User:BarryJ/Descriptive pages/Bibliography

Bibliography

Used by me as of 2020-01-02

• Addington, Stephen. 1778. A Collection of Psalm Tunes. London, England: Author.
• Adgate, Andrew. 1791. Philadelphia harmony, or A collection of psalm tunes, hymns, and anthems. Philadelphia, Pennsylvania: Authors. 76 pp.
• Aikin, Jesse B. 1847. The Christian minstrel: A new system of musical notation; with a collection of Psalm tunes, anthems, and chants, selected from the most popular works in Europe and America. Designed for the use of churches, singing-schools, and societies, Fourth Edition. Philadelphia: T. K. and P. G. Collins.
• Aikin, Jesse B. 1849. The juvenile minstrel: A new system of musical notation. Philadelphia, Pennsylvania: E. C. and J. Biddle.
• Ainsworth, Henry. 1612. The book of Psalmes: Englished both in prose and metre. Amsterdam, Netherlands: Giles Thorp. 348 pp.
• Allen, F. D. 1826. The New York selection of sacred music, Fourth Edition. New York, New York: Author. 219 pp.
• Anonymous. 1635. The Psalmes of David in prose and meter. Edinburgh, Scotland: Heirs of Andrew Hart.
• Anonymous. 1640. The whole booke of Psalmes, faithfully translated into English metre. [Place of publication not stated]. 295 pp.
• Anonymous. 1798. The American musical miscellany: A collection of the newest and most approved songs, set to music. Northampton, Massachusetts: Andrew Wright. 312 pp.
• Anonymous. 1820. Unparthenisches Gesang-Buch, enthaltend geistreiche Lieder und Psalmen, zum allgemeinen Gebrauch des wahren Gottesdienstes, auf Begehren der Brüderschaft der Mennonisten Gemeinen … Dritte verbesserte Auflage, mit einem Anhang. Lancaster, Pennsylvania: Johann Bär.
• Anonymous. 1823. The Boston Handel and Haydn Society collection of church music; being a selection of the most approved psalm and hymn tunes, Second Edition. Boston, Massachusetts: Richardson and Lord. 340 pp.
• Anonymous. 1824. Zion's harp; Or a new collection of music, intended as a companion to "Village hymns for social worship, by the Revd. Asahel Nettleton." New Haven, Connecticut: N. and S. S. Jocelin. 34 pp.
• Anonymous. 1832. The Norristown new and much improved musical teacher. Norristown, Pennsylvania: D. Sower. 144 pp.
• Anonymous. 1842. Revival melodies, or songs of Zion, dedicated to Elder Jacob Knapp. Boston, Massachusetts: John Putnam. 64 pp.
• Anonymous. 1857. The home song book: Prepared for the use of the children of the Home for the Friendless. New York, New York: American Female Guardian Society.
• Anonymous. 1859. The prayer meeting tune book. Philadelphia, Pennsylvania: American Sunday School Union.
• Anonymous. 1864. The Canadian church harmonist: A collection of sacred music, consisting of a choice selection of psalm and hymn tunes, anthems, introits, sentences, etc., from the works of Handel, Haydn, Mozart, Fawcett, Leach, Clark, Jackson, Mason, and other celebrated composers, carefully selected and compiled by a committee. Toronto: Samuel Rose. 361 pp.
• Anonymous. 1869. The Christian harp and Sabbath school songster. Designed for the use of the social religious circle, revivals, and the Sabbath school. Singers Glen, Virginia: Roebush, Kieffer, and Company. 128 pp.
• Armstrong, John. 1816. The Pittsburgh Selection of Psalm Tunes. Pittsburgh, Pennsylvania: Cramer, Spear and Eichbaum. 111 pp.
• Baird, E. Thompson; and Charles C. Converse. 1874. Book of hymns and tunes, the Psalms and hymns for the worship of God, approved by the General Assembly of 1866, arranged with appropriate tunes, and an appendix, prepared by the Presbyterian Committee of Publication, by authority of the Assembly of 1873. Richmond, Virginia: Presbyterian Committee of Publication. 439 pp.
• Barbour, J. Murray. 1960. The Church Music of William Billings. 167 pp. East Lansing, Michigan: Michigan State University Press.
• Bayley, Daniel. 1772. The Essex harmony, containing a collection of psalm tunes, composed in three and four parts, suited to the several measures of either version set in score. Newburyport, Massachusetts: Author. 17 pp.
