Missa in exitu Israel de Aegypto (Juan del Vado)

From ChoralWiki
Jump to navigation Jump to search

Music files

1. Kyrie

L E G E N D Disclaimer How to download
ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
MusicXML.png MusicXML
Sibelius.png Sibelius
File details.gif File details
Question.gif Help
  • (Posted 2020-09-01)  CPDL #60380:         
Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2020-09-01).   Score information: A4, 5 pages, 226 kB   Copyright: CPDL
Edition notes:

2. Gloria

  • (Posted 2020-09-01)  CPDL #60381:         
Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2020-09-01).   Score information: A4, 7 pages, 234 kB   Copyright: CPDL
Edition notes:

3. Credo

  • (Posted 2020-09-01)  CPDL #60382:         
Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2020-09-01).   Score information: A4, 13 pages, 289 kB   Copyright: CPDL
Edition notes:

4. Sanctus

  • (Posted 2020-09-01)  CPDL #60383:         
Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2020-09-01).   Score information: A4, 3 pages, 193 kB   Copyright: CPDL
Edition notes:

5. Benedictus

  • (Posted 2020-09-01)  CPDL #60384:         
Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2020-09-01).   Score information: A4, 1 page, 175 kB   Copyright: CPDL
Edition notes:

6. Agnus Dei

  • (Posted 2020-09-01)  CPDL #60385:         
Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2020-09-01).   Score information: A4, 4 pages, 205 kB   Copyright: CPDL
Edition notes:

General Information

Title: Missa in exitu Israel de Aegypto
Composer: Juan del Vado

Number of voices: 5vv   Voicing: SATTB
Number of voices: 3vv   Voicing: SAT(Benedictus)
Genre: SacredMass

Languages: Latin, Ancient Greek
Instruments: A cappella

First published: Not known
Description: A mass in five voices from a collection of masses and canons in the Biblioteca nacional de España. The composer states that it is based on the plainchant of the psalm "in exitu Israel de Aegypto". This is not immediately obvious, but there are elements of the chant in Del Vado's parts, although treated somewhat freely. His main head motif for each movement could be seen as derived from the second half of the chant, and at the "Et incarnatus" section of the Credo he gives the Soprano voice a line that more or less paraphrases the whole chant.

External websites:

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

KyrieGloriaCredoSanctus & BenedictusAgnus Dei