Magnificat a 12 (Andrea Gabrieli): Difference between revisions
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*{{PostedDate|2015-09-30}} {{CPDLno|37007}} [[Media:44_Magnificat_a12_-_Full_Score.pdf|{{pdf}}]] | *{{PostedDate|2015-09-30}} {{CPDLno|37007}} [[Media:44_Magnificat_a12_-_Full_Score.pdf|{{pdf}}]] | ||
{{Editor|Lewis Jones|2015-09-30}}{{ScoreInfo|A4|28|177}}{{Copy|Personal}} | {{Editor|Lewis Jones|2015-09-30}}{{ScoreInfo|A4|28|177}}{{Copy|Personal}} | ||
: | :{{EdNotes|Edited from facsimile of 1587 print.}} | ||
*{{PostedDate|2015-05-07}} {{CPDLno|35325}} [[Media:Gabrieli_Magnificat_a_12_-_Instrumental_parts.PDF|{{pdf}}]] [[Media:Gabrieli_Magnificat_a_12_-_Instrumental_parts.mxl|{{XML}}]] | *{{PostedDate|2015-05-07}} {{CPDLno|35325}} [[Media:Gabrieli_Magnificat_a_12_-_Instrumental_parts.PDF|{{pdf}}]] [[Media:Gabrieli_Magnificat_a_12_-_Instrumental_parts.mxl|{{XML}}]] | ||
{{Editor|David Cameron|2015-05-07}}{{ScoreInfo|Letter|12|329}}{{Copy|CPDL}} | {{Editor|David Cameron|2015-05-07}}{{ScoreInfo|Letter|12|329}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Instrumental parts. Transposed up a minor third. Parts match CPDL #35324.}} | ||
*{{PostedDate|2015-05-07}} {{CPDLno|35324}} [[Media:Gabrieli_Magnificat_a_12.pdf|{{pdf}}]] [[Media:Gabrieli_Magnificat_a_12.mid|{{mid}}]] [[Media:Gabrieli_Magnificat_a_12.mxl|{{XML}}]] [[Media:Gabrieli_Magnificat_a_12.musx|{{F14}}]] (Finale 2014) | *{{PostedDate|2015-05-07}} {{CPDLno|35324}} [[Media:Gabrieli_Magnificat_a_12.pdf|{{pdf}}]] [[Media:Gabrieli_Magnificat_a_12.mid|{{mid}}]] [[Media:Gabrieli_Magnificat_a_12.mxl|{{XML}}]] [[Media:Gabrieli_Magnificat_a_12.musx|{{F14}}]] (Finale 2014) | ||
{{Editor|David Cameron|2015-05-07}}{{ScoreInfo|Letter|31|198}}{{Copy|CPDL}} | {{Editor|David Cameron|2015-05-07}}{{ScoreInfo|Letter|31|198}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Performing edition with modern clefs, transposed up a minor third. Instrumental parts intended for mixed consort of viols and violins, with organ continuo.}} | ||
*{{PostedDate|2011-09-19}} {{CPDLno|24510}} [[Media:Andrea_gabrieli_magnificat_a12.pdf|{{pdf}}]] [[Media:Andrea_gabrieli_magnificat_a12.mxl|{{XML}}]] | *{{PostedDate|2011-09-19}} {{CPDLno|24510}} [[Media:Andrea_gabrieli_magnificat_a12.pdf|{{pdf}}]] [[Media:Andrea_gabrieli_magnificat_a12.mxl|{{XML}}]] | ||
{{Editor|2|Sabine Cassola|Bruno Schiffel|2011-09-19}}{{ScoreInfo|A4|21|196}}{{Copy|CPDL}} | {{Editor|2|Sabine Cassola|Bruno Schiffel|2011-09-19}}{{ScoreInfo|A4|21|196}}{{Copy|CPDL}} | ||
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*{{PostedDate|2009-11-15}} {{CPDLno|20482}} [[Media:Magnificat a 12 (Modern Clefs, High Key).pdf|{{pdf}}]] | *{{PostedDate|2009-11-15}} {{CPDLno|20482}} [[Media:Magnificat a 12 (Modern Clefs, High Key).pdf|{{pdf}}]] | ||
{{Editor|John Martin|2009-11-11}}{{ScoreInfo|Letter|16|179}}{{Copy|Personal}} | {{Editor|John Martin|2009-11-11}}{{ScoreInfo|Letter|16|179}}{{Copy|Personal}} | ||
: | :{{EdNotes|This edition has modern clefs and has been transposed up a minor third (as sopranos with Gs are easier to find than basses with low Cs). Traditional barlines have been left out in lieu of small tick marks in order to facilitate a more historically accurate reading while still giving the modern singer a metric reference. Ties between measures have been eliminated. If a note is held over a barline, its full value is placed in the preceding measure (See Choir III mm. 6 - 7 for example).}} | ||
*{{PostedDate|2009-11-15}} {{CPDLno|20481}} [[Media:Magnificat à 12 (Modern Clefs, Original Key).pdf|{{pdf}}]] | *{{PostedDate|2009-11-15}} {{CPDLno|20481}} [[Media:Magnificat à 12 (Modern Clefs, Original Key).pdf|{{pdf}}]] | ||
{{Editor|John Martin|2009-11-11}}{{ScoreInfo|Letter|16|180}}{{Copy|Personal}} | {{Editor|John Martin|2009-11-11}}{{ScoreInfo|Letter|16|180}}{{Copy|Personal}} | ||
: | :{{EdNotes|This edition has modern clefs and is in the original key. Traditional barlines have been left out in lieu of small tick marks in order to facilitate a more historically accurate reading while still giving the modern singer a metric reference. Ties between measures have been eliminated. If a note is held over a barline, its full value is placed in the preceding measure (See Choir III mm. 6 - 7 for example).}} | ||