• Bayley, Daniel. 1785. The Essex harmony, or musical miscellany, containing, in a concise and familiar manner, all the necessary rules of psalmody, to which are annexed, a variety of plain and fuguing psalm and hymn tunes. Newburyport, Massachusetts: Author. 56 pp.
• Bean, Shirley. 1994. Introduction, pp. vii-xx in The Missouri Harmony (reprint of Ninth Edition). Lincoln, Nebraska: University of Nebraska Press.
• Belknap, Daniel. 1797. The harmonist's companion, containing a number of airs suitable for divine worship … Never before published. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews. 31 pp.
• Belknap, Daniel. 1797. The harmonist's companion, containing a number of airs suitable for divine worship … Never before published. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews. 32 pp.
• Belknap, Daniel. The village compilation of sacred music, Second Edition. Boston, Massachusetts: J. T. Buckingham. 152 pp.
• Belknap, Daniel. The village compilation of sacred music. Boston, Massachusetts: J. T. Buckingham. 152 pp.
• Benham, Asahel. 1790.
• Benham, Asahel. 1798. Social harmony, containing first, The rudiments of psalmody made easy, second, a collection of modern music. New Haven, Connecticut: Author. 56 pp.
• Benjamin, Jonathan. 1799. Harmonia coelestis, a collection of church music in two, three, and four parts … Chiefly collected from the greatest masters in Europe, and never before printed in America. Northampton, Massachusetts: Andrew Wright. 80 pp.
• Billings, William. 1770. The New-England Psalm-Singer. Boston, Massachusetts: Edes and Gill. 113 pp.
• Billings, William. 1778. The Singing-Master's Assistant. Boston, Massachusetts: Draper and Folsom. 104 pp.
• Billings, William. 1779. Music In Miniature. Boston, Massachusetts: Author. 32 pp.
• Billings, William. 1786. The Suffolk Harmony. Boston, Massachusetts: John Norman. 56 pp.
• Billings, William. 1794. The continental harmony, containing a number of anthems, fugues, and choruses, in several parts, never before published. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews. 199 pp.
• Billings, William. 1804. The Psalm-Singer's Amusement. Boston, Massachusetts: Author. 127 pp.
• Bissell, Thomas. 1844. The Boston sacred harmony, or New England collection of church music containing new, original, and select hymn tunes, anthems, motets, sentences, services, chants, etc. etc., designed for the use of all religious denominations, adapted to every occasion of public worship or private devotion, and suitable for singing schools and societies. Boston: Keith's Music Publishing House. 384 pp.
• Blake, George E. 1810. Vocal harmony, being a collection of psalms, hymns, anthems, and chants. Philadelphia, Pennsylvania: G. E. Blake.
• Blanchard, Amos. 1808. The American musical primer, containing a correct introduction to the grounds of music, rudimental, practical, and technical, together with a collection of tunes, … the whole carefully selected from some of the most celebrated.
• Boyd, James. 1818. The Virginia sacred musical repository. Winchester, Virginia: J. Foster. 112 pp.
• Britton, Allen P.; Irving Lowens; and Richard Crawford. 1990. American Sacred Music Imprints 1698-1810: A Bibliography. Worcester, Massachusetts: American Antiquarian Society. 798 pp.
• Brown, Alling. 1823. The gamut, or scale of music. New Haven, Connecticut: A. H. Maltby and Company. 22 pp.
• Brown, Bartholomew. 1802. Columbian and European harmony: or, Bridgewater Collection of Sacred Music. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews. 160 pp.
• Brown, Bartholomew. 1804. Columbian and European harmony: or, Bridgewater Collection of Sacred Music. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews. 168 pp.
• Brown, Bartholomew. 1810. Bridgewater Collection of Sacred Musick. Boston, Massachusetts: Thomas and Andrews and West and Co. 168 pp.
• Browne, Simon. 1720. Hymns and Spiritual Songs…And a Sett of Tunes. London, England: Eman Matthews.
• Brownson, Oliver. 1783. Select harmony, containing the necessary rules of psalmody, together with a collection of approved psalm tunes, hymns and anthems. [Hartford, Connecticut]. 91 pp.
• Brownson, Oliver. 1797.
• Buchanan, Annabel M. 1938. Folk Hymns of America. 94 pp.
• Burnham, Mark. 1832. Colonial harmonist, being a compilation of the most approved tunes, anthems, and chants. Port Hope, Upper Canada. 288 pp.
