Veniat amica mea (Orazio Tarditi): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{PostedDate|2015-07-01}} {{CPDLno|35941}} [[Media:Tarditi_Veniat_Amica.pdf|{{pdf}}]] [[Media:Tarditi_Veniat_Amica.mp3|{{mp3}}]] [[Media:Tarditi_Veniat_Amica.mxl|{{XML}}]] [[Media:Tarditi_Veniat_Amica.musx|{{F14}}]] (Finale 2014) | |||
{{Editor|Anthony Cekada|2015-07-01}}{{ScoreInfo|Letter|4|131}}{{Copy|CPDL}} | |||
:{{EdNotes|From CPDL #20036. Soprano lines occasionally swapped and bass line altered to accommodate alto and baritone ranges. Time signatures changed. Continuo extensively altered throughout to better harmonize with voices.}} | |||
*{{CPDLno|20036}} [ | *{{PostedDate|2009-08-23}} {{CPDLno|20036}} [[Media:Tard-ven.pdf|{{pdf}}]] [[Media:Tard-ven.MID|{{mid}}]] [[Media:Veniat_amica_mea.mxl|{{XML}}]] [[Media:Veniat_amica_mea.MUS|{{mus}}]] (Finale 2008) | ||
{{Editor|André Vierendeels|2009-08-23}}{{ScoreInfo|A4|4|124}}{{Copy|CPDL}} | {{Editor|André Vierendeels|2009-08-23}}{{ScoreInfo|A4|4|124}}{{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
==General Information== | ==General Information== | ||
{{Title|''Veniat amica mea''}} | |||
{{Composer|Orazio Tarditi}} | {{Composer|Orazio Tarditi}} | ||
{{Voicing|3|SSB}} | {{Voicing|3|SSB|SAB}} | ||
{{Genre|Sacred|Antiphons}} | {{Genre|Sacred|Antiphons|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|Basso continuo|Organ}} | |||
{{Pub|1|1643|in ''{{NoCo|Liber quartus motectorum}}''|no=}} | |||
{{Descr|It is appropriate for liturgical use on Marian feasts.}} | |||
'' | |||
==Original text and translations== | ==Original text and translations== | ||
{{top}} | |||
{{Text|Latin | {{Text|Latin| | ||
Veniat amica mea, dilecta mea, | Veniat amica mea, dilecta mea, | ||
veniat columba mea, immaculata mea. | veniat columba mea, immaculata mea. | ||
Line 35: | Line 33: | ||
sonet vox tua in auribus meis. | sonet vox tua in auribus meis. | ||
Vox enim tua dulcis, | Vox enim tua dulcis, | ||
et facies tua decora. | et facies tua decora.}} | ||
{{mdl}} | |||
{{Translation|English| | |||
{{Translation|English | May my love come, my fair one, | ||
may my dove come, my immaculate one. | may my dove come, my immaculate one. | ||
Come from Lebanon, beloved bride, | Come from Lebanon, beloved bride, | ||
Line 51: | Line 47: | ||
let your voice sound in my ears. | let your voice sound in my ears. | ||
For your voice is sweet | For your voice is sweet | ||
and your face is comely. | and your face is comely. | ||
(Latin text freely adapted from the Song of Songs) | {{Translator|Mick Swithinbank}} | ||
(Latin text freely adapted from the Song of Songs)}} | |||
{{btm}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Baroque music]] | [[Category:Baroque music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Latest revision as of 15:40, 14 September 2021
Music files
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Mp3 | |
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Finale | |
Finale 2014 | |
File details | |
Help |
- Editor: Anthony Cekada (submitted 2015-07-01). Score information: Letter, 4 pages, 131 kB Copyright: CPDL
- Edition notes: From CPDL #20036. Soprano lines occasionally swapped and bass line altered to accommodate alto and baritone ranges. Time signatures changed. Continuo extensively altered throughout to better harmonize with voices.
- Editor: André Vierendeels (submitted 2009-08-23). Score information: A4, 4 pages, 124 kB Copyright: CPDL
- Edition notes:
General Information
Title: Veniat amica mea
Composer: Orazio Tarditi
Number of voices: 3vv Voicing: SAB
Genre: Sacred, Antiphon, Motet
Language: Latin
Instruments: Basso continuo Organ
First published: 1643 in Liber quartus motectorum
Description: It is appropriate for liturgical use on Marian feasts.
Original text and translations
Latin text Veniat amica mea, dilecta mea, |
English translation May my love come, my fair one, |