Salve sancta parens III (Anonymous): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2011-08-27}} {{CPDLno|24256}} [[Media:Anonymous-Salve_sancta_parens_III.pdf|{{pdf}}]] [[Media:Anonymous-Salve_sancta_parens_III.mid|{{mid}}]] [[Media:Anonymous-Salve_sancta_parens_III-XML.zip|{{Zip}}]](XML)
*{{PostedDate|2011-08-27}} {{CPDLno|24256}} [[Media:Anonymous-Salve_sancta_parens_III.pdf|{{pdf}}]] [[Media:Anonymous-Salve_sancta_parens_III.mid|{{mid}}]] [[Media:Anonymous-Salve_sancta_parens_III-XML.zip|{{Zip}}]](XML)
{{Editor|Renato Calcaterra|2011-08-27}}{{ScoreInfo|A4|1|59}}{{Copy|CPDL}}
{{Editor|Renato Calcaterra|2011-08-27}}{{ScoreInfo|A4|1|59}}{{Copy|CPDL}}
:'''Edition notes:''' MusicXML file is [[zipped]].
:{{EdNotes|MusicXML file is [[zipped]].}}


==General Information==
==General Information==
Line 14: Line 14:
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|0|post 1445|in the ''[[Trent codices|Trent codices 93]]''|ms=ms}}
{{Pub|0|post 1445|in the ''[[Trent codices|Trent codices 93]]''|ms=ms}}
 
{{Descr|Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files.}}
'''Description:''' Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files.
{{#ExtWeb:
 
*[https://web.archive.org/web/20110729125253/http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 Source manuscript]}}
'''External websites:'''
*[https://web.archive.org/web/20110729125253/http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 Source manuscript]
 
==Original text and translations==
==Original text and translations==
{{LinkText|Salve sancta parens}}
{{LinkText|Salve sancta parens}}

Revision as of 00:50, 1 July 2021

Music files

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  • (Posted 2011-08-27)  CPDL #24256:      (XML)
Editor: Renato Calcaterra (submitted 2011-08-27).   Score information: A4, 1 page, 59 kB   Copyright: CPDL
Edition notes: MusicXML file is zipped.

General Information

Title: Salve sancta parens III
Composer: Anonymous

Number of voices: 2vv   Voicing: ST

Genre: SacredIntroit

Language: Latin
Instruments: A cappella

    Manuscript post 1445 in the Trent codices 93
Description: Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files.

External websites:

Original text and translations

Original text and translations may be found at Salve sancta parens.