• Butts, Thomas. 1754. Harmonia Sacra: Or, A Compilation of Psalm and Hymn Tunes. Andover, Massachusetts: Flagg and Gould.
• Butts, Thomas. 1816. Harmonia sacra, or a compilation of psalm and hymn tunes, … as published in the different London editions by Thomas Butts. Andover, Massachusetts: Flagg and Gould. 243 pp.
• Caldwell, William. 1837. The Union harmony, or family musician, being a choice selection of tunes from the works of the most eminent authors, ancient and modern. Maryville, Tennessee: L. A. Parham.
• Carden, Allen. 1820. The Missouri harmony, or a choice collection of Psalm tunes, hymns, and anthems, selected from the most eminent authors, and well adapted to all Christian churches, singing schools, and private societies. St. Louis, Missouri: Compiler. 200 pp.
• Carden, Allen. 1824. The western harmony, a new and improved music book. Nashville, Tennessee: Carey Harris. 180 pp.
• Carden, Allen. 1834. The Missouri harmony, or a choice collection of Psalm tunes, hymns, and anthems, selected from the most eminent authors, and well adapted to all Christian churches, singing schools, and private societies. Cincinnati: Morgan and Sanxay. 200 pp.
• Carden, Allen. 1846. The Missouri harmony, or a choice collection of Psalm tunes, hymns, and anthems, selected from the most eminent authors, and well adapted to all Christian churches, singing schools, and private societies. Cincinnati, Ohio: Phillips and Reynolds. 240 pp.
• Carrell, James. 1821. Songs of Zion, being a small collection of tunes, principally original. Harrisonburg, Virginia: Ananias Davisson. 62 pp.
• Carter, B. F., Editor. 1858. The Christian harp: A collection of hymns and tunes, for the use of social, religious meetings, and Sabbath schools, compiled by a committee of the New England Christian Convention. Seventh Edition. Newburyport, Massachusetts: B. F. Carter. 160 pp.
• Clayton, David, and James Carrell. 1831. The Virginia harmony: A new and choice selected of psalm and hymn tunes, anthems and set pieces. Winchester, Virginia: Samuel H. Davis. 167 pp.
• Cole, John. Union harmony, or music made easy. Baltimore, Maryland: William and Joseph Neal.
• Coles, George, Daniel Ayres, and Gabriel Disosway. 1833. The Methodist harmonist, containing a collection of tunes from the best authors, Revised Edition. New York, New York: Waugh and Mason. 362 pp.
• Crawford, Richard. 1993. William Billings (1746-1800) and American Psalmody: a Study of Musical Dissemination. Chapter 4, pp. 111-151 in The American Musical Landscape by Richard Crawford. Berkeley, CA: University of California Press.
• Crose, David W. 1980. Allen D. Carden: Early Tennessee Musician. Tennessee Historical Quarterly 39(1):11-15.
• Daman, William. 1591. The Former Booke of the Musicke of M. William Damon. London, England: William Swayne.
• Dana, Mary. 1841. The Southern harp: consisting of original sacred and moral songs, adapted to the most popular melodies for the piano-forte and guitar. Boston, Massachusetts: Parker and Ditson. 100 pp.
• Davisson, Ananias. 1816. Kentucky Harmony. Harrisonburg, Virginia: Author.
• Davisson, Ananias. 1817. Kentucky harmony, Second Edition. Harrisonburg, Virginia: Author. 160 pp.
• Davisson, Ananias. 1820. A Supplement to the Kentucky Harmony. Harrisonburg, Virginia: Ananias Davisson. 103 pp.
• Davisson, Ananias. 1825. A supplement to the Kentucky harmony, Third Edition. Harrisonburg, Virginia: Author. 152 pp.
• Davisson, Ananias. 1826. Kentucky harmony, Fifth Edition. Harrisonburg, Virginia: Author. 160 pp.
• Day, H. W. 1842. Revival hymns, principally selected by the Rev. R. H. Neale: set to some of the most familiar and useful revival tunes, many of which have never before been published. Boston, Hartley Wood. 48 pp.
• Duncan, John C. 1819. The Baltimore collection of sacred musick, selected and compiled under the direction of a committee of the Associate Reformed Presbyterian Church of Baltimore. Baltimore, Maryland: Cushing and Jewett. 104 pp.
• Dyer, Samuel. 1823. A new selection of sacred music, consisting of about two hundred and sixty approved psalm and hymn tunes, Third Edition. Baltimore, Maryland: J. Robinson. 204 pp. (unnumbered)
• Edson, William. 1830. The musical monitor, a collection of church music of the most approved character. Ithaca, New York: (publisher not stated). >266 pp.
