Magnificat septimi toni (Nicolas Gombert): Difference between revisions
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*{{PostedDate|2016-04-05}} {{CPDLno|39197}} [[Media:Gombert-Magnificat-Tone7.pdf|{{pdf}}]] [[Media:Gombert-Magnificat-Tone7-midi.zip|{{Zip}}]](MIDI) [[Media:Gombert-Magnificat-Tone7.mxl|{{XML}}]] [[Media:Gombert-Magnificat-Tone7-ly.zip|{{Zip}}]](LilyPond) | *{{PostedDate|2016-04-05}} {{CPDLno|39197}} [[Media:Gombert-Magnificat-Tone7.pdf|{{pdf}}]] [[Media:Gombert-Magnificat-Tone7-midi.zip|{{Zip}}]](MIDI) [[Media:Gombert-Magnificat-Tone7.mxl|{{XML}}]] [[Media:Gombert-Magnificat-Tone7-ly.zip|{{Zip}}]](LilyPond) | ||
{{Editor|Charles Young|2016-04-05}}{{ScoreInfo|Letter|12|247}}{{Copy|Creative Commons Attribution Share Alike}} | {{Editor|Charles Young|2016-04-05}}{{ScoreInfo|Letter|12|247}}{{Copy|Creative Commons Attribution Share Alike}} | ||
:{{EdNotes|Transposed to sounding pitch at the lower fifth, note values have been halved. Mensural barlines, original pitch and clef given in incipits at the start of each section. Editorial accidentals are placed above staff. For convenience of performance, the Liber Usualis chants are included between the even verses, their inclusion does not imply any authenticity in connection with the polyphonic magnificats.}} | :{{EdNotes|Transposed to sounding pitch at the lower fifth, note values have been halved. Mensural barlines, original pitch and clef given in incipits at the start of each section. Editorial accidentals are placed above staff. For convenience of performance, the ''Liber Usualis'' chants are included between the even verses, their inclusion does not imply any authenticity in connection with the polyphonic magnificats.}} | ||
==General Information== | ==General Information== |
Latest revision as of 22:20, 26 December 2022
Music files
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- Editor: Charles Young (submitted 2016-04-05). Score information: Letter, 12 pages, 247 kB Copyright: CC BY SA
- Edition notes: Transposed to sounding pitch at the lower fifth, note values have been halved. Mensural barlines, original pitch and clef given in incipits at the start of each section. Editorial accidentals are placed above staff. For convenience of performance, the Liber Usualis chants are included between the even verses, their inclusion does not imply any authenticity in connection with the polyphonic magnificats.
General Information
Title: Magnificat septimi toni
Composer: Nicolas Gombert
Lyricist:
Number of voices: 4-5vv Voicing: ATTBB
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: A cappella
First published: 1552 in Canticum beatae Mariae virginis deiparae, no. 7
Description: Magnificat on the seventh tone, with even verses set to polyphony.
External websites:
Original text and translations
Original text and translations may be found at Magnificat.