Manuel Cardoso: Difference between revisions

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==List of choral works==
==List of choral works==
{{Legend}}
{{Legend}}
*''[[Accepit ergo Jesus panes (Manuel Cardoso)|Accepit ergo Jesus panes ]]''   ( [{{filepath:Card-acc.pdf}} {{pdf}}] [{{filepath:Card-acc.MID}} {{mid}}] )
*{{NoCo|Accepit ergo Jesus panes}}   ( [{{filepath:Card-acc.pdf}} {{pdf}}] [{{filepath:Card-acc.MID}} {{mid}}] )
*[[Angelis suis mandavit de te (Manuel Cardoso)|''Angelis suis mandavit de te'']]   ( [{{website|cantoral}} {{net}}] )
*{{NoCo|Angelis suis mandavit de te}}   ( [{{website|cantoral}} {{net}}] )
*''[[Aquam quam ego dabo (Manuel Cardoso)|Aquam quam ego dabo]]''   ( [{{filepath:Card-aqu.pdf}} {{pdf}}] [{{filepath:Card-aqu.MID}} {{mid}}] )
*{{NoCo|Aquam quam ego dabo}}   ( [{{filepath:Card-aqu.pdf}} {{pdf}}] [{{filepath:Card-aqu.MID}} {{mid}}] )
*''[[Asperges me (Manuel Cardoso)|Asperges me]]''   ( [{{filepath:Card-asp.pdf}} {{pdf}}] [{{filepath:Card-asp.MID}} {{mid}}] )
*{{NoCo|Asperges me}}   ( [{{filepath:Card-asp.pdf}} {{pdf}}] [{{filepath:Card-asp.MID}} {{mid}}] )
*[[Domine, tu mihi lavas pedes? (Manuel Cardoso)|''Domine, tu mihi lavas pedes?'']]   ( [{{website|cantoral}} {{net}}] )
*{{NoCo|Domine, tu mihi lavas pedes?}}   ( [{{website|cantoral}} {{net}}] )
*[[Ecce Mulier Chananea (Manuel Cardoso)|''Ecce Mulier Chananea'']]   ( {{broken}}[http://www.iespana.es/ubisunt/partituras/partituras.htm {{net}}] )
*{{NoCo|Ecce Mulier Chananea}}   ( {{broken}}[http://www.iespana.es/ubisunt/partituras/partituras.htm {{net}}] )
*''[[Ego vir videns (Manuel Cardoso)|Ego vir videns]]''   ( [{{filepath:Card-ego.pdf}} {{pdf}}] [{{filepath:Card-ego.MID}} {{mid}}] )
*{{NoCo|Ego vir videns}}   ( [{{filepath:Card-ego.pdf}} {{pdf}}] [{{filepath:Card-ego.MID}} {{mid}}] )
*''[[Et egressus est (Manuel Cardoso)|Et egressus est]]''   ( [{{filepath:Card-ete.pdf}} {{pdf}}] [{{filepath:Card-ete.MID}} {{mid}}] )
*{{NoCo|Et egressus est}}   ( [{{filepath:Card-ete.pdf}} {{pdf}}] [{{filepath:Card-ete.MID}} {{mid}}] )
*[[Ipse est qui post me (Manuel Cardoso)|''Ipse est qui post me'']]   ( [{{SERVER}}/wiki/images/sheet/card-ips.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/card-ips.mid {{mid}}] [{{SERVER}}/wiki/images/source/card-ips.sib Sibelius 2] )
*{{NoCo|Ipse est qui post me}}   {{LLinkW|card-ips.pdf|card-ips.mid|card-ips.sib|Sibelius 2}}
*''[[Manum suam misit hostis (Manuel Cardoso)|Manum suam misit hostis]]''   ( [{{filepath:Card-man.pdf}} {{pdf}}] [{{filepath:Card-man.MID}} {{mid}}] )
*{{NoCo|Manum suam misit hostis}}   ( [{{filepath:Card-man.pdf}} {{pdf}}] [{{filepath:Card-man.MID}} {{mid}}] )
*[[Missa Philippina (Manuel Cardoso)|''Missa Philippina'']]   {{LLinkW|card-msp.pdf|card-msm.zip|card-msp.zip|Finale 1998}}
*{{NoCo|Missa Philippina}}   {{LLinkW|card-msp.pdf|card-msm.zip|card-msp.zip|Finale 1998}}
*''[[Missa Veni Sponsa Christi: Sanctus (Manuel Cardoso)|Missa Veni Sponsa Christi: Sanctus]]''   ( {{broken}}[http://partituras.no.sapo.pt/partituras/m.htm {{net}}] )
*{{NoCo|Missa Veni Sponsa Christi: Sanctus}}   ( {{broken}}[http://partituras.no.sapo.pt/partituras/m.htm {{net}}] )
*''[[Nemo te condemnavit (Manuel Cardoso)|Nemo te condemnavit]]''   ( [{{filepath:Card-nem.pdf}} {{pdf}}] [{{filepath:Card-nem.MID}} {{mid}}] )
*{{NoCo|Nemo te condemnavit}}   ( [{{filepath:Card-nem.pdf}} {{pdf}}] [{{filepath:Card-nem.MID}} {{mid}}] )
*''[[Quid vis ut faciam (Manuel Cardoso)|Quid vis ut faciam]]''   ( [{{filepath:Card-qui.pdf}} {{pdf}}] [{{filepath:Card-qui.MID}} {{mid}}] )
*{{NoCo|Quid vis ut faciam}}   ( [{{filepath:Card-qui.pdf}} {{pdf}}] [{{filepath:Card-qui.MID}} {{mid}}] )
*''[[Quod autem cecicit (Manuel Cardoso)|Quod autem cecicit]]''   ( [{{filepath:Card-quo.pdf}} {{pdf}}] [{{filepath:Card-quo.MID}} {{mid}}] )
*{{NoCo|Quod autem cecicit}}   ( [{{filepath:Card-quo.pdf}} {{pdf}}] [{{filepath:Card-quo.MID}} {{mid}}] )
*''[[Turbae quae praecedebant (Manuel Cardoso)|Turbae quae praecedebant]]''   ( [{{filepath:Card-tur.pdf}} {{pdf}}] [{{filepath:Card-tur.MID}} {{mid}}] )
*{{NoCo|Turbae quae praecedebant}}   ( [{{filepath:Card-tur.pdf}} {{pdf}}] [{{filepath:Card-tur.MID}} {{mid}}] )
*''[[Vidi Aquam (Manuel Cardoso)|Vidi aquam (Liber primus missarum)]]''   ( [{{filepath:Card-vid.pdf}} {{pdf}}] [{{filepath:Card-vid.MID}} {{mid}}] )
*{{NoCo|Vidi Aquam|Vidi aquam (Liber primus missarum)}}   ( [{{filepath:Card-vid.pdf}} {{pdf}}] [{{filepath:Card-vid.MID}} {{mid}}] )
**[[Vidi aquam II (Manuel Cardoso)|Vidi aquam II (''Liber secundus missarum'', 1625)]] a 4
**{{NoCo|Vidi aquam II|Vidi aquam II (''Liber secundus missarum'', 1625)}} a 4


