalem. From 1519 until his death, del Encina was Prior of Leon Cathedral. |
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| The exact date of his death remains unknown, but it could be late in 1529 or in the beginning of 1530, because his Last Will document was open in January 14, 1530, and his position as Prior in Leon was transferred to other in January, 10. | | The exact date of his death remains unknown, but it could have been late in 1529 or at the beginning of 1530, because his will was open on January 14, 1530, and his position as Prior in Leon was transferred to another on January 10. |
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| Del Encina not only was a great composer, but a good poet as well (his poetry, including that what was not musicalized) is not so good as his music. | | Del Encina not only was a great composer, but a good poet as well. Today we have just 61 of his musical works (it's not known how much is lost). The main source of his music is the "Cancionero Musical de Palacio" mentioned above, but it is not the only one. The following also contain works by him: |
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| Today we have just 61 of his music works (we don't know how much is lost)
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| The main source of his music is the "Cancionero Musical de Palacio" mentioned above, but it is not the only one. Must be added the following:
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| *Cancionero Musical de Segovia (circa 1500?) | | *Cancionero Musical de Segovia (circa 1500?) |
| *Firenze (National Library) Magl. XIX, 107 bis | | *Firenze (National Library) Magl. XIX, 107 bis |
| *Lib. II, Frottole, 1516. (Bibl. Marucelliana, Firenze) | | *''Frottole libro secondo'' (Rome: Antico), c.1516. (Bibl. Marucelliana, Firenze) |
| *Cancionero Musical de Barcelona (Central Libray, MS454) | | *Cancionero Musical de Barcelona (Central Libray, MS454) |
| *Cancionero Musical de Elva (Hortensia Library, MS11793) | | *Cancionero Musical de Elva (Hortensia Library, MS11793) |
| *D.B. (D. Joao IV, King of Portugal, Lisboa 1649, Venice 1666) | | *D.B. (D. Joao IV, King of Portugal, Lisboa 1649, Venice 1666) |
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| Main source of this article: | | Main source of this article: ''Juan del Encina Poesía Lírica y Cancionero Musical'', Ed. Castalia, Madrid, 1975. |
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| '''''Juan del Encina Poesía Lírica y Cancionero Musical.''''' Ed. Castalia, Madrid, 1975.
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| {{WikipediaLink}} | | {{WikipediaLink}} |
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| ==List of choral works== | | ==List of choral works== |
| {{Legend}} | | {{#SortWorks:}} |
| | | {{ArrangementsList}} |
| *[[¿A quién debo yo llamar? (Juan del Encina)|''¿A quién debo yo llamar?'']] ''2 editions available''
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| *[[Amor con fortuna (Juan del Encina)|''Amor con fortuna'']] ( [{{SERVER}}/wiki/images/sheet/enc-amo5.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/enc-amo5.mid {{mid}}] [{{SERVER}}/wiki/images/source/enc-amo5.zip Finale-1998] )
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| *[[Ay, que non hay (Juan del Encina)|''Ay, que non hay'']] ''2 editions available''
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| *[[Ay, triste que vengo (Juan del Encina)|''Ay, triste que vengo'']] ''3 editions available''
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| *[[Congoxa más que cruel (Juan del Encina)|''Congoxa más que cruel'']] ''2 editions available''
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| *[[¡Cucu, cucu! (Juan del Encina)|''¡Cucu, cucu!'']] ''3 editions available''
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| *''[[Daca, bailemos (Juan del Encina)|Daca, bailemos]] ''2 editions available''
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| *''[[Decidme, pues sospirastes (Juan del Encina)|Decidme, pues sospirastes]]'' ( [http://www.solovoces.com/partituras.html {{net}}] )
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| *[[Fata la parte (Juan del Encina)|''Fata la parte'']] ''3 editions available''
