Modern Madrigals Book One (F. L. Dunkin Wedd): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{PostedDate|2012-01-14}} {{CPDLno|24711}} [[Media:Mod_mads_1_a4.pdf|{{pdf}}]] | |||
*{{PostedDate|2012-01-14}} {{CPDLno|24711}} [[Media:Mod_mads_1_a4.pdf|{{pdf}}]] | |||
{{Editor|F. L. Dunkin Wedd|2011-10-13}}{{ScoreInfo|A4|16|419}}{{Copy|Personal}} | {{Editor|F. L. Dunkin Wedd|2011-10-13}}{{ScoreInfo|A4|16|419}}{{Copy|Personal}} | ||
:'''Edition notes:''' | :'''Edition notes:''' | ||
==General Information== | ==General Information== | ||
{{Title|''Modern Madrigals Book One''}} | |||
{{Composer|F. L. Dunkin Wedd}} | {{Composer|F. L. Dunkin Wedd}} | ||
Line 14: | Line 13: | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|2004}} | ||
{{Descr| }} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{Text|English| | {{Text|English| | ||
'''1. Amyntas and his love ''' | '''1. Amyntas and his love ''' | ||
Amyntas told me of his love | Amyntas told me of his love | ||
And how fair Phyllis faithless proves | And how fair Phyllis faithless proves | ||
So I to treat with Phyllis hied | So I to treat with Phyllis hied | ||
And she, fair temptress, made reply: | And she, fair temptress, made reply: | ||
“Ah! Bollocks to Amyntas! | “Ah! Bollocks to Amyntas! | ||
He never took me to The Ivy. | He never took me to The Ivy. | ||
Bollocks to Amyntas! | Bollocks to Amyntas! | ||
He never bought me diamonds | He never bought me diamonds | ||
Geoffrey has a BMW, | Geoffrey has a BMW, | ||
A Rolex Oyster | A Rolex Oyster | ||
And a | And a penthouse flat.” | ||
'''2. The Barman ''' | '''2. The Barman ''' | ||
A woman goes into a bar | A woman goes into a bar | ||
And asks for a double entendre | And asks for a double entendre | ||
So the barman gives her one. | So the barman gives her one. | ||
'''3. Capitalism''' | '''3. Capitalism''' | ||
Peter bought a three-bed semi it cost him four- | Peter bought a three-bed semi it cost him four- | ||
one; he sold it a year later for five-two. | one; he sold it a year later for five-two. | ||
Carol and Andy spent seven-five on their barn | Carol and Andy spent seven-five on their barn | ||
conversion, they added a conservatory and | conversion, they added a conservatory and | ||
sold it for nine-one. | sold it for nine-one. | ||
John paid four-five-seven for his Chelsea flat; | John paid four-five-seven for his Chelsea flat; | ||
he’s just had it valued at half as much again. | he’s just had it valued at half as much again. | ||
Whereas I bought a home for my family - and | Whereas I bought a home for my family - and | ||
we lived in it. | we lived in it. | ||
'''4. Dumb Animals ''' | '''4. Dumb Animals ''' | ||
Who’s a lovely doggie? | Who’s a lovely doggie? | ||
Isn’t he a lovely doggie? | Isn’t he a lovely doggie? | ||
Aren’t you a lovely doggie? | Aren’t you a lovely doggie? | ||
Don’t you? Don’t you? | Don’t you? Don’t you? | ||
Who’s a lovely boy then? | Who’s a lovely boy then? | ||
Who’s a lovely doggie then? | Who’s a lovely doggie then? | ||
Who’s a clever doggie? | Who’s a clever doggie? | ||
Isn’t he a clever doggie? | Isn’t he a clever doggie? | ||
Aren’t you a clever doggie? | Aren’t you a clever doggie? | ||
Brighter than your Mummy? | Brighter than your Mummy? | ||
Aren’t you? Aren’t you? | Aren’t you? Aren’t you? | ||
Brighter than your Mummy? | Brighter than your Mummy? | ||
Though that isn’t saying much. | Though that isn’t saying much. | ||
'''5. Estuarial''' | '''5. Estuarial''' | ||
We wen’ aht last Friday an’ ‘ad a few larfs | We wen’ aht last Friday an’ ‘ad a few larfs | ||
