Talk:Salve sancta parens III (Anonymous)

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Revision as of 23:20, 23 February 2016 by Mirlan (talk | contribs) (This is a fauxbourdon piece!)
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This is clearly a fauxbourdon piece. The notated superius and tenor are nearly always a sixth or an octave apart, to make room for an unwritten altus part that is a (perfect) fourth below the superius at all times. Mirlan (talk) 23:20, 23 February 2016 (UTC)