Tota pulchra a 4 (Heinrich Isaac): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{PostedDate|2018-02-05}} {{CPDLno|48712}} [[Media:Tota_pulchra_es_a_4_Isaac.pdf|{{pdf}}]] [[Media:Tota_pulchra_es_a_4_Isaac.mid|{{mid}}]] [[Media:Tota_pulchra_es_a_4_Isaac.mxl|{{XML}}]] [[Media:Tota_pulchra_es_a_4_Isaac.capx|{{Capx}}]] | |||
{{Editor|James Gibb|2018-02-05}}{{ScoreInfo|A4|7|111}}{{Copy|CPDL}} | |||
:{{EdNotes|Reformatting of #23083. Transposed up a major 3rd, for SATB. Minor corrections to the underlay.}} | |||
*{{ | *{{PostedDate|2011-12-28}} {{CPDLno|24398}} [http://www.davidfplace.info/pdf/tpe_parts_c_f.pdf {{extpdf}}] | ||
{{Editor|David Place|2011-09-08}}{{ScoreInfo|Letter|9|116.86}}{{Copy|CPDL}} | {{Editor|David Place|2011-09-08}}{{ScoreInfo|Letter|9|116.86}}{{Copy|CPDL}} | ||
: | :{{EdNotes|This is a set of parts which are unbarred and use petrucci-style notes and rests. It is transposed up a fourth which is useful for playing it with a consort of renaissance flutes or recorders.}} | ||
*{{CPDLno|23083}} [ | *{{PostedDate|2011-02-02}} {{CPDLno|23083}} [[Media:Isaac_-_Tota_Pulchra_Es_à_4.pdf|{{pdf}}]] [[Media:Isaac_-_Tota_Pulchra_Es_à_4.mid|{{mid}}]] [[Media:Isaac_-_Tota_Pulchra_Es_à_4.mxl|{{XML}}]] [[Media:Isaac_-_Tota_Pulchra_Es_à_4.sib|{{sib}}]] (Sibelius 6) | ||
{{Editor|David Mackay|2011-02-02}}{{ScoreInfo|A4|10|173}}{{Copy|CPDL}} | {{Editor|David Mackay|2011-02-02}}{{ScoreInfo|A4|10|173}}{{Copy|CPDL}} | ||
: | :{{EdNotes|This arrangement is for four male voices (alto/countertenor, two tenors, and a bass) and is transposed up a semitone.}} | ||
*{{ | *{{PostedDate|2006-03-07}} {{CPDLno|11186}} [[Media:Isaac_Tota_pulchra_a_4.pdf|{{pdf}}]] [[Media:Isaac_Tota_pulchra_a_4.mid|{{mid}}]] [[Media:Isaac_Tota_pulchra_a_4.mxl|{{XML}}]] | ||
{{Editor|Sabine Cassola|2006-03-07}} {{ScoreInfo|A4|8|192}} {{Copy|CPDL}} | {{Editor|Sabine Cassola|2006-03-07}} {{ScoreInfo|A4|8|192}} {{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
==General Information== | ==General Information== | ||
{{Title|''Tota pulchra a 4''}} | |||
{{Composer|Heinrich Isaac}} | {{Composer|Heinrich Isaac}} | ||
{{Voicing|4|ATTB}} | {{Voicing|4|ATTB,SATB}} | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | |||
'' | {{Pub|1|1547|in ''[[Dodecachordon (Henricus Glareanus)]]''|pg=268}} | ||
{{Descr| }} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Tota pulchra es, amica mea}} | {{LinkText|Tota pulchra es, amica mea}} |
Revision as of 03:22, 13 September 2021
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Capella | |
Sibelius | |
File details | |
Help |
- Editor: James Gibb (submitted 2018-02-05). Score information: A4, 7 pages, 111 kB Copyright: CPDL
- Edition notes: Reformatting of #23083. Transposed up a major 3rd, for SATB. Minor corrections to the underlay.
- Editor: David Placecreate page (submitted 2011-09-08). Score information: Letter, 9 pages, 116.86 kB Copyright: CPDL
- Edition notes: This is a set of parts which are unbarred and use petrucci-style notes and rests. It is transposed up a fourth which is useful for playing it with a consort of renaissance flutes or recorders.
- Editor: David Mackay (submitted 2011-02-02). Score information: A4, 10 pages, 173 kB Copyright: CPDL
- Edition notes: This arrangement is for four male voices (alto/countertenor, two tenors, and a bass) and is transposed up a semitone.
- Editor: Sabine Cassola (submitted 2006-03-07). Score information: A4, 8 pages, 192 kB Copyright: CPDL
- Edition notes:
General Information
Title: Tota pulchra a 4
Composer: Heinrich Isaac
Number of voices: 4vv Voicings: ATTB or SATB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 1547 in Dodecachordon (Henricus Glareanus), p. 268
Description:
External websites:
Original text and translations
Original text and translations may be found at Tota pulchra es, amica mea.