O come, loud anthems let us sing (William Gifford): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2013-05-03}} {{CPDLno|29013}} [[Media:GiffW-OComeLoud.pdf|{{pdf}}]] [[Media:GiffW-OComeLoud.mid|{{mid}}]] [[Media:GiffW-OComeLoud.mxl|{{XML}}]] [[Media:GiffW-OComeLoud.sib|{{sib}}]] (Sibelius 7)
* {{CPDLno|29013}} [{{filepath:GiffW-OComeLoud.pdf}} {{pdf}}] [{{filepath:GiffW-OComeLoud.mid}} {{mid}}] [{{filepath:GiffW-OComeLoud.sib}} Sibelius 7] {{sib}}  
{{Editor|Edmund Gooch|2013-05-03}}{{ScoreInfo|A4|2|62}}{{Copy|Public Domain}}
{{Editor|Edmund Gooch|2013-05-03}}{{ScoreInfo|A4|2|62}}{{Copy|Public Domain}}
:'''Edition notes:''' The alto part is printed in the source in the treble clef an octave above sounding pitch, with the exception of bars 9-16, where the line given here as the alto part is printed on the soprano stave (as a second treble part). The E and C, given in the soprano and alto parts respectively in the present edition as semiquavers, are printed in the source as small quaver grace notes, slurred in each case from the preceding note, which is printed as a full-sized crotchet. The first verse only of the text is underlaid in the source, with no indication of which other verses should be sung: three further verses from the text have been selected and underlaid editorially, and the figuring of the bass part in the source has been omitted to facilitate this.
:'''Edition notes:''' The alto part is printed in the source in the treble clef an octave above sounding pitch, with the exception of bars 9-16, where the line given here as the alto part is printed on the soprano stave (as a second treble part). The E and C, given in the soprano and alto parts respectively in the present edition as semiquavers, are printed in the source as small quaver grace notes, slurred in each case from the preceding note, which is printed as a full-sized crotchet. The first verse only of the text is underlaid in the source, with no indication of which other verses should be sung: three further verses from the text have been selected and underlaid editorially, and the figuring of the bass part in the source has been omitted to facilitate this.
:


==General Information==
==General Information==
'''Title:''' ''O come, loud anthems let us sing''<br>
{{Title|''O come, loud anthems let us sing''}}
{{Composer|William Gifford}}
{{Composer|William Gifford}}
{{Lyricist|2|Nahum Tate|Nicholas Brady| (from ''A new version of the psalms of David'')}}
{{Lyricist|2|Nahum Tate|Nicholas Brady| (from ''A new version of the psalms of David'')}}
Line 15: Line 15:
{{Language|English}}
{{Language|English}}
{{Instruments|Basso continuo}}
{{Instruments|Basso continuo}}
'''Published:''' 1805
{{Pub|1|1805|in ''{{NoCo|Twelve New Psalm Tunes}}''|pg=8}}
 
The setting also appears in the early 19th century manuscript book of James Hurford of {{w|Spaxton}}, Somerset (Somerset Archives: D\P\chlch/23/1).
'''Description:''' This setting of [[Psalm 95]] in the metrical New Version was published on p8 of William Gifford's {{NoComp|Twelve New Psalm Tunes|William Gifford}}, London: (1805). ''Hymn Tune Index'' tune number 10967.
{{Descr|Setting of [[Psalm 95]] in the metrical New Version. ''Hymn Tune Index'' tune number 10967.}}
 
{{#ExtWeb:}}
The setting also appears in the early 19th century manuscript book of James Hurford of [[wikipedia:Spaxton|Spaxton]], Somerset (Somerset Archives: D\P\chlch/23/1).
 
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{LinkText|Psalm 95}}
{{LinkText|Psalm 95}}

Revision as of 13:35, 8 April 2021

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  • (Posted 2013-05-03)  CPDL #29013:        (Sibelius 7)
Editor: Edmund Gooch (submitted 2013-05-03).   Score information: A4, 2 pages, 62 kB   Copyright: Public Domain
Edition notes: The alto part is printed in the source in the treble clef an octave above sounding pitch, with the exception of bars 9-16, where the line given here as the alto part is printed on the soprano stave (as a second treble part). The E and C, given in the soprano and alto parts respectively in the present edition as semiquavers, are printed in the source as small quaver grace notes, slurred in each case from the preceding note, which is printed as a full-sized crotchet. The first verse only of the text is underlaid in the source, with no indication of which other verses should be sung: three further verses from the text have been selected and underlaid editorially, and the figuring of the bass part in the source has been omitted to facilitate this.

General Information

Title: O come, loud anthems let us sing
Composer: William Gifford
Lyricists: Nahum Tate and Nicholas Brady (from A new version of the psalms of David)

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn

Language: English
Instruments: Basso continuo

First published: 1805 in Twelve New Psalm Tunes, p. 8
The setting also appears in the early 19th century manuscript book of James Hurford of SpaxtonLink to the English Wikipedia article, Somerset (Somerset Archives: D\P\chlch/23/1). Description: Setting of Psalm 95 in the metrical New Version. Hymn Tune Index tune number 10967.

External websites:

Original text and translations

Original text and translations may be found at Psalm 95.