• Eskew, Harry. 1986. William Walker's "Southern Harmony": Its Basic Editions. Latin American Music Review 7(2):137-148.
• Eskew, Harry. 2001. Andrew W. Johnson's The Eclectic Harmony: A Middle Tunebook in Middle Tennessee. Notes (Music Library Association) 58(2):291-301.
• Eskew, Harry; and Karl Kroeger. 1998. Samuel Holyoke (1762-1820) and Jacob Kimball (1761-1826): Selected Works. New York, New York: Garland. 256 pp.
• Este, Thomas. 1592. The whole booke of Psalmes, with their wonted tunes, as they are sung in churches, composed into four parts. London, England: Thomas Este, for the Company of Stationers.
• Este, Thomas. 1604. The whole booke of Psalmes, with their wonted tunes, as they are sung in churches, composed into four parts. London, England: Thomas Este, for the Company of Stationers. 278 pp.
• Evans, John M. 1871. The Baptist hymn and tune book, for public worship. Philadelphia: The Bible and Publication Society. 432 pp.
• Everett, L. S. 1843. Sacred songs: Adapted to social religious meetings, Sabbath schools, and family worship. Boston, Massachusetts: A. B. Kidder.
• Fargo, G. W. 1847. Symphonia gradaeva rediviva, Ancient harmony revived, being a selection of choice music for divine worship taken from old and approved authors. Hallowell, Maine: Masters, Smith, and Company. 270 pp.
• Fawcett-Yeske, Maxine. 1996. Stylistic Development in the Fuging Tunes of William Billings. The Quarterly Journal of Music Teaching and Learning 7(1):32-46.
• Fitz, Asa; and E. B. Dearborn. The vestry singing book: being a selection of the most popular and approved tunes and hymns now extant. Boston, Massachusetts: Saxton, Peirce, and D.S. King.
• Flagg, Josiah. 1764. A collection of the best Psalm-tunes in two, three, and four parts. From the most approved authors, fitted to all measures, and approved by the best masters in Boston, New England. To which are added some hymns and anthems the greater part of them never before printed in America. Boston: Paul Revere and Josiah Flagg.
• Funk, Joseph. 1832. A compilation of genuine church music, comprising a variety of meters, all harmonized for three voices, together with a copious elucidation of the science of vocal music. Winchester, Pennsylvania: Robinson and Hollis. 224 pp.
• Gerhart, Isaac; u. Johann F. Eyer. 1818. Choral-Harmonie. Enthantend Kirchen-Melodien, die ben allen Religions-Verfassungen gebräuchlich, auf vier Stimmen gesetz, und mit einigen musikalischen Stucken, nebst hinreichendem Unterricht versehen, eingerichtet zur Nebung der Jugend und zum Gebrauch des öffentlichen Gottes-Dienstes, welches ohne und mit der Orgel kann gebrauch werden, wann die Organist die Regeln der Musik beobachtet. Harrisburg, Pennsylvania: John Wyeth. 119 pp.
• Gould, Nathaniel. 1833. National church harmony, designed for public and private devotion, Fourth Edition. Boston, Massachusetts: Lincoln, Edmands, and Company. 336 pp.
• Gregor, Christian. 1784. Choral-Buch, enthaltend alle zu dem Gesangbuche der evangelischen Brüder-Gemeinen vom Jahre 1778 gehdrige Melodien. Leipzig: Breitkopfoschen Buchdruckeren.
• Gregor, Christian. 1845. Auszug aus dem bisher in den evangelischen Brüder-Gemeinen gebrauchlichen Choral-Buch mit ausgeschriebenen Stimmen der Choral-Melodien, Zweite Auflage. Gnadau: Verlage der Buchhandlung der Brüder-Unität. 148 pp.
• Griswold, Elijah, Stephen Jenks, and John Frisbie. 1807. The Hartford collection of sacred harmony: being a new selection of psalm tunes, hymns, and anthems, from the most approved American and European authors. Hartford, Connecticut: Lincoln and Gleason. 60 pp.
• Hamm, Charles. 1960. The Chapins and Sacred Music in the South and West. Journal of Research in Music Education 8(2):91-98.
• Hammond, Paul G. 1985. Jesse B. Aikin and The Christian Minstrel. American Music 3(4):442-451.
