Thomas Jarman: Difference between revisions

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===Metrical psalm and hymn tunes===
===Metrical psalm and hymn tunes===
{{top}}
*{{NoCo|Ere I sleep, for every favour}} {{LLink|JarmT-EreISleepFor.pdf|JarmT-EreISleepFor.mid|JarmT-EreISleepFor.sib|Sibelius 7}}
*{{NoCo|Ere I sleep, for every favour}} {{LLink|JarmT-EreISleepFor.pdf|JarmT-EreISleepFor.mid|JarmT-EreISleepFor.sib|Sibelius 7}}
*{{NoCo|Eternal source of every joy}} {{LLink|JarmT-EternalSource.pdf|JarmT-EternalSource.mid|JarmT-EternalSource.sib|Sibelius 6}}
*{{NoCo|Eternal source of every joy}} {{LLink|JarmT-EternalSource.pdf|JarmT-EternalSource.mid|JarmT-EternalSource.sib|Sibelius 6}}
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**[[Now begin the heavenly theme (Triumph) (Thomas Jarman)|to the tune ''Triumph'']] {{LLink|JarmT-NowBeginTheHeavenly-Triumph.pdf|JarmT-NowBeginTheHeavenly-Triumph.mid|JarmT-NowBeginTheHeavenly-Triumph.sib|Sibelius 7}}
**[[Now begin the heavenly theme (Triumph) (Thomas Jarman)|to the tune ''Triumph'']] {{LLink|JarmT-NowBeginTheHeavenly-Triumph.pdf|JarmT-NowBeginTheHeavenly-Triumph.mid|JarmT-NowBeginTheHeavenly-Triumph.sib|Sibelius 7}}
**to the tune ''Sevens Cheerful'' or ''Redemption'' (no edition uploaded yet)
**to the tune ''Sevens Cheerful'' or ''Redemption'' (no edition uploaded yet)
{{mdl}}
*{{NoCo|O thou eternal victim slain}} {{LLink|JarmT-OThouEternalVictim.pdf|JarmT-OThouEternalVictim.mid|JarmT-OThouEternalVictim.sib|Sibelius 7}}
*{{NoCo|O thou eternal victim slain}} {{LLink|JarmT-OThouEternalVictim.pdf|JarmT-OThouEternalVictim.mid|JarmT-OThouEternalVictim.sib|Sibelius 7}}
*{{NoCo|Sing to the great Jehovah's praise}} {{LLink|JarmT-SingToTheGreat.pdf|JarmT-SingToTheGreat.mid|JarmT-SingToTheGreat.sib|Sibelius 7}}
*{{NoCo|Sing to the great Jehovah's praise}} {{LLink|JarmT-SingToTheGreat.pdf|JarmT-SingToTheGreat.mid|JarmT-SingToTheGreat.sib|Sibelius 7}}
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**[[With one consent let all the earth (New Hundredth) (Thomas Jarman)|to the tune ''New Hundredth'']] {{LLink|JarmT-WithOneConsent-NewHundredth.pdf|JarmT-WithOneConsent-NewHundredth.mid|JarmT-WithOneConsent-NewHundredth.sib|Sibelius 7}}
**[[With one consent let all the earth (New Hundredth) (Thomas Jarman)|to the tune ''New Hundredth'']] {{LLink|JarmT-WithOneConsent-NewHundredth.pdf|JarmT-WithOneConsent-NewHundredth.mid|JarmT-WithOneConsent-NewHundredth.sib|Sibelius 7}}
**to the tune ''Edom'' (no edition uploaded yet)
**to the tune ''Edom'' (no edition uploaded yet)
{{btm}}


===Arrangements by Jarman of works by other composers===
===Arrangements by Jarman of works by other composers===

Revision as of 14:39, 21 February 2016

Life

Born: 1776

Died: 1861

Biography
Thomas Jarman was born in Clipston, Northamptonshire, and was (like his father) a tailor, but joined the choir of the Baptist chapel in Clipston, and became one of the most prolific English composers of psalmody in the early nineteenth century. His first book of psalmody, Sacred Music, Comprising Select Hymns [1803-5], included an anthem 'expressly composed for the opening of Clipstone New Chapel': the chapel was opened in 1803. He is now predominantly known for the tune 'Lyngham', which was published in the same collection under the title 'Navitity'.

View the Wikipedia article on Thomas Jarman.

List of choral works

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Anthems and set-pieces (through-composed settings of metrical texts)

Metrical psalm and hymn tunes

Arrangements by Jarman of works by other composers


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Publications

External links

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