I saw my mate Tracey, and she was like, | I saw my mate Tracey, and she was like, | ||
“There’s a new bar opened in West Street. | “There’s a new bar opened in West Street. | ||
How cool is that? Are you coming there later?” | How cool is that? Are you coming there later?” | ||
And I was like, “Yeah, right!” | And I was like, “Yeah, right!” | ||
That is SO not gonna happen. | That is SO not gonna happen. | ||
It’s just same old same old, innit? | It’s just same old same old, innit? | ||
'''6. Footie''' | '''6. Footie''' | ||
Why do we support this crew? | Why do we support this crew? | ||
The manager’s a dozy prat, | The manager’s a dozy prat, | ||
We should be playing 4-4-2 | We should be playing 4-4-2 | ||
With Cole out wide and Smith up front. | With Cole out wide and Smith up front. | ||
Now we’re dropping way too deep | Now we’re dropping way too deep | ||
One nil up and twenty minutes more | One nil up and twenty minutes more | ||
The effing referee’s gone to sleep | The effing referee’s gone to sleep | ||
They’ve missed - oh no! - he’s bound | They’ve missed - oh no! - he’s bound to… | ||
aarrgghh!}} | aarrgghh!}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Modern music]] | [[Category:Modern music]] |
Revision as of 12:57, 8 April 2021
Music files
ICON | SOURCE |
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File details | |
Help |
- Editor: F. L. Dunkin Wedd (submitted 2011-10-13). Score information: A4, 16 pages, 419 kB Copyright: Personal
- Edition notes:
General Information
Title: Modern Madrigals Book One
Composer: F. L. Dunkin Wedd
Number of voices: 4vv Voicing: SATB
Genre: Secular, Madrigal
Language: English
Instruments: A cappella
First published: 2004
Description:
External websites:
Original text and translations
English text
1. Amyntas and his love
Amyntas told me of his love
And how fair Phyllis faithless proves
So I to treat with Phyllis hied
And she, fair temptress, made reply:
“Ah! Bollocks to Amyntas!
He never took me to The Ivy.
Bollocks to Amyntas!
He never bought me diamonds
Geoffrey has a BMW,
A Rolex Oyster
And a penthouse flat.”
2. The Barman
A woman goes into a bar
And asks for a double entendre
So the barman gives her one.
3. Capitalism
Peter bought a three-bed semi it cost him four-
one; he sold it a year later for five-two.
Carol and Andy spent seven-five on their barn
conversion, they added a conservatory and
sold it for nine-one.
John paid four-five-seven for his Chelsea flat;
he’s just had it valued at half as much again.
Whereas I bought a home for my family - and
we lived in it.
4. Dumb Animals
Who’s a lovely doggie?
Isn’t he a lovely doggie?
Aren’t you a lovely doggie?
Don’t you? Don’t you?
Who’s a lovely boy then?
Who’s a lovely doggie then?
Who’s a clever doggie?
Isn’t he a clever doggie?
Aren’t you a clever doggie?
Brighter than your Mummy?
Aren’t you? Aren’t you?
Brighter than your Mummy?
Though that isn’t saying much.
5. Estuarial
We wen’ aht last Friday an’ ‘ad a few larfs
I saw my mate Tracey, and she was like,
“There’s a new bar opened in West Street.
How cool is that? Are you coming there later?”
And I was like, “Yeah, right!”
That is SO not gonna happen.
It’s just same old same old, innit?
6. Footie
Why do we support this crew?
The manager’s a dozy prat,
We should be playing 4-4-2
With Cole out wide and Smith up front.
Now we’re dropping way too deep
One nil up and twenty minutes more
The effing referee’s gone to sleep
They’ve missed - oh no! - he’s bound to…
aarrgghh!