Vaga su spina ascosa (Claudio Monteverdi): Difference between revisions

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{{Text|Italian}}
{{Text|Italian|
<poem>
Vaga su spina ascosa
Vaga su spina ascosa
è rosa rugiadosa
è rosa rugiadosa
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ch’oscura e discolora
ch’oscura e discolora
le guance de l’Aurora.
le guance de l’Aurora.
</poem>
}}


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{{Translation|English}}
{{Translation|English|
<poem>
Gentle midst the hidden thorns
Gentle midst the hidden thorns
lies the dewy rose,
lies the dewy rose,
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of the amorous cheek
of the amorous cheek
which overshadows and outdoes
which overshadows and outdoes
the cheeks of Dawn.
}}
</poem>
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[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 08:52, 11 March 2015

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  • CPDL #32740:  Icon_pdf.gif Icon_snd.gif
Editor: Peter Rottländer (submitted 2014-08-20).   Score information: A4, 4 pages, 131 kB   Copyright: CPDL
Basso Continuo: Icon_pdf.gif Score information: A4, 1 page, 45 kB   
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  • CPDL #19426:  Icon_pdf.gif Icon_snd.gif Icon_ly.gif
Editor: Björn Sothmann (submitted 2009-05-06).   Score information: A4, 6 pages, 565 kB   Copyright: CC BY-SA 3.0 Unported
Edition notes:

General Information

Title: Vaga su spina ascosa
Composer: Claudio Monteverdi
Lyricist: Gabriello Chiabrera

Number of voices: 3vv   Voicing: TTB

Genre: Secular, Madrigal

Language: Italian
Instruments: Basso continuo

Published: 1619

Description:

External websites:

Original text and translations

Italian.png Italian text

Vaga su spina ascosa
è rosa rugiadosa
ch’a l’alba si diletta
mossa da fresca auretta;
ma più vaga è la rosa
de la guancia amorosa
ch’oscura e discolora
le guance dell’Aurora.
Addio, Ninfe de’ fiori
e Ninfe de gli odori;
Primavera gentile,
statti pur con Aprile:
ché più vaga e più vera
mirasi Primavera
su quella fresca rosa
de la guancia amorosa
ch’oscura e discolora
le guance de l’Aurora.
 

English.png English translation

Gentle midst the hidden thorns
lies the dewy rose,
that buds at daybreak
stir red by a pure breeze;
but more gentle still is the rose
of the amorous cheek
which overshadows and outdoes
the cheeks of Dawn.
Farewell, Nymphs of the flowers
and Nymphs of their perfumes;
gentle Spring,
stay with April;
for Spring is seen
more lovely and true
in that fresh rose
of the amorous cheek
which overshadows and outdoes
 

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