• Hartwell, Edward. 1815. The chorister's companion, containing a concise introduction to the grounds of music. A variety of plain psalm tunes and occasional pieces, original and selected. Exeter, New Hampshire: C. Norris and Company. 167 pp.
• Hastings, Thomas, and William B. Bradbury. 1847. The New York choralist: A new and copious collection of psalm and hymn tunes. New York, New York: Mark H. Newman and Company.
• Hatchett, Marion J. 1995. Early East Tennessee Shape-Note Tunebooks. The Hymn 46(3):28-46.
• Hatfield, Edwin F. 1884. The Poets of the Church: A Series of Biographical Sketches of Hymn Writers. New York: A. D. F. Randolph. 719 pp.
• Hauser, William, and Benjamin Turner. 1878. The olive leaf. Wadley, Georgia: William Hauser and Benjamin Turner. 390 pp.
• Hauser, William. 1848. The Hesperian harp: A collection of psalm and hymn tunes, odes and anthems. Philadelphia, Pennsylvania: S. C. Collins. 556 pp.
• Haweis, Thomas. 1792. Carmino Christo, or hymns to the Savior, designed for the edification and comfort of those who worship the Lamb that was slain, dedicated with permission to the Right Honorable Selina, Countess of Huntingdon. Location and publisher unreadable.
• Hickok, John, and George Fleming. 1834. Evangelical music; or the sacred minstrel and sacred harp united. Harrisburg, Pennsylvania: Hickok and Cantine.312 pp.
• Hickok, John. 1832. The sacred harp, containing: Part first, a clear compendium. Lewistown, Pennsylvania: Shubert and Cummings. 144 pp.
• Hill, Uri. 1801. The Vermont harmony. Northampton, Massachusetts: Andrew Wright. 79 pp.
• Himes, Joshua. 1842. Millennial harp. Designed for meetings on the second coming of Christ. Boston: Author. 144 pp.
• Holden, Oliver. 1793. The union harmony, or universal collection of sacred music, Volume 1. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews.
• Holden, Oliver. 1793. The union harmony, or universal collection of sacred music, Volume 2. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews.
• Holden, Oliver. 1796. The union harmony, or universal collection of sacred music. Volume 1, Second Edition. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews.
• Holden, Oliver. 1797. The Worcester collection of sacred harmony, Sixth Edition. Boston, Massachusetts: Isaiah Thomas abd Ebenezer T. Andrews.
• Holden, Oliver. 1800. The Worcester collection of sacred music. Seventh Edition. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews.
• Holden, Oliver. 1803. The Charlestown collection of sacred songs, adapted to public and private devotion, prinicipally original compositions. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews. 80 pp.
• Holdroyd, Israel. 1722. The Spiritual Man's Companion. London, England:.
• Holme, John S. The Baptist hymn and tune book, being "The Plymouth Collection" enlarged, and adapted to the use of Baptist churches. New York: Sheldon, Blakeman, and Company. 573 pp.
• Holyoke, Samuel. 1804. The Christian harmonist, containing a set of tunes adapted to all the meters in Mr. Rippon's selection of hymns, in the collection of hymns by Mr. Joshua Smith, and in Dr. Watts' Psalms and hymns. Salem, Massachusetts: Joshua Cushing. 199 pp.
• Holyoke, Samuel. 1807. The vocal companion, containing a concise introduction to the practice of music. Exeter, New Hampshire: Norris and Sawyer.
• Hood, George. 1846. 'A History of Music in New England: With Biographical Sketches of Reformers and Psalmists. Boston: Wilkins, Carter, and Company. 252 pp.
• Hopkinson, Francis. 1789. The Psalms of David, with hymns and spiritual songs … For the use of the Reformed Dutch Church in North America. New York, New York: Hodge, Allen, and Campbell. 148 pp.
• Howe, Solomon. 1799. Worshiper's assistant: Containing the rules of music, and a variety of easy and plain psalm tunes: Adapted to the weakest capacities, and designed for extensive utility, as an introduction to more critical and curious music. Northampton, Massachusetts: Andrew Wright.
• Howe, Solomon. 1804. The young man's instructive companion. Northampton, Massachusetts: Andrew Wright. 18 pp. Incomplete; seems to be made from plates from several other books.
• Howe, Sondra W. 1996. William Billings: A Biographical Overview. The Quarterly Journal of Music Teaching and Learning 7(1): 6-9. http://www-usr.rider.edu/~vrme/
• Humbert, Stephen. 1816. Union harmony, or British America's sacred vocal music. St. John, New Brunswick: Stephen Humbert. 219 pp.