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| *[[Gasajemonos de hucia (Juan del Encina)|''Gasajemonos de hucia'']] ( [http://www.upv.es/coro/victoria/mas_partituras.html#dieciseis {{net}}] )
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| *[[Gran gasajo siento yo (Juan del Encina)|''Gran gasajo siento yo'']] ( [http://www.solovoces.com/partituras.html {{net}}] )
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| *''[[Hermitaño quiero ser (Juan del Encina)|Hermitaño quiero ser]]'' ( [http://www.solovoces.com/partituras.html {{net}}] )
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| *[[Hoy comamos y bebamos (Juan del Encina)|''Hoy comamos y bebamos'']] ''4 editions available''
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| *[[Levanta Pascual (Juan del Encina)|''Levanta Pascual'']] ''2 editions available''
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| *[[Más vale trocar (Juan del Encina)|''Más vale trocar'']] ''3 editions available''
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| *[[Mi libertad (Juan del Encina)|''Mi libertad'']] ( [{{SERVER}}/wiki/images/sheet/enc-mili.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/enc-mili.mid {{mid}}] [{{SERVER}}/wiki/images/source/enc-mili.zip Encore] )
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| *[[Mortal tristura me dieron (Juan del Encina)|''Mortal tristura me dieron'']] ( [{{SERVER}}/wiki/images/sheet/enc-mort.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/enc-mort.mid {{mid}}] [{{SERVER}}/wiki/images/source/enc-mort.zip Encore] )
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| *[[Ninguno cierre las puertas (Juan del Encina)|''Ninguno cierre las puertas'']] ( [{{SERVER}}/wiki/images/sheet/enc-ning.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/enc-ning.mid {{mid}}] [{{SERVER}}/wiki/images/source/enc-ning.zip Encore] )
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| *[[No se puede llamar (Juan del Encina)|''No se puede llamar'']] ''2 editions available''
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| *[[Oh, Reyes Magos (Juan del Encina)|''Oh, Reyes Magos'']] ( [http://www.solovoces.com/partituras.html {{net}}] )
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| *[[Partistes os mis amores (Juan del Encina)|''Partistes os mis amores'']] ( [http://www.solovoces.com/partituras.html {{net}}] )
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| *''[[Pedro y bien te quiero (Juan del Encina)|Pedro y bien te quiero]]'' ( [http://www.solovoces.com/partituras.html {{net}}] )
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| *[[Pues que jamás olvidaros (Juan del Encina)|''Pues que jamás olvidaros'']] ''3 editions available''
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| *''[[¿Qu'es de ti, desconsolado? (Juan del Encina)|¿Qu'es de ti, desconsolado?]]'' ( [http://www.xprt.net/~vox/Music/Music.html {{net}}] )
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| *''[[Razón, que fuerza no quiere (Juan del Encina)|Razón, que fuerza no quiere]]'' ( [http://www.solovoces.com/partituras.html {{net}}] )
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| *[[Romerico, tú que vienes (Juan del Encina)|''Romerico, tú que vienes'']] ''2 editions available''
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| *[[Señora de hermosura (Juan del Encina)|''Señora de hermosura'']] ( [http://www.solovoces.com/partituras.html {{net}}] )
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| *[[Si abra en este baldres (Juan del Encina)|''Si abra en este baldres'']] ( [http://www.upv.es/coro/victoria/mas_partituras.html#dieciseis {{net}}] )
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| *[[Si amor pone las escalas (Juan del Encina)|''Si amor pone las escalas'']] ( [http://www.solovoces.com/partituras.html {{net}}] )
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| *[[Tan buen ganadico (Juan del Encina)|''Tan buen ganadico'']] ( [{{SERVER}}/wiki/images/sheet/enc-tanb.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/enc-tanb.mid {{mid}}] [{{SERVER}}/wiki/images/source/enc-tanb.zip Finale-1998] )
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| *[[Todos los bienes del mundo (Juan del Encina)|''Todos los bienes del mundo'']] ''3 editions available''
