Salve sancta parens III (Anonymous): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2011-08-27}} {{CPDLno|24256}} [[Media:Anonymous-Salve_sancta_parens_III.pdf|{{pdf}}]] [[Media:Anonymous-Salve_sancta_parens_III.mid|{{mid}}]] [[Media:Anonymous-Salve_sancta_parens_III-XML.zip|{{Zip}}]](XML)
*{{NewWork|2011-08-27}} '''CPDL #24256:''' [{{filepath:Anonymous-Salve_sancta_parens_III.pdf}} {{pdf}}] [{{filepath:Anonymous-Salve_sancta_parens_III.mid}} {{mid}}] [{{filepath:Anonymous-Salve_sancta_parens_III-XML.zip}} MusicXML]  
{{Editor|Renato Calcaterra|2011-08-27}}{{ScoreInfo|A4|1|59}}{{Copy|CPDL}}
{{Editor|Renato Calcaterra|2011-08-27}}{{ScoreInfo|A4|1|59}}{{Copy|CPDL}}
:'''Edition notes:''' The source (MusicXML) file is zipped
:'''Edition notes:''' MusicXML file is [[zipped]].


==General Information==
==General Information==
'''Title:''' ''Salve sancta parens III''<br>
{{Title|''Salve sancta parens III''}}
{{Composer|Anonymous}}
{{Composer|Anonymous}}


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{{Genre|Sacred|Introits}}
{{Genre|Sacred|Introits}}
{{Language|Latin}}
{{Language|Latin}}
'''Instruments:''' {{acap}}<br>
{{Instruments|A cappella}}
'''Published:'''  
{{Pub|0|post 1445|in the ''[[Trent codices|Trent codices 93]]''|ms=ms}}


'''Description:''' Transcribed from the Trent manuscript tr92. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files.
'''Description:''' Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files.


'''External websites:'''
*[https://web.archive.org/web/20110729125253/http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 Source manuscript]


'''External websites:'''
http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2
==Original text and translations==
==Original text and translations==
 
{{LinkText|Salve sancta parens}}
{{Text|Latin}}
<poem>
Salve
Sancta parens enixa puerpera Regem
Qui cælum terramque regit in sæcula sæculorum. Amen
 
Sentiant omnes tuum iuvamen
Quicunque celebrant tuam commemorationem.
 
Sicut erat in principio et nunc et semper
et in sæcula sæculorum. Amen
</poem>


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Trent codices]]
[[Category:Medieval music]]
[[Category:Medieval music]]

Revision as of 17:07, 6 November 2020

Music files

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  • (Posted 2011-08-27)  CPDL #24256:      (XML)
Editor: Renato Calcaterra (submitted 2011-08-27).   Score information: A4, 1 page, 59 kB   Copyright: CPDL
Edition notes: MusicXML file is zipped.

General Information

Title: Salve sancta parens III
Composer: Anonymous

Number of voices: 2vv   Voicing: ST

Genre: Sacred, Introit

Language: Latin
Instruments: A cappella

    Manuscript post 1445 in the Trent codices 93

Description: Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files.

External websites:

Original text and translations

Original text and translations may be found at Salve sancta parens.  

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