Missa annuntiate nobis (José de Torres): Difference between revisions

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(adding the Et incarnatus and Crucifixus of the Missa annuntiate nobis)
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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
===1. Kyrie===
===Kyrie===
*{{PostedDate|2009-08-05}} {{CPDLno|19910}} [[Media:Tor-ann1.pdf|{{pdf}}]] [[Media:Tor-ann1.mid|{{mid}}]] [[Media:Tor-ann1.mxl|{{XML}}]] [[Media:Tor-ann1.sib|{{sib}}]] (Sibelius 5)
*{{NewWork|2009-08-05}} '''CPDL #19910:''' [{{filepath:Tor-ann1.pdf}} {{pdf}}] [{{filepath:Tor-ann1.mid}} {{mid}}] [{{filepath:Tor-ann1.sib}} Sibelius 5]
{{Editor|Jonathan Goodliffe|2009-08-05}}{{ScoreInfo|A4|13|117}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2009-08-05}}{{ScoreInfo|A4|13|117}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral.
:{{EdNotes|Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04.}}


===Gloria===
===2. Gloria===
*{{NewWork|2009-08-05}} '''CPDL #19911:''' [{{filepath:Tor-ann2.pdf}} {{pdf}}] [{{filepath:Tor-ann2.mid}} {{mid}}] [{{filepath:Tor-ann2.sib}} Sibelius 5]
*{{PostedDate|2009-08-05}} {{CPDLno|19911}} [[Media:Tor-ann2.pdf|{{pdf}}]] [[Media:Tor-ann2.mid|{{mid}}]] [[Media:Tor-ann2.mxl|{{XML}}]] [[Media:Tor-ann2.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2009-08-05}}{{ScoreInfo|A4|15|132}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2009-08-05}}{{ScoreInfo|A4|15|132}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Bar 5 alto first choir second note changed from G sharp to A. Bar 39 first soprano, first choir. Second note changed from B to A
:{{EdNotes|Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Bar 5 alto first choir second note changed from G sharp to A. Bar 39 first soprano, first choir. Second note changed from B to A. Corrected version uploaded 2012-08-04.}}


===Credo===
===3. Credo===
*{{NewWork|2010-10-03}} '''CPDL #22391:''' [{{filepath:Tor-ann3.pdf}} {{pdf}}] [{{filepath:Tor-ann3.mid}} {{mid}}] [{{filepath:Tor-ann3.sib}} Sibelius 5]
 
====3.1 Patrem omnipotentem====
*{{PostedDate|2010-10-08}} {{CPDLno|22391}} [[Media:Tor-ann3.pdf|{{pdf}}]] [[Media:Tor-ann3.mid|{{mid}}]] [[Media:Tor-ann3.mxl|{{XML}}]] [[Media:Tor-ann3.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2010-10-03}}{{ScoreInfo|A4|14|96}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2010-10-03}}{{ScoreInfo|A4|14|96}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2010-10-08
:{{EdNotes|Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2010-10-08. Corrected version uploaded 2012-08-04.}}


===Et incarnatus===
====3.2 Et incarnatus====
*{{NewWork|2010-10-08}} '''CPDL #22418:''' [{{filepath:Tor-ann4.pdf}} {{pdf}}] [{{filepath:Tor-ann4.mid}} {{mid}}] [{{filepath:Tor-ann4.sib}} Sibelius 5]
*{{PostedDate|2010-10-08}} {{CPDLno|22418}} [[Media:Tor-ann4.pdf|{{pdf}}]] [[Media:Tor-ann4.mid|{{mid}}]] [[Media:Tor-ann4.mxl|{{XML}}]] [[Media:Tor-ann4.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2010-10-08}}{{ScoreInfo|A4|2|35}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2010-10-08}}{{ScoreInfo|A4|2|35}}{{Copy|CPDL}}
*{{Voicing|4|SSAT}}
:{{EdNotes|Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. For {{Vcat|SSAT}}}}
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral.


