Kyrie (Tr. 87, f. 126r) (John Dunstable): Difference between revisions
Jump to navigation
Jump to search
No edit summary |
|||
Line 6: | Line 6: | ||
*{{PostedDate|2016-02-29}} {{CPDLno|38732}} [{{filepath:Kyrie_(Dunstaple)_Tr._87,_f._126.pdf}} {{pdf}}] | *{{PostedDate|2016-02-29}} {{CPDLno|38732}} [{{filepath:Kyrie_(Dunstaple)_Tr._87,_f._126.pdf}} {{pdf}}] | ||
{{Editor|Simon Biazeck|2016-02-29}}{{ScoreInfo|A4|3|93}}{{Copy|CPDL}} | {{Editor|Simon Biazeck|2016-02-29}}{{ScoreInfo|A4|3|93}}{{Copy|CPDL}} | ||
:'''Edition notes:'''This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. Cue-sized and cautionary accidentals are editorial. The original prolation sign, tempus perfectum, suggests a moderate three in a bar. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and indeed much music of the late Medieval early Renaissance periods. No attempt has been made to correct so-called forbidden intervals. | |||
:'''Edition notes:''' This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. Cue-sized and cautionary accidentals are editorial. The original prolation sign, tempus perfectum, suggests a moderate three in a bar. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and indeed much music of the late Medieval early Renaissance periods. No attempt has been made to correct so-called forbidden intervals. | |||
'''Title:''' ''Kyrie (Tr. 87, f. 126r)''<br> | '''Title:''' ''Kyrie (Tr. 87, f. 126r)''<br> | ||
Line 24: | Line 20: | ||
'''Description:''' | '''Description:''' | ||
'''External websites:''' | '''External websites:''' | ||
==Original text and translations== | ==Original text and translations== |
Revision as of 22:52, 29 February 2016
- Editor: Simon Biazeck (submitted 2016-02-29). Score information: A4, 3 pages, 93 kB Copyright: CPDL
- Edition notes:
Music files
ICON | SOURCE |
---|---|
File details | |
Help |
- (Posted 2016-02-29) CPDL #38732: [ ]
- Editor: Simon Biazeck (submitted 2016-02-29). Score information: A4, 3 pages, 93 kB Copyright: CPDL
- Edition notes:This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. Cue-sized and cautionary accidentals are editorial. The original prolation sign, tempus perfectum, suggests a moderate three in a bar. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and indeed much music of the late Medieval early Renaissance periods. No attempt has been made to correct so-called forbidden intervals.
Title: Kyrie (Tr. 87, f. 126r)
Composer: John Dunstable
Lyricist: Traditional
Number of voices: 3vv Voicing: ATBar.
Genre: Sacred, Liturgical music, Mass fragment
Language: Latin
Instruments: A cappella
Published: Trent codex 87
Description:
External websites:
Original text and translations
Original text and translations may be found at Kyrie.