[[Special:Whatlinkshere/Manuel_Cardoso|'''Click here''']] to search for composer on ChoralWiki
[[Special:Whatlinkshere/Manuel_Cardoso|'''Click here''']] to search for composer on ChoralWiki

Revision as of 09:45, 13 March 2012

Manuel Cardoso

Life

Born: 1566, Fronteira (Portugal)

Died: 24 November 1650, Lisbon

Biography

Manuel Cardoso was born in Fronteira (near Portalegre), 1566 and died in Lisbon 24 November 1650. He studied grammar and music at Évora Cathedral from 1574 (or 1575), being probably a pupil of Manuel Mendes.

On 1 July 1588 he enters to the Carmelite order, at the Convento do Carmo, Lisbon and professed on 5 July 1589. There he became mestre de capela and sub-prior becoming famous for his musical gifts and religious virtue.

In 1605 he publishes his first book of masses, dedicating it to the Duque de Barcelos, future D. João IV (who kept a portrait of the composer in his music library). The second book of masses and the Livro de Varios motets are also dedicated to the Portuguese king. Cardoso also secured the patronage of Philip IV of Spain, dedicating to him his third book of masses which ends with a Missa Philippina, a composition that had been proposed to Cardoso by the mestre of the Royal Chapel,Mateo Romero. Cardoso travelled to Madrid in 1631 and was generously rewarded by the king.

Cardoso’s music comes in the good continuity of traditional contrapuntal techniques, as we may seen in his first book of masses (where the five masses are a parody of motets by Palestrina), with virtuosic canons. His seven masses on the theme “Ab initio” shows another type of virtuosic skill. He also uses chromatic inflexions and diminished and augmented vertical intervals that cause a high coloured and expressive language. His rhythmic technique remains in the style of the stile antico although he sometimes introduces passages of declamation using crotchets and quavers. This is most clearly seen in the Lamentations settings and in the lessons from the Office of the Dead.

View the Wikipedia article on Manuel Cardoso.

List of choral works

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