===Crucifixus===
====3.3 Crucifixus====
*{{NewWork|2010-10-08}} '''CPDL #22419:''' [{{filepath:Tor-ann5.pdf}} {{pdf}}] [{{filepath:Tor-ann5.mid}} {{mid}}] [{{filepath:Tor-ann5.sib}} Sibelius 5]
*{{PostedDate|2010-10-08}} {{CPDLno|22419}} [[Media:Tor-ann5.pdf|{{pdf}}]] [[Media:Tor-ann5.mid|{{mid}}]] [[Media:Tor-ann5.mxl|{{XML}}]] [[Media:Tor-ann5.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2010-10-08}}{{ScoreInfo|A4|4|40}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2010-10-08}}{{ScoreInfo|A4|4|40}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral.
:{{EdNotes|Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2010-11-04. Corrected version uploaded 2012-08-04.}}


===Et resurrexit===
====3.4 Et resurrexit====
===Sanctus===
*{{PostedDate|2010-10-21}} {{CPDLno|22480}} [[Media:Tor-ann6.pdf|{{pdf}}]] [[Media:Tor-ann6.mid|{{mid}}]] [[Media:Tor-ann6.mxl|{{XML}}]] [[Media:Tor-ann6.sib|{{sib}}]] (Sibelius 5)
===Benedictus===
{{Editor|Jonathan Goodliffe|2010-10-21}}{{ScoreInfo|A4|14|97}}{{Copy|CPDL}}
===Agnus dei===
:{{EdNotes|Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04.}}
 
====3.5 Et in spiritum sanctum====
*{{PostedDate|2010-10-21}} {{CPDLno|22481}} [[Media:Tor-ann7.pdf|{{pdf}}]] [[Media:Tor-ann7.mid|{{mid}}]] [[Media:Tor-ann7.mxl|{{XML}}]] [[Media:Tor-ann7.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2010-10-21}}{{ScoreInfo|A4|13|99}}{{Copy|CPDL}}
:{{EdNotes|Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04.}}
 
===4. Sanctus===
*{{PostedDate|2010-11-03}} {{CPDLno|22570}} [[Media:Tor-ann8.pdf|{{pdf}}]] [[Media:Tor-ann8.mid|{{mid}}]] [[Media:Tor-ann8.mxl|{{XML}}]] [[Media:Tor-ann8.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2010-11-03}}{{ScoreInfo|A4|10|83}}{{Copy|CPDL}}
:{{EdNotes|Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04.}}
 
===5. Benedictus (added by a later arranger)===
*{{PostedDate|2010-11-05}} {{CPDLno|22573}} [[Media:Tor-ann8a.pdf|{{pdf}}]] [[Media:Tor-ann8a.mid|{{mid}}]] [[Media:Tor-ann8a.mxl|{{XML}}]] [[Media:Tor-ann8a.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2010-11-05}}{{ScoreInfo|A4|2|31}}{{Copy|CPDL}}
:{{EdNotes|Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral.}}
 
===6. Agnus Dei===
*{{PostedDate|2010-11-08}} {{CPDLno|22589}} [[Media:Tor-ann9.pdf|{{pdf}}]] [[Media:Tor-ann9.mid|{{mid}}]] [[Media:Tor-ann9.mxl|{{XML}}]] [[Media:Tor-ann9.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2010-11-08}}{{ScoreInfo|A4|15|108}}{{Copy|CPDL}}
:{{EdNotes|Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04.}}


==General Information==
==General Information==
'''Title:''' ''Missa annuntiate nobis''<br>
{{Title|''Missa annuntiate nobis''}}
{{Composer|José de Torres}}
{{Composer|José de Torres}}


{{Voicing|8|SSAT.SATB}}<br>
{{Voicing|8|SSAT.SATB}}
{{Genre|Sacred|Masses|9=Torres, José de}}
{{Genre|Sacred|Masses|9=Torres, José de}}
{{Language|2|Ancient Greek|Latin}}
{{Language|2|Ancient Greek|Latin}}
'''Instruments:''' two violins, oboe, harp and organ<br>
{{Instruments| two violins, oboe, harp and organ}}
'''Published:''' Not known
{{Pub|1|}}
 
{{Descr|An 8 part mass with orchestral accompaniment. It is not clear why it is called "annuntiate nobis". That is a phrase from the plainchant "Quem vidistis pastores", but there is no obvious imitation of that plainchant. A Benedictus is included although it was clearly added by a later arranger, plagiarised from the Christe Eleison. Spanish masses from this period often seem to omit the Benedictus (the same applies to, for instance, Francisco Valls' Missa Scala Aretina, Missa Primi Toni and Missa Quarti Toni). If the Benedictus is to be performed as part of this mass it might be more authentic to use one of Torres' 3 part settings. One of these is included on CPDL. In the prosody, the syllables in the words "te-rra" and "to-llis" are split thus, no doubt because until very recently double r and double l were treated as letters in their own right in Spanish, the double r being rolled and the double l pronounced as "y" or "ly".}}
'''Description:''' An 8 part mass with orchestral accompaniment. It is not clear why it is called "annuntiate nobis". That is a phrase from the plainchant "Quem vidistis pastores", but there is no obvious imitation of that plainchant. The Kyrie, Gloria, Credo, Et incarnatus and Crucifixus of this work have been transcribed. The quality of the original manuscript and of the microfilm deteriorates significantly from the Et resurrexit onwards, so transcription of the remainder of the work may need to await a better copy and/or a better source.
{{#ExtWeb:
 
