Magnificat Quinti toni (Giovanni Matteo Asola): Difference between revisions
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==Music files== | ==Music files== | ||
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*{{PostedDate|2019-07-02}} {{CPDLno|54667}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.pdf|{{pdf}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.mid|{{mid}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.ly|{{Ly}}]] | *{{PostedDate|2019-07-02}} {{CPDLno|54667}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.pdf|{{pdf}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.mid|{{mid}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.ly|{{Ly}}]] | ||
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:'''Edition notes:''' A semidiplomatoric edition: note-values are retained. Even though the settings are notated in chiavetti no transposition is made. Ficta alternations are kept to a bare minimum. | :'''Edition notes:''' A semidiplomatoric edition: note-values are retained. Even though the settings are notated in chiavetti no transposition is made. Ficta alternations are kept to a bare minimum. | ||
This edition is for printing the scores for both choirs together. | This edition is for printing the scores for both choirs together. | ||
The missing odd verses are added set to the fifth tone psalm formula from Vincenzo Lusitano: "Introdutione Facilissima...", Roma 1580. | The missing odd verses are added set to the fifth tone psalm formula from Vincenzo Lusitano: "Introdutione Facilissima...", Roma 1580. | ||
*{{PostedDate|2019-07-02}} {{CPDLno|54668}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole-1.pdf|{{pdf}}]] | |||
{{Editor|Andreas Stenberg|2019-07-02}}{{ScoreInfo|A4|24|183}}{{Copy|CPDL}} | |||
:'''Edition notes:''' The first choir in score. This is a companion to the edition above for both choirs in score. | |||
==General Information== | ==General Information== | ||
Revision as of 16:55, 2 July 2019
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- (Posted 2019-07-02) CPDL #54667:
- Editor: Andreas Stenberg (submitted 2019-07-02). Score information: A4, 52 pages, 280 kB Copyright: CPDL
- Edition notes: A semidiplomatoric edition: note-values are retained. Even though the settings are notated in chiavetti no transposition is made. Ficta alternations are kept to a bare minimum.
This edition is for printing the scores for both choirs together. The missing odd verses are added set to the fifth tone psalm formula from Vincenzo Lusitano: "Introdutione Facilissima...", Roma 1580.
- (Posted 2019-07-02) CPDL #54668:
- Editor: Andreas Stenberg (submitted 2019-07-02). Score information: A4, 24 pages, 183 kB Copyright: CPDL
- Edition notes: The first choir in score. This is a companion to the edition above for both choirs in score.
General Information
Title: Magnificat Quinti Toni
Composer: Giovanni Matteo Asola
Lyricist:
Number of voices: 8vv Voicing: SATB.SATB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: The setting is of the even verses of the Magnificat and the odd verses are evidently intended to be sung to the apropriate psalm-tone. (These parts are not included in the original print.) Of the sections thus set, six in all, five (1-4,6) are set for two SATB choirs. The fifth part, "Sicut locutus est" is set for six voices SSAATB distributed in the original part-books so that the first sopranos, first altos and tenor parts are printed in the Cantus, altus and tenor part-books for the first choir. The second sopranos, altos and the bass are printed in the part-books for the second choir Cantus, altus and bassus.
External websites:
Original text and translations
Text (or link to a text page) needs to be added.