• Hunter, William, and Samuel Wakefield. 1845. The minstrel of Zion: A book of religious songs, accompanied with appropriate music, chiefly original. Philadelphia, Pennsylvania: Sorin and Ball. 216 pp.
• Imler, James R. 2007. The Legacy of William Walker’s Southern Harmony: Tunes and Arrangements From a Nineteenth-Century American Tune Book. Thesis, University of South Carolina, School of Music.
• Ingalls, Jeremiah. 1805. The Christian harmony, or songster's companion. Exeter, New Hampshire: Henry Ranlet, for the Compiler. 200 pp.
• Ives, Elam. 1834. American psalmody: a collection of sacred music. Third Edition. Hartford, Connecticut: F. J. Huntington. 368 pp.
• Jackson, George Pullen. 1933. White Spirituals in the Southern Uplands. Chapel Hill, North Carolina: University of North Carolina. 444 pp. Reprinted 1965 by Dover, New York.
• Jackson, George Pullen. 1944. White and Negro Spirituals: Their Life Span and Kinship. New York, New York: J. J. Augustin. 351 pp. Reprinted 1975 by Da Capo Press, New York.
• Jackson, George Pullen. 1952. Another Sheaf of White Spirituals. Gainesville, Florida: University of Florida. 233 pp. Reprinted 1981 by Folklorica, New York. Index includes all five Jackson books.
• Jackson, George Pullen. 1953a. Spiritual Folk-Songs of Early America, Second Edition. Locust Valley, New York: J. J. Augustin. 254 pp.
• Jackson, George Pullen. 1953b. Down-East Spirituals and Others: Three Hundred Songs Supplementary to the Author's "Spiritual Folk-Songs of Early America", Second Edition. Locust Valley, New York: J. J. Augustin. 296 pp.
• Jackson, George. 1933. White Spirituals in the Southern Uplands. Chapel Hill, North Carolina: University of North Carolina. 444 pp.
• Jackson, George. 1944. White and Negro Spirituals. New York, New York: J. J. Augustin. 351 pp.
• Jackson, George. 1952. Another Sheaf of White Spirituals. Tallahassee, Florida: University of Florida. 233 pp.
• Jackson, George. 1953. Down-East Spirituals and Others, Ed. 2. Locust Valley, New York: J. J. Augustin. 296 pp.
• Jackson, George. 1953. Spiritual Folk-Songs of Early America, Ed. 2. Locust Valley, New York: J. J. Augustin. 254 pp.
• Jackson, John B. 1838. The Knoxville harmony or music made easy, which is an interesting selection of hymns and psalms usually sung in churches, selected from the best authors in general use. Madisonville, Tennessee: D. and M. Shields and Company.
• James, Joseph A. 1909. Union harp and history of songs, with sketch of the authors of tunes and hymns. Place of publication not stated.
• James, Joseph A. 1911. Original sacred harp, containing a superior collection of standard melodies of odes, anthems, and church music and hymns of high repute. Atlanta, Georgia: Publisher not stated.
• Janes, Walter. 1803. The Massachusetts harmony, consecrated to devotion, … never before published. Boston, Massachusetts: Manning and Loring. 128 pp.
• Janes, Walter. 1807. The harmonic minstrelsey, containing a new collection of sacred music, in three or four parts. Dedham, Massachusetts: H. Mann. 104 pp.
• Jenks, Stephen, and Elijah Griswold. 1803. The American compiler of sacred harmony. Northampton, Massachusetts: Compilers. 63 pp.
• Jenks, Stephen. 1799. The New-England harmonist: containing concise and easy rules of music, together with a number of tunes adapted to public worship, most of which were never before published. Danbury, Connecticut: Douglas and Nichols. 24 pp.
• Jenks, Stephen. 1800. The musical harmonist, containing concise and easy rules of music, together with a collection of the moist approved psalm and hymn tunes, fitted to the various meters, most of which were never before published. New Haven, Connecticut: Amos Doolittle. 40 pp.
• Jenks, Stephen. 1804. The delights of harmony. New Haven, Connecticut: Editor. 59 pp.
• Jenks, Stephen. 1805. The delights of harmony, or Norfolk compiler, being a new collection of psalm tunes, hymns, and anthems, with a variety of set pieces. Dedham, Massachusetts: H. Mann. 96 pp.