*{{PostedDate|2008-02-23}} {{CPDLno|16237}} [[Media:Gabrieli-Mag12-Modern.pdf|{{pdf}}]] [[Media:Gabrieli-Magnificat12.mid|{{mid}}]] | *{{PostedDate|2008-02-23}} {{CPDLno|16237}} [[Media:Gabrieli-Mag12-Modern.pdf|{{pdf}}]] [[Media:Gabrieli-Magnificat12.mid|{{mid}}]] | ||
{{Editor|Kurtis Kroon|2008-02-23}}{{ScoreInfo|Letter|18|200}}{{CopyCC|Attribution-Share Alike 3.0 United States}} | {{Editor|Kurtis Kroon|2008-02-23}}{{ScoreInfo|Letter|18|200}}{{CopyCC|Attribution-Share Alike 3.0 United States}} | ||
: | :{{EdNotes|Uses modern clefs. Can be performed by instrumentalists, but doesn't include parts for them}} | ||
*{{PostedDate|2008-02-17}} {{CPDLno|16053}} [[Media:Gabrieli-Magnificat12.pdf|{{pdf}}]] [[Media:Gabrieli-Magnificat12.mid|{{mid}}]] | *{{PostedDate|2008-02-17}} {{CPDLno|16053}} [[Media:Gabrieli-Magnificat12.pdf|{{pdf}}]] [[Media:Gabrieli-Magnificat12.mid|{{mid}}]] | ||
{{Editor|Kurtis Kroon|2008-02-17}}{{ScoreInfo|Letter|18|188}}{{CopyCC|Attribution-Share Alike 3.0 United States}} | {{Editor|Kurtis Kroon|2008-02-17}}{{ScoreInfo|Letter|18|188}}{{CopyCC|Attribution-Share Alike 3.0 United States}} |
Revision as of 17:06, 24 April 2021
Music files
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MusicXML | |
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- Editor: Lewis Jones (submitted 2015-09-30). Score information: A4, 28 pages, 177 kB Copyright: Personal
- Edition notes: Edited from facsimile of 1587 print.
- Editor: David Cameron (submitted 2015-05-07). Score information: Letter, 12 pages, 329 kB Copyright: CPDL
- Edition notes: Instrumental parts. Transposed up a minor third. Parts match CPDL #35324.
- Editor: David Cameron (submitted 2015-05-07). Score information: Letter, 31 pages, 198 kB Copyright: CPDL
- Edition notes: Performing edition with modern clefs, transposed up a minor third. Instrumental parts intended for mixed consort of viols and violins, with organ continuo.
- Editors: Sabine Cassola and Bruno Schiffel (submitted 2011-09-19). Score information: A4, 21 pages, 196 kB Copyright: CPDL
- Edition notes:
- Editor: John Martin (submitted 2009-11-11). Score information: Letter, 16 pages, 179 kB Copyright: Personal
- Edition notes: This edition has modern clefs and has been transposed up a minor third (as sopranos with Gs are easier to find than basses with low Cs). Traditional barlines have been left out in lieu of small tick marks in order to facilitate a more historically accurate reading while still giving the modern singer a metric reference. Ties between measures have been eliminated. If a note is held over a barline, its full value is placed in the preceding measure (See Choir III mm. 6 - 7 for example).
- Editor: John Martin (submitted 2009-11-11). Score information: Letter, 16 pages, 180 kB Copyright: Personal
- Edition notes: This edition has modern clefs and is in the original key. Traditional barlines have been left out in lieu of small tick marks in order to facilitate a more historically accurate reading while still giving the modern singer a metric reference. Ties between measures have been eliminated. If a note is held over a barline, its full value is placed in the preceding measure (See Choir III mm. 6 - 7 for example).
- Editor: Kurtis Kroon (submitted 2008-02-23). Score information: Letter, 18 pages, 200 kB Copyright: CC BY-SA 3.0 United States
- Edition notes: Uses modern clefs. Can be performed by instrumentalists, but doesn't include parts for them
- Editor: Kurtis Kroon (submitted 2008-02-17). Score information: Letter, 18 pages, 188 kB Copyright: CC BY-SA 3.0 United States
- Edition notes: Uses original clefs. Can be performed by instrumentalists, but doesn't include parts for them
General Information
Title: Magnificat a 12
Composer: Andrea Gabrieli
Number of voices: 12vv Voicing: SSAT.SATB.ATBB
or SATBar.ATBarB.TBarBB
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: A cappella
, but may be performed with optional instrumental doublings or substitutions.
First published: 1587 in Concerti di Andrea et di Giovanni Gabrieli, no. 1.44
Description:
External websites:
Original text and translations
Original text and translations may be found at Magnificat.