Suscipe verbum virgo Maria (Loyset Compère)
- Editor: Adrian Wall (submitted 2022-01-09). Score information: A4, 3 pages, 275 kB Copyright: Personal
- Edition notes: Note values halved. Transposed down a tone. The upper two voices have been editorially reconstructed.
Manuscript MS 2267 (Librone 3), Archivo della Veneranda Fabbrica del Duomo, Sezione Musicale, Milan
Manuscript MS 2266 (Librone 4), Archivo della Veneranda Fabbrica del Duomo, Sezione Musicale, Milan
First published: 1502 in Motetti A, no. 3
Description: Lynn Halpern Ward (The "Motetti Missales" Repertory Reconsidered, Journal of the American Musicological Society, Vol. 39, No. 3 - Autumn 1986) has suggested that this piece may be part of a motetti musicali cycle: a Milanese practice of substituting the movements of a mass with motets. In most of its sources, it is grouped with other motets from this conjectural cycle. This motet appears in Librone 4, which was badly damaged in a fire while on display at the 1906 Espositzione Internationale in Milan; it follows O admirabile commercium and Sanctus. The beginnings of the upper two voices have been lost. In its other sources, it appears in a different form, starting with the words O genetrix gloriosa, and with different music music for the first part of the motet. In Petrucci's Motetti A (and a number of other sources), this is paired with Ave virgo gloriosa; in Librone 3, it is not grouped with other motets, but follows settings of the Gloria and Sanctus (a different setting from that in Ward's cycle), and may have been intended for use with them. Whether or not all the components of Ward's proposed cycle were ever performed as a unit, it seems likely that they were used in the groupings in which they appear in the Libroni.
Original text and translations
Suscipe verbum virgo Maria,
Virgin Mary, receive the word