• Jenks, Stephen. 1818. The harmony of Zion, or Union compiler, containing a concise introduction to the grounds of music, also a choice collection of church music and anthems, pricipally from European authors. Dedham, Massachusetts: Daniel Mann. 80 pp.
• Jocelin, Simeon. 1782. The chorister's companion, or, Chruch music revised. New Haven, Connecticut: Compilers. 50 pp.
• Johnson, A. N.; Josiah Osgood, and Sumner Hill. The Bay State collection of church music: Comprising a great variety of psalm and hymn tunes, anthems, chants, choruses, and set pieces, original and selected. Together with a complete course of elementary exercises, solfeggios, and singing school lessons; the whole, forming a complete manual of church music, for the use of choirs, congregations, and singing schools. Boston: Wilkins, Carter, and Company. 352 pp.
• Johnson, Alexander. 1818. Johnson's Tennessee Harmony. Cincinnati, Ohio: Morgan, Lodge, and Company. 110 pp.
• Jones, Abner. 1834. Evening melodies, a collection of sacred music, original and selected. New York, New York: Moore and Payne. 58 pp. + Appendix Rudiments, 22 pp.
• Jones, Samuel. 1790. A selection of psalms and hymns, done under the appointment of the Philadelphian Association. Philadelphia, Pennsylvania: R. Aitken and Son. 362 pp.
• Jones, Samuel. 1801. A selection of psalms and hymns, done under the appointment of the Philadelphian Association. Second Edition. Philadelphia, Pennsylvania: Stephen C. Ustick. 394 pp.
• Kane, Paula M. 1980. American Revival Songs, 1820-1850: The Christian Lyre and Spiritual Songs for Social Worship. Thesis, College of the Holy Cross, Worcester, Massachusetts. 179 pp.
• Kimball, Jacob. 1793. The rural harmony, being an original composition in three or four parts. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews. 112 pp.
• Kimball, Jacob. 1800. The Essex harmony, an original composition, in three or four parts. Exeter, New Hampshire: Henry Ranlet. 112 pp.
• Kroeger, Karl, Editor. 1981. The complete works of William Billings, Volume I. Brunswick, Maine: American Musicological Society, 383 pp. [1]
• Kroeger, Karl, Editor. 1986. The complete works of William Billings, Volume III. Brunswick, Maine: American Musicological Society, 399 pp. [2]
• Kroeger, Karl, Editor. 1990. The complete works of William Billings, Volume IV. Brunswick, Maine: American Musicological Society, 332 pp. [3]
• Kroeger, Karl, Editor. 1995. Daniel Read: Collected Works. Madison, Wisconsin, American Musicological Society and A-R Editions. 332 pp.
• Kroeger, Karl, Editor. 1997. Three Connecticut Composers: Oliver Brownson, Alexander Gillet, and Solomon Chandler: The Collected Works. New York: Garland. 212 pp. Reprinted by Routledge in New York in 2013.
• Kroeger, Karl. 1977. Isaiah Thomas as a music publisher. Proceedings of the American Antiquarian Society 86:321-341.
• Kroeger, Karl. 1981. A Yankee Tunebook from the Old South: Amos Pilsbury's "The United States Sacred Harmony". The Hymn 32:154-162.
• Kroeger, Karl. 1987. William Billings's 'Anthem for Easter': The Persistence of an Early American 'Hit'. Journal of the American Antiquarian Society, 105-128.
• Kroeger, Karl. 1995. Two Connecticut Composers: The Collected Works of Asahel Benham and Merit Woodruff. New York: Garland. 166 pp.
• Kroeger, Karl. 1996. Two Unknown Billings Compositions in John Norman's "The Massachusetts Harmony" (1784). The Hymn 47(3):44-49.
• Kroeger, Karl. 1997. Two Vermont Composers: The Collected Works of Elisha West and Justin Morgan"". New York: Garland.
• Kroeger, Karl. 2000. Early American Anthems. Madison, Wisconsin: A-R Editions. Part 1: Anthems for Public Celebrations, 193 pp. Part 2: Anthems for Public Occasions, 175 pp.
• Kroeger, Karl; and Marie Kroeger. 2000. An Index to Anglo-American Psalmody in Modern Critical Editions. Madison, Wisconsin: A-R Editions. 143 pp. + CD-ROM.
• Law, Andrew. 1778. Select harmony, containing in a plain and concise manner the rules of singing, together with a collection of psalm tunes, hymns, and anthems. Unknown place: Andrew Law. 44 pp.
• Law, Andrew. 1783. A collection of hymn tunes from the most modern and approved authors. Cheshire, Connecticut: William Law. 84 pp.
