Magnificat Quinti toni (Giovanni Matteo Asola): Difference between revisions
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*{{PostedDate|2019-07-02}} {{CPDLno|54667}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.pdf|{{pdf}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.mid|{{mid}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.ly|{{Ly}}]] | *{{PostedDate|2019-07-02}} {{CPDLno|54667}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.pdf|{{pdf}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.mid|{{mid}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole.ly|{{Ly}}]] | ||
{{Editor|Andreas Stenberg|2019-07-02}}{{ScoreInfo|A4|52|280}}{{Copy|CPDL}} | {{Editor|Andreas Stenberg|2019-07-02}}{{ScoreInfo|A4|52|280}}{{Copy|CPDL}} | ||
:'''Edition notes:''' A semidiplomatoric edition: note-values are retained. Even though the settings are notated in chiavetti no transposition is made. Ficta alternations are kept to a bare minimum. | :'''Edition notes:''' A semidiplomatoric edition: note-values are retained. Even though the settings are notated in chiavetti no transposition is made. Ficta alternations are kept to a bare minimum. | ||
This edition is for printing the scores for both choirs together. | This edition is for printing the scores for both choirs together. | ||
The missing odd verses are added set to the fifth tone psalm formula from Vincenzo Lusitano: "Introdutione Facilissima...", Roma 1580. | The missing odd verses are added set to the fifth tone psalm formula from Vincenzo Lusitano: "Introdutione Facilissima...", Roma 1580. | ||
*{{PostedDate|2019-07-02}} {{CPDLno|54668}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole-1.pdf|{{pdf}}]] | *{{PostedDate|2019-07-02}} {{CPDLno|54668}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole-1.pdf|{{pdf}}]] | ||
{{Editor|Andreas Stenberg|2019-07-02}}{{ScoreInfo|A4|24|183}}{{Copy|CPDL}} | {{Editor|Andreas Stenberg|2019-07-02}}{{ScoreInfo|A4|24|183}}{{Copy|CPDL}} | ||
:'''Edition notes:''' The first choir in score. This is a companion to the edition above for both choirs in score. | :'''Edition notes:''' The first choir in score. This is a companion to the edition above for both choirs in score. | ||
*{{PostedDate|2019-07-02}} {{CPDLno|54669}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole-2.pdf|{{pdf}}]] | *{{PostedDate|2019-07-02}} {{CPDLno|54669}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-whole-2.pdf|{{pdf}}]] | ||
{{Editor|Andreas Stenberg|2019-07-02}}{{ScoreInfo|A4|23|180}}{{Copy|CPDL}} | {{Editor|Andreas Stenberg|2019-07-02}}{{ScoreInfo|A4|23|180}}{{Copy|CPDL}} | ||
:'''Edition notes:''' The second choir. for details look above. | :'''Edition notes:''' The second choir. for details look above. | ||
==General Information== | ==General Information== | ||
{{Title|''Magnificat Quinti Toni''}} | |||
{{Composer|Giovanni Matteo Asola}} | {{Composer|Giovanni Matteo Asola}} | ||
{{Lyricist|}} | {{Lyricist|}} | ||
| Line 24: | Line 24: | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|1574|in ''{{NoCo|Psalmodia ad vespertinas}}''|no=19}} | ||
{{Descr|The setting is of the even verses of the Magnificat, the missing odd verses are apparently intended to be sung to the apropriate psalm-tone (or played by the organ). Of the 6 sections, 1-4 and 6 are set for 2 SATB choirs. The fifth verse, "Sicut locutus est" is for six voices SSAATB, the original part-books omitting tenor II and bass I.}} | |||
{{#ExtWeb: | |||
Of the 6 sections, 1-4 and 6 are set for 2 SATB choirs. The fifth verse, "Sicut locutus est" is for six voices SSAATB, the original part-books omitting tenor II and bass I. | *{{IMSLP2|Psalmodia ad vespertinas (Asola, Giammateo)|1574 print}}}} | ||
*{{IMSLP2|Psalmodia ad vespertinas (Asola, Giammateo)|1574 print}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Magnificat}} | {{LinkText|Magnificat}} | ||
Revision as of 03:03, 9 April 2021
Music files
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- (Posted 2019-07-02) CPDL #54667:
- Editor: Andreas Stenberg (submitted 2019-07-02). Score information: A4, 52 pages, 280 kB Copyright: CPDL
- Edition notes: A semidiplomatoric edition: note-values are retained. Even though the settings are notated in chiavetti no transposition is made. Ficta alternations are kept to a bare minimum.
This edition is for printing the scores for both choirs together. The missing odd verses are added set to the fifth tone psalm formula from Vincenzo Lusitano: "Introdutione Facilissima...", Roma 1580.
- (Posted 2019-07-02) CPDL #54668:
- Editor: Andreas Stenberg (submitted 2019-07-02). Score information: A4, 24 pages, 183 kB Copyright: CPDL
- Edition notes: The first choir in score. This is a companion to the edition above for both choirs in score.
- (Posted 2019-07-02) CPDL #54669:
- Editor: Andreas Stenberg (submitted 2019-07-02). Score information: A4, 23 pages, 180 kB Copyright: CPDL
- Edition notes: The second choir. for details look above.
General Information
Title: Magnificat Quinti Toni
Composer: Giovanni Matteo Asola
Lyricist:
Number of voices: 8vv Voicing: SATB.SATB
Genre: Sacred, Motet, Evening Canticles
Language: Latin
Instruments: A cappella
First published: 1574 in Psalmodia ad vespertinas, no. 19
Description: The setting is of the even verses of the Magnificat, the missing odd verses are apparently intended to be sung to the apropriate psalm-tone (or played by the organ). Of the 6 sections, 1-4 and 6 are set for 2 SATB choirs. The fifth verse, "Sicut locutus est" is for six voices SSAATB, the original part-books omitting tenor II and bass I.
External websites:
- 1574 print at the Petrucci Music Library (IMSLP)
Original text and translations
Original text and translations may be found at Magnificat.