Le content est riche (Claudin de Sermisy): Difference between revisions
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(Created page with '==Music files== {{Legend}} *{{NewWork|2009-08-30}} '''CPDL #20077:''' [http://music.dalitio.de/choir/sermisy/le-content/ {{net}}] (PDF file) {{Editor|Christoph Dalitz|2009-08-30…') |
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*{{NewWork|2009-08-30}} '''CPDL #20077:''' [http://music.dalitio.de/choir/sermisy/le-content/ {{net}}] | *{{NewWork|2009-08-30}} '''CPDL #20077:''' [http://music.dalitio.de/choir/sermisy/le-content/ {{net}}] | ||
{{Editor|Christoph Dalitz|2009-08-30}}{{ScoreInfo|A4|5|80}}{{CopyCC|Attribution-Share Alike 3.0 Germany}} | {{Editor|Christoph Dalitz|2009-08-30}}{{ScoreInfo|A4|5|80}}{{CopyCC|Attribution-Share Alike 3.0 Germany}} | ||
:'''Edition notes:''' Edition includes an embellished lute accompaniment by Christoph Dalitz that is based on intavolations from two 16th century lute prints. | :'''Edition notes:''' Edition includes an embellished lute accompaniment by Christoph Dalitz that is based on intavolations from two 16th century lute prints. PDF file available. | ||
==General Information== | ==General Information== | ||
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==Original text and translations== | ==Original text and translations== | ||
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[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 11:30, 31 August 2009
Music files
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CPDL #20077:
- Editor: Christoph Dalitz (submitted 2009-08-30). Score information: A4, 5 pages, 80 kB Copyright: CC BY-SA 3.0 Germany
- Edition notes: Edition includes an embellished lute accompaniment by Christoph Dalitz that is based on intavolations from two 16th century lute prints. PDF file available.
General Information
Title: Le content est riche
Composer: Claudin de Sermisy
Number of voices: 4vv Voicing: SATB
Genre: Secular, Chanson
Language: French
Instruments: Renaissance lute in G
Published: Livre Septieme des Chansons a Quatre Parties (Bellere, 1597) (reprint)
Description: This secular song was, beside Doulce memoire, one of the most popular French chansons in the 16th century, as can be concluded from the great number of extant lute intavolations of this song.