Salve Regina (Walter Lambe): Difference between revisions
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m (This piece is usually identified as one for five voices. English composers of this time often employed a gimel (momentary doubling of a voice part, usually in a solo section of the piece). The gimel wasn't considered an additional voice.) |
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{{Composer|Walter Lambe}} | {{Composer|Walter Lambe}} | ||
{{Voicing| | {{Voicing|5|SATTB (including gimel is 7vv SSAATTB)}}<br> | ||
{{Genre|Sacred|Antiphons}} | {{Genre|Sacred|Antiphons}} | ||
{{Language|Latin}} | {{Language|Latin}} |
Revision as of 14:58, 1 July 2013
Music files
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- Editor: John Hetland (submitted 2010-08-16). Score information: Letter, 20 pages, 481 kB Copyright: CPDL
- Edition notes: From the Eton Choirbook. Source: Vol I, ed. Frank Ll. Harrison, 2nd ed. 1967. Notation here is a tone lower than original with time values halved. Text in italics in this edition (but not in the text/translation below) is red in the MS, suggesting performance by a smaller group of singers. Translation, text underlay and musica ficta by John Hetland and The Renaissance Street Singers.
General Information
Title: Salve Regina
Composer: Walter Lambe
Number of voices: 5vv Voicing: SATTB (including gimel is 7vv SSAATTB)
Genre: Sacred, Antiphon
Language: Latin
Instruments: a cappella
Published:
Description: Marian Antiphon for use from Pentecost until Advent. From the Eton Choirbook.
External websites:
Original text and translations
This Salve Regina has many interpolations, shown here in italics, to the customary text. Original text and translations may be found at Salve Regina.
Latin text Salve Regina, mater misericordiae: |
English translation Hail, O Queen, Mother of mercy: |