Suscipe verbum virgo Maria (Loyset Compère): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2022-01-09}} {{CPDLno|67478}} [[Media:Compere-SuscipeVerbum.pdf|{{pdf}}]] [[Media:Compere-SuscipeVerbum.mid|{{mid}}]] | * {{PostedDate|2022-01-09}} {{CPDLno|67478}} [[Media:Compere-SuscipeVerbum.pdf|{{pdf}}]] [[Media:Compere-SuscipeVerbum.mid|{{mid}}]] [[Media:Compere-SuscipeVerbum.mxl|{{XML}}]] | ||
{{Editor|Adrian Wall|2022-01-09}}{{ScoreInfo|A4|3|275}}{{Copy|Personal}} | {{Editor|Adrian Wall|2022-01-09}}{{ScoreInfo|A4|3|275}}{{Copy|Personal}} | ||
:{{EdNotes|Note values halved. Transposed down a tone. The upper two voices have been editorially reconstructed.}} | :{{EdNotes|Note values halved. Transposed down a tone. The upper two voices have been editorially reconstructed.}} | ||
==General Information== | ==General Information== | ||
{{Title|Suscipe verbum virgo Maria}} | {{Title|Suscipe verbum virgo Maria}} | ||
| Line 15: | Line 16: | ||
{{Pub|0||MS 2266 (Librone 4), Archivo della Veneranda Fabbrica del Duomo, Sezione Musicale, Milan|ms=ms}} | {{Pub|0||MS 2266 (Librone 4), Archivo della Veneranda Fabbrica del Duomo, Sezione Musicale, Milan|ms=ms}} | ||
{{Pub|1|1502|in {{NoComp|Motetti A|Ottaviano Petrucci}}|no=3}} | {{Pub|1|1502|in {{NoComp|Motetti A|Ottaviano Petrucci}}|no=3}} | ||
{{Descr|Lynn Halpern Ward (The "Motetti Missales" Repertory Reconsidered, Journal of the American Musicological Society, Vol. 39, No. 3 - Autumn 1986) has suggested that this piece may be part of a ''motetti musicali'' cycle: a Milanese practice of substituting the movements of a mass with motets. In most of its sources, it is grouped with other motets from this conjectural cycle. This motet appears in Librone 4, which was badly damaged in a fire while on display at the 1906 Espositzione Internationale in Milan; it follows ''[[O admirabile commercium - Germinavit radix Jesse (Loyset Compère)|O admirabile commercium]]'' and ''[[Sanctus - O sapientia (Loyset Compère)|Sanctus]]''. The beginnings of the upper two voices have been lost. In its other sources, it appears in a different form, starting with the words ''[[O Genitrix gloriosa (Loyset Compère)|O genetrix gloriosa]]'', and with different music music for the first part of the motet. In Petrucci's Motetti A (and a number of other sources), this is paired with ''[[Ave virgo gloriosa (Loyset Compère)|Ave virgo gloriosa]]''; in Librone 3, is not grouped with other motets, but follows settings of the Gloria and Sanctus (a different setting from that in Ward's cycle), and may have been intended for use with them. Whether or not all the components of Ward's proposed cycle were ever performed as a unit, it seems likely that they were used in the groupings in which they appear in the Libroni.}} | {{Descr|Lynn Halpern Ward (The "Motetti Missales" Repertory Reconsidered, Journal of the American Musicological Society, Vol. 39, No. 3 - Autumn 1986) has suggested that this piece may be part of a [[O admirabile commercium (motet cycle) (Loyset Compère)|''motetti musicali'' cycle]]: a Milanese practice of substituting the movements of a mass with motets. In most of its sources, it is grouped with other motets from this conjectural cycle. This motet appears in Librone 4, which was badly damaged in a fire while on display at the 1906 Espositzione Internationale in Milan; it follows ''[[O admirabile commercium - Germinavit radix Jesse (Loyset Compère)|O admirabile commercium]]'' and ''[[Sanctus - O sapientia (Loyset Compère)|Sanctus]]''. The beginnings of the upper two voices have been lost. In its other sources, it appears in a different form, starting with the words ''[[O Genitrix gloriosa (Loyset Compère)|O genetrix gloriosa]]'', and with different music music for the first part of the motet. In Petrucci's Motetti A (and a number of other sources), this is paired with ''[[Ave virgo gloriosa (Loyset Compère)|Ave virgo gloriosa]]''; in Librone 3, it is not grouped with other motets, but follows settings of the Gloria and Sanctus (a different setting from that in Ward's cycle), and may have been intended for use with them. Whether or not all the components of Ward's proposed cycle were ever performed as a unit, it seems likely that they were used in the groupings in which they appear in the Libroni.}} | ||
{{#ExtWeb:}} | {{#ExtWeb:}} | ||
==Original text and translations== | ==Original text and translations== | ||
{{top}} | {{top}} | ||
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Suscipe verbum virgo Maria, | Suscipe verbum virgo Maria, | ||
quod tibi per angelum | quod tibi per angelum | ||
transmissum est a domino. | transmissum est a domino. | ||
Beata virgo nitida, | Beata virgo nitida, | ||
efficieris gravida, | efficieris gravida, | ||
paries quidem filium | paries quidem filium | ||
non habendo detrimentum | non habendo detrimentum | ||
virginitatis et eris benedicta | virginitatis et eris benedicta | ||
semper mater intacta.}} | semper mater intacta.}} | ||
| Line 41: | Line 43: | ||
without detriment to your virginity, | without detriment to your virginity, | ||
and will always be blessed, | and will always be blessed, | ||
an intact mother. | an intact mother.}} | ||
}} | |||
{{btm}} | {{btm}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] | ||
Revision as of 16:14, 29 September 2022
Music files
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- (Posted 2022-01-09) CPDL #67478:
- Editor: Adrian Wall (submitted 2022-01-09). Score information: A4, 3 pages, 275 kB Copyright: Personal
- Edition notes: Note values halved. Transposed down a tone. The upper two voices have been editorially reconstructed.
General Information
Title: Suscipe verbum virgo Maria
Composer: Loyset Compère
Lyricist:
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
Manuscript MS 2267 (Librone 3), Archivo della Veneranda Fabbrica del Duomo, Sezione Musicale, Milan
Manuscript MS 2266 (Librone 4), Archivo della Veneranda Fabbrica del Duomo, Sezione Musicale, Milan
First published: 1502 in Motetti A, no. 3
Description: Lynn Halpern Ward (The "Motetti Missales" Repertory Reconsidered, Journal of the American Musicological Society, Vol. 39, No. 3 - Autumn 1986) has suggested that this piece may be part of a motetti musicali cycle: a Milanese practice of substituting the movements of a mass with motets. In most of its sources, it is grouped with other motets from this conjectural cycle. This motet appears in Librone 4, which was badly damaged in a fire while on display at the 1906 Espositzione Internationale in Milan; it follows O admirabile commercium and Sanctus. The beginnings of the upper two voices have been lost. In its other sources, it appears in a different form, starting with the words O genetrix gloriosa, and with different music music for the first part of the motet. In Petrucci's Motetti A (and a number of other sources), this is paired with Ave virgo gloriosa; in Librone 3, it is not grouped with other motets, but follows settings of the Gloria and Sanctus (a different setting from that in Ward's cycle), and may have been intended for use with them. Whether or not all the components of Ward's proposed cycle were ever performed as a unit, it seems likely that they were used in the groupings in which they appear in the Libroni.
External websites:
Original text and translations
 Latin textSuscipe verbum virgo Maria, |
 English translationVirgin Mary, receive the word |