Sanctus (Johannes Brassart): Difference between revisions
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{{Genre|Sacred|Masses}} | {{Genre|Sacred|Masses}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
'''Instruments:''' | '''Instruments:''' {{acap}}<br> | ||
'''Published:''' | '''Published:''' {{Cat|Trent codices|Trent 87}} | ||
'''Description:''' Sanctus with two tropes transcribed from the Trent manuscripts tr87. The keys, time signatures, notes' values accidentals and colourings are as in the manuscript, the coloured notes are “hemiolæ”. The initial time signature is missing, the “tempus perfectum” has been assumed from the context and the perfect notes and rests have been dotted. The time change near the end of the Superius (tempus imperfectum cum prolatione maiore) is misleading: is not the PERFECT semibrevis that equals the former brevis, as usual, but is the IMPERFECT semibrevis instead. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ – the unstemmed notes with double length body are maximæ. The "musica ficta" suggestions are in the MIDI and MusicXML files. | '''Description:''' Sanctus with two tropes transcribed from the Trent manuscripts tr87. The keys, time signatures, notes' values accidentals and colourings are as in the manuscript, the coloured notes are “hemiolæ”. The initial time signature is missing, the “tempus perfectum” has been assumed from the context and the perfect notes and rests have been dotted. The time change near the end of the Superius (tempus imperfectum cum prolatione maiore) is misleading: is not the PERFECT semibrevis that equals the former brevis, as usual, but is the IMPERFECT semibrevis instead. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ – the unstemmed notes with double length body are maximæ. The "musica ficta" suggestions are in the MIDI and MusicXML files. | ||
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'''External websites:''' | '''External websites:''' | ||
http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 | http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2 | ||
==Original text and translations== | ==Original text and translations== | ||
Revision as of 20:18, 25 May 2012
Music files
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File details |
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Help |
CPDL #26278:
MusicXML
- Editor: Renato Calcaterra (submitted 2012-05-24). Score information: A4, 4 pages, 174 kB Copyright: CPDL
- Edition notes: The MIDI and the source (MusicXML) files are zipped.
General Information
Title: Sanctus
Composer: Johannes Brassart
Number of voices: 3vv Voicing: ATT
Genre: Sacred, Mass
Language: Latin
Instruments: a cappella
Published: Trent 87
Description: Sanctus with two tropes transcribed from the Trent manuscripts tr87. The keys, time signatures, notes' values accidentals and colourings are as in the manuscript, the coloured notes are “hemiolæ”. The initial time signature is missing, the “tempus perfectum” has been assumed from the context and the perfect notes and rests have been dotted. The time change near the end of the Superius (tempus imperfectum cum prolatione maiore) is misleading: is not the PERFECT semibrevis that equals the former brevis, as usual, but is the IMPERFECT semibrevis instead. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ – the unstemmed notes with double length body are maximæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.
External websites: http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2
Original text and translations
Latin text
Trope I
Sanctus
Genitor summi filii,
quem concepit sancta virgo Maria;
Sanctus
Summi patris unigenitus,
quem produxit mundo virgo Maria,
Sanctus
Spiritus sanctus,
sub cuius umbra Christum genuisti,
excellentissima virgo Maria.
Dominus Deus...
Trope II
Benedictus
Mariæ filius
Qui venit...