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| *[[Triste España (Juan del Encina)|''Triste España'']] ''3 editions available''
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| *[[Una sañosa porfía (Juan del Encina)|''Una sañosa porfía'']] ( [{{SERVER}}/wiki/images/sheet/enc-sano.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/enc-sano.mid {{mid}}] [{{SERVER}}/wiki/images/source/enc-sano.zip Finale-1998] )
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| *[[ya no quiero tener fe (Juan del Encina)|''ya no quiero tener fe'']] ( [http://www.solovoces.com/partituras.html {{net}}] )
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| *[[Yo me estaba reposando (Juan del Encina)|''Yo me estaba reposando'']] ( [http://www.solovoces.com/partituras.html {{net}}] )
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| {{Whatlinkshere}} | | {{Whatlinkshere}} |
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| ==External links== | | ==External links== |
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| ''add web links here'' | | ''add web links here'' |
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| [[Category:1468 births|Encina, Juan del]] | | {{DEFAULTSORT:{{NameSorter}}}} |
| [[Category:1529 deaths|Encina, Juan del]] | | [[Category:1468 births]] |
| [[Category:Composers|Encina, Juan del]] | | [[Category:1529 deaths]] |
| [[Category:Renaissance composers|Encina, Juan del]] | | [[Category:Composers]] |
| [[Category:Spanish composers|Encina, Juan del]] | | [[Category:Renaissance composers]] |
| | [[Category:Spanish composers]] |
Aliases: Juan dell Enzina; Juan del Encina; Juan del Enzina; Juan de la Encina
Life
Born: 12 July 1468
Died: 1529
Biography
Born in Salamanca, Spain, in July 12, 1468, his original name was "Juan de Fermoselle", adopting "del Encina" in 1490 (perhaps his mother's last name). In the Universidad de Salamanca (Salamanca University) he studied Law, achieving his doctorate. Despite his father being a shoemaker, some of del Encina's brothers received a good education and reached important positions; one of them (probably the oldest one), Diego de Fermoselle, was head of music in Salamanca University and one of his works remains in the "Cancionero Musical de Palacio" (Palace's Music Songbook).
In 1490, del Encina became Choir Chaplain at Salamanca Cathedral, a job that he forfeited by not becoming a priest, serving instead (1492-1502) at some aristocratic courts (for example, the Duke of Alba). Meanwhile, del Encina tried to become the main singer at the Cathedral, but in vain, because the position was given to his colleague (and some kind of Nemesis, for some people), Lucas Fernández. But what del Encina didn't attain in Spain, he received in Rome. In 1502 Alessandro VI (Pope) finally gave him the position at the Cathedral. The favour that del Encina was held in at the Vatican continued under the next Pope: Julius II, who gave to him the position of "Arcediano" at Malaga Cathedral.
In 1519, del Encina was finally ordained a priest and decided to celebrate his first mass in Jerusalem. From 1519 until his death, del Encina was Prior of Leon Cathedral.
The exact date of his death remains unknown, but it could have been late in 1529 or at the beginning of 1530, because his will was open on January 14, 1530, and his position as Prior in Leon was transferred to another on January 10.
Del Encina not only was a great composer, but a good poet as well. Today we have just 61 of his musical works (it's not known how much is lost). The main source of his music is the "Cancionero Musical de Palacio" mentioned above, but it is not the only one. The following also contain works by him:
- Cancionero Musical de Segovia (circa 1500?)
- Firenze (National Library) Magl. XIX, 107 bis
- Frottole libro secondo (Rome: Antico), c.1516. (Bibl. Marucelliana, Firenze)
- Cancionero Musical de Barcelona (Central Libray, MS454)
- Cancionero Musical de Elva (Hortensia Library, MS11793)
- D.B. (D. Joao IV, King of Portugal, Lisboa 1649, Venice 1666)
Main source of this article: Juan del Encina Poesía Lírica y Cancionero Musical, Ed. Castalia, Madrid, 1975.
View the Wikipedia article on Juan del Encina.
List of choral works
Click here to search for this composer on CPDL
Publications
External links
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