Thou fairest proof of beauty's power (William Jackson of Exeter): Difference between revisions

From ChoralWiki
Jump to navigation Jump to search
m (Text replacement - "*{{PostedDate|2022-04" to "* {{PostedDate|2022-04")
m (Text replacement - "* {{PostedDate|2022-" to "*{{PostedDate|2022-")
 
Line 1: Line 1:
==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
* {{PostedDate|2022-04-14}} {{CPDLno|68852}} [http://www.notamos.co.uk/146924.shtml {{net}}]
*{{PostedDate|2022-04-14}} {{CPDLno|68852}} [http://www.notamos.co.uk/146924.shtml {{net}}]
{{Editor|Christopher Shaw|2022-04-14}}{{ScoreInfo|A4|9|488}}{{Copy|Creative Commons Attribution Share Alike}}
{{Editor|Christopher Shaw|2022-04-14}}{{ScoreInfo|A4|9|488}}{{Copy|Creative Commons Attribution Share Alike}}
:{{EdNotes|Please click on the link for preview/playback/PDF download.}}
:{{EdNotes|Please click on the link for preview/playback/PDF download.}}

Latest revision as of 03:21, 1 January 2023

Music files

L E G E N D Disclaimer How to download
ICON SOURCE
Network.png Web Page
File details.gif File details
Question.gif Help
  • (Posted 2022-04-14)  CPDL #68852:  Network.png
Editor: Christopher Shaw (submitted 2022-04-14).   Score information: A4, 9 pages, 488 kB   Copyright: CC BY SA
Edition notes: Please click on the link for preview/playback/PDF download.

General Information

Title: Thou fairest proof of beauty's power
Composer: William Jackson of Exeter
Lyricist: Matthew Prior
Number of voices: 3vv   Voicing: ATB
Genre: SecularGlee

Language: English
Instruments: Basso continuo

First published: 1762 Op. 3
Description: In his frontispiece, Jackson specified performance in the following terms: "I would just observe, that the following pieces will lose their effect, when the parts are doubled. The manner of performance that I would recommend, is by three voices singing moderately soft, and accompanied with any bass instrument that may have the effect of an accompaniment only; for nothing hurts a piece so much, as making a part principal, or even equal with others, when it was intended to be subservient. The equality of strength among the voices should also be observed; if one voice of the three be strong, and the others weak, it is necessary to soften it down, that the balance may not be destroyed; for it should always be remembered, that as no principal part was intended, there must be none produced".

External websites:

Original text and translations

English.png English text

Thou fairest proof of beauty's pow'r,
Dear idol of my panting heart,
Nature points this my fatal hour!
And I have lived, and we must part.

Whilst now I take my last adieu,
Heave thou no sigh nor shed a tear,
Lest yet my half-closed eye may view
On earth an object worth its care.

From jealousy's tormenting strife
For ever be thy bosom freed;
That nothing may disturb thy life,
Content I hasten to the dead.

Yet when some better fated youth
Shall thee to am'rous parley move,
Reflect one moment on his truth,
When dying thus persists to love.