User:Mick Swithinbank: Difference between revisions

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Arrangements: at least 3 (Mennyből az angyal (Hungarian), Caecilia (German), El Rossinyol (Catalan)).
Arrangements: at least 3 (Mennyből az angyal (Hungarian), Caecilia (German), El Rossinyol (Catalan)).


Reductions: Robert Carver, O bone Jesu, reduced from 19 voices to 6; Thomas Tallis, Spem in alium, reduced from 40 voices to 11.
Reductions: Robert Carver, O bone Jesu, reduced from 19 voices to 6; Thomas Tallis, Spem in alium, and Alessandro Striggio, Ecce beatam lucem, both reduced from 40 voices to 11; Nicolas Gombert, Regina caeli, reduced from 12 voices to 9; O fortunato giorno by Cristoforo Malvezzi reduced from 30 voices to 10.


Completions of works with missing parts: Robert Parsons, Domine quis habitabit a6, Peccantem me quotidie a5, Latin Magnificat.
Completions of works with missing parts: Robert Parsons, Domine quis habitabit a6, Peccantem me quotidie a5 (both recorded in these editions by the Cardinall's Musick) & Latin Magnificat; Francesco de Layolle, O bone Jesu a4, Stabat mater a5 & Passio tua Domine a4; Alfonso Ferrabosco I, In die tribulationis (section from Inclina Domine). Joannes Zacheus, Philippe qui vidit me a5. Also one short section of White's Lamentations a6, which may or may not have been missing a voice part (as one partbook is lost). Lamentations a6 and Benedictus a8 by Antonio Mogavero.  


Underlay of textless work: Hermanus De Atrio, In Mariam vite viam.
Underlay of textless work: Hermanus De Atrio, In Mariam vite viam.
Contrafactum: 'Tristis est anima mea', based on 'Caro dolce ben mio' by Alessandro Striggio.


Editions of Renaissance works by Anonymous, Cornelius Canis, Jacobus Clemens non Papa, Jean Crespel, Nicolas Rogier (others by Joachim Cabilliau, Giovanni Croce, Johannes Gallus and Jean Richafort coming soon).
Editions of Renaissance works by Anonymous (including Italian laude), Benedictus Appenzeller, Jean Barra (Hotinet), Jean le Bouteiller, Joachim (?) Cabilliau, Cornelius Canis, Jacobus Clemens non Papa, Jean Courtois, Jean Crespel, Jean de la Fage, Antoine de Févin, François Dulot, Andrea Gabrieli, Johannes Gallus,  Mathieu Gascongne, Nicolas Gombert, Claude Goudimel, Jean Guyot, Nicolle des Celliers de Hesdin, Christian Hollander, 'Jodon', Johannes Lupi, Pierre de Manchicourt, Philippe de Monte, 'Morel', Jean Mouton, Hilaire Penet, Peter Philips, Christophorus Potier, Jean Richafort, Nicolas Rogier, Jean Rousée, Claudin de Sermisy, Andreas de Silva, Philippe Verdelot, Pierre Vermont, Hubert Waelrant, Gaspar van Weerbeke, Philip van Wilder, etc.


Collaboration with Jonathan Goodliffe on editing of scores by Ceballos, Serra, Pacheco, etc.
Collaboration with Jonathan Goodliffe on editing of scores by Valls, Ceballos, Serra, Pacheco, etc.
 
Also numerous translations.


Also numerous translations (both prose and verse) and comments.


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MA in Modern and Medieval Languages, University of Cambridge, England
MA in Modern and Medieval Languages, University of Cambridge, England


Has completed numerous courses in European languages since then.
Numerous courses in European languages completed since then.


==Background==
==Background==
Born in England, resident in Luxembourg. Professional translator and amateur choir director and music arranger/editor.
Born in England, resident in Luxembourg. Professional translator and amateur choir director, singer, harpsichordist and music arranger/editor.


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[[Category:CPDL Editors]]
[[Category:CPDL Editors]]

Revision as of 15:50, 17 October 2020

See also: Mick Swithinbank's composer page.

General Information

Contributor since: 2002-07-07

Number of scores on CPDL:

Original compositions: 6 (Coronach, Four Songs on Love's Passing, In die mee sepulture, In freezing winter night, In the bleak midwinter, Quand vous serez bien vieille).

Arrangements: at least 3 (Mennyből az angyal (Hungarian), Caecilia (German), El Rossinyol (Catalan)).

Reductions: Robert Carver, O bone Jesu, reduced from 19 voices to 6; Thomas Tallis, Spem in alium, and Alessandro Striggio, Ecce beatam lucem, both reduced from 40 voices to 11; Nicolas Gombert, Regina caeli, reduced from 12 voices to 9; O fortunato giorno by Cristoforo Malvezzi reduced from 30 voices to 10.

Completions of works with missing parts: Robert Parsons, Domine quis habitabit a6, Peccantem me quotidie a5 (both recorded in these editions by the Cardinall's Musick) & Latin Magnificat; Francesco de Layolle, O bone Jesu a4, Stabat mater a5 & Passio tua Domine a4; Alfonso Ferrabosco I, In die tribulationis (section from Inclina Domine). Joannes Zacheus, Philippe qui vidit me a5. Also one short section of White's Lamentations a6, which may or may not have been missing a voice part (as one partbook is lost). Lamentations a6 and Benedictus a8 by Antonio Mogavero.

Underlay of textless work: Hermanus De Atrio, In Mariam vite viam. Contrafactum: 'Tristis est anima mea', based on 'Caro dolce ben mio' by Alessandro Striggio.

Editions of Renaissance works by Anonymous (including Italian laude), Benedictus Appenzeller, Jean Barra (Hotinet), Jean le Bouteiller, Joachim (?) Cabilliau, Cornelius Canis, Jacobus Clemens non Papa, Jean Courtois, Jean Crespel, Jean de la Fage, Antoine de Févin, François Dulot, Andrea Gabrieli, Johannes Gallus, Mathieu Gascongne, Nicolas Gombert, Claude Goudimel, Jean Guyot, Nicolle des Celliers de Hesdin, Christian Hollander, 'Jodon', Johannes Lupi, Pierre de Manchicourt, Philippe de Monte, 'Morel', Jean Mouton, Hilaire Penet, Peter Philips, Christophorus Potier, Jean Richafort, Nicolas Rogier, Jean Rousée, Claudin de Sermisy, Andreas de Silva, Philippe Verdelot, Pierre Vermont, Hubert Waelrant, Gaspar van Weerbeke, Philip van Wilder, etc.

Collaboration with Jonathan Goodliffe on editing of scores by Valls, Ceballos, Serra, Pacheco, etc.

Also numerous translations.


Works with editions by this editor: 1091 (see list)

Contact Information

email: MickSwithinbank  At sign.png  gmail.com

Education

MA in Modern and Medieval Languages, University of Cambridge, England

Numerous courses in European languages completed since then.

Background

Born in England, resident in Luxembourg. Professional translator and amateur choir director, singer, harpsichordist and music arranger/editor.