from the [[Música Colonial Archive]]. [http://conan.lib.muohio.edu/musica/frame.html?filename=7-044.djvu Copy of the manuscript] the original of which is in Guatemala Cathedral. It can be accessed with "Dejavu" software. Free download available [http://www.dejavusoftware.com/ here].}}
'''External websites:'''
*[http://conan.lib.muohio.edu/musica/frame.html?filename=7-044.djvu Copy of the manuscript] the original of which is in Guatemala Cathedral. It can be accessed with "Dejavu" software. Free download available [http://www.dejavusoftware.com/ here].
 
==Original text and translations==
==Original text and translations==
{{MassText}}
{{MassText}}
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[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Baroque music]]
[[Category:Baroque music]]
[[Category:Música colonial scores]]

Latest revision as of 13:35, 15 September 2021

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1. Kyrie

  • (Posted 2009-08-05)  CPDL #19910:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2009-08-05).   Score information: A4, 13 pages, 117 kB   Copyright: CPDL
Edition notes: Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04.

2. Gloria

  • (Posted 2009-08-05)  CPDL #19911:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2009-08-05).   Score information: A4, 15 pages, 132 kB   Copyright: CPDL
Edition notes: Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Bar 5 alto first choir second note changed from G sharp to A. Bar 39 first soprano, first choir. Second note changed from B to A. Corrected version uploaded 2012-08-04.

3. Credo

3.1 Patrem omnipotentem

  • (Posted 2010-10-08)  CPDL #22391:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2010-10-03).   Score information: A4, 14 pages, 96 kB   Copyright: CPDL
Edition notes: Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2010-10-08. Corrected version uploaded 2012-08-04.

3.2 Et incarnatus

  • (Posted 2010-10-08)  CPDL #22418:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2010-10-08).   Score information: A4, 2 pages, 35 kB   Copyright: CPDL
Edition notes: Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. For SSAT

3.3 Crucifixus

  • (Posted 2010-10-08)  CPDL #22419:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2010-10-08).   Score information: A4, 4 pages, 40 kB   Copyright: CPDL
Edition notes: Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2010-11-04. Corrected version uploaded 2012-08-04.

3.4 Et resurrexit

  • (Posted 2010-10-21)  CPDL #22480:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2010-10-21).   Score information: A4, 14 pages, 97 kB   Copyright: CPDL
Edition notes: Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04.

3.5 Et in spiritum sanctum

  • (Posted 2010-10-21)  CPDL #22481:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2010-10-21).   Score information: A4, 13 pages, 99 kB   Copyright: CPDL
Edition notes: Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04.

4. Sanctus

  • (Posted 2010-11-03)  CPDL #22570:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2010-11-03).   Score information: A4, 10 pages, 83 kB   Copyright: CPDL
Edition notes: Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04.

5. Benedictus (added by a later arranger)

  • (Posted 2010-11-05)  CPDL #22573:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2010-11-05).   Score information: A4, 2 pages, 31 kB   Copyright: CPDL
Edition notes: Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral.

6. Agnus Dei

  • (Posted 2010-11-08)  CPDL #22589:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2010-11-08).   Score information: A4, 15 pages, 108 kB   Copyright: CPDL
Edition notes: Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04.

General Information

Title: Missa annuntiate nobis
Composer: José de Torres

Number of voices: 8vv   Voicing: SSAT.SATB
Genre: SacredMass

Languages: Ancient Greek, Latin
Instruments: two violins, oboe, harp and organ

First published:
Description: An 8 part mass with orchestral accompaniment. It is not clear why it is called "annuntiate nobis". That is a phrase from the plainchant "Quem vidistis pastores", but there is no obvious imitation of that plainchant. A Benedictus is included although it was clearly added by a later arranger, plagiarised from the Christe Eleison. Spanish masses from this period often seem to omit the Benedictus (the same applies to, for instance, Francisco Valls' Missa Scala Aretina, Missa Primi Toni and Missa Quarti Toni). If the Benedictus is to be performed as part of this mass it might be more authentic to use one of Torres' 3 part settings. One of these is included on CPDL. In the prosody, the syllables in the words "te-rra" and "to-llis" are split thus, no doubt because until very recently double r and double l were treated as letters in their own right in Spanish, the double r being rolled and the double l pronounced as "y" or "ly".

External websites:

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

KyrieGloriaCredoSanctus & BenedictusAgnus Dei