Salve sancta parens III (Anonymous): Difference between revisions
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'''Description:''' Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files. | '''Description:''' Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files. |
Revision as of 03:38, 3 September 2016
Music files
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- Editor: Renato Calcaterra (submitted 2011-08-27). Score information: A4, 1 page, 59 kB Copyright: CPDL
- Edition notes: MusicXML file is zipped.
General Information
Title: Salve sancta parens III
Composer: Anonymous
Number of voices: 2vv Voicing: ST
Genre: Sacred, Introit
Language: Latin
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: Transcribed from the Trent manuscript tr93. The notes' values and colourings are as in the manuscript. The C clefs of the Superius and the Tenor are not consistent, I choosed to lower the Tenor clefs to the 3rd and the 4th line. The time signature is missing in all the voices: the “tempus perfectum” is assumed from the context, the perfect notes are dotted and a tie is used for a note's value that cannot be exactly represented. The coloured notes, except the gregorian incipit, are “hemioliæ”. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves. The “musica ficta” suggestions are in the MIDI and MusicXML files.
External websites:
Original text and translations
Original text and translations may be found at Salve sancta parens.