Salve sancta parens III (Anonymous): Difference between revisions
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*{{CPDLno|24256}} [{{filepath:Anonymous-Salve_sancta_parens_III.pdf}} {{pdf}}] [{{filepath:Anonymous-Salve_sancta_parens_III.mid}} {{mid}}] [{{filepath:Anonymous-Salve_sancta_parens_III-XML.zip}} MusicXML] | *{{CPDLno|24256}} [{{filepath:Anonymous-Salve_sancta_parens_III.pdf}} {{pdf}}] [{{filepath:Anonymous-Salve_sancta_parens_III.mid}} {{mid}}] [{{filepath:Anonymous-Salve_sancta_parens_III-XML.zip}} MusicXML] | ||
{{Editor|Renato Calcaterra|2011-08-27}}{{ScoreInfo|A4|1|59}}{{Copy|CPDL}} | {{Editor|Renato Calcaterra|2011-08-27}}{{ScoreInfo|A4|1|59}}{{Copy|CPDL}} | ||
:'''Edition notes:''' | :'''Edition notes:''' MusicXML file is [[zipped]]. | ||
==General Information== | ==General Information== | ||
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'''Description:''' Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files. | '''Description:''' Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files. | ||
'''External websites:''' | '''External websites:''' | ||
http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 | *[http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 Source manuscript] | ||
==Original text and translations== | ==Original text and translations== | ||
{{Text|Latin}} | {{Text|Latin}} | ||
<poem> | <poem> | ||
Revision as of 12:32, 29 December 2011
Music files
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File details |
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- CPDL #24256:
MusicXML
- Editor: Renato Calcaterra (submitted 2011-08-27). Score information: A4, 1 page, 59 kB Copyright: CPDL
- Edition notes: MusicXML file is zipped.
General Information
Title: Salve sancta parens III
Composer: Anonymous
Number of voices: 2vv Voicing: ST
Genre: Sacred, Introit
Language: Latin
Instruments: a cappella
Published: Trent 93
Description: Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files.
External websites:
Original text and translations
Latin text
Salve
Sancta parens enixa puerpera Regem
Qui cælum terramque regit in sæcula sæculorum. Amen
Sentiant omnes tuum iuvamen
Quicunque celebrant tuam commemorationem.
Sicut erat in principio et nunc et semper
et in sæcula sæculorum. Amen