• Law, Andrew. 1794. The Christian harmony; or the second part of the Art of singing, containing a select variety of Psalm and hymn tunes, together with a number of airs and anthems, calculated for schools and churches, Volume 1. Cheshire, Connecticut: Andrew Law. 64 pp.
• Law, Andrew. 1796. The Christian harmony; or the second part of the Art of singing, containing a select variety of Psalm and hymn tunes, together with a number of airs and anthems, calculated for schools and churches, Volume 2. Cheshire, Connecticut: Andrew Law. 56 pp.
• Leavitt, Joshua. 1830. The Christian lyre [Volume 1]. New York: Jonathan Leavitt. 216 pp. [Edited by Deodatus Dutton]
• Leavitt, Joshua. 1831. Supplement to the Christian lyre, containing more than one hundred psalm tunes, such as are most used in churches of all denominations. New York: Jonathan Leavitt. [Edited by Deodatus Dutton]
• Leavitt, Joshua. 1831. The Christian lyre, Volume 2. New York, New York: Jonathan Leavitt. [Edited by Deodatus Dutton] 216 pp.
• Leonard, Silas W.; and A. D. Fillmore. 1847. The Christian psalmist, a collection of tunes and hymns of various meters, original and selected, for the use of the church of God, Bible classes, and singing societies, embracing the round note, the numeral, and the patent note systems of notation. Cincinnati, Ohio: E. Shepard. 387 pp.
• Lewis, Freeman. 1814. The beauties of harmony. Pittsburgh, Pennsylvania: Cramer, Spear, Eichbaum, and Lewis. 199 pp.
• Lewis, Freeman. 1820. The beauties of harmony, Fourth Edition. Pittsburgh, Pennsylvania: Cramer, Spear, Eichbaum, and Lewis. 200 pp.
• Lewis, Freeman. 1828. The beauties of harmony. Sixth Edition.
• Little, Henry. 1820. The Wesleyan harmony: Designed for the Methodist societies, but proper for all denominations. Hallowell, Maine: E. Goodale.
• Lowens, Irving. 1952. John Wyeth's "Repository of Sacred Music, Part Second": A Northern Precursor of Southern Folk Hymnody. Journal of the American Musicological Society 5(2):114-131.
• Lowens, Irving. 1959. Copyright and Andrew Law. Papers of the Bibliographical Society of America 53(2):150-159.
• Lowens, Irving. 1964. Introduction, pp. i-xvi in Wyeth's Repository of Sacred Music, Part Second. Facsimile of Second Edition (1820). New York, New York: Da Capo Press. 132 pp.
• Lyon, James. 1761. Urania, a choice collection of psalm-tunes, anthems, and hymns, from the most approved authors, with some entirely new, in two, three, and four parts. Philadelphia, Pennsylvania: Unknown publisher. 213 pp.
• Mansfield, D. H. 1848. The American vocalist, a selection of tunes, anthems, sentences, and hymns, old and new, designed for the church, the vestry, or the parlor. Boston, Massachusetts: Charles H. Peirce. 272 pp.
• Mason, Lowell, and Elam Ives. 1836. Juvenile lyre, or hymns and songs, religious, moral, and cheerful, set to appropriate music for the use of primary and common schools. Boston, Massachusetts: Wilkins and Carter. 72 pp.
• Mason, Lowell, and George J. Webb. 1854. The song-book of the school-room. Boston, Massachusetts: Rice and Kendall.
• Mason, Lowell. 1828. Choral harmony: being a selection of the most approved anthems, choruses, and other pieces. Boston, Massachusetts: Richardson and Lord. 60 pp.
• Mason, Lowell. 1833. The choir: or, Union collection of church music, Second Edition. Boston, Massachusetts: Carter, Hender, and Company. 360 pp.
• Mason, Lowell. 1843. The American Sabbath school singing book: Containing hymn tunes, scriptural selections, and chants, for Sabbath schools. Philadelphia: Perkins and Purves. 112 pp.
• Mason, Lowell. 1859. The Boston anthem book: being a selection of anthems, collects, motets, and other set pieces. Boston: Mason Brothers. 296 pp.
• Mason, Lowell; and George J. Webb. 1850. Cantica laudis, or the American book of church music: Being chiefly a selection of chaste and elegant melodies, from the most classic authors, ancient and modern, with harmony parts; together with chants, anthems, and other set pieces; for choirs and singing schools: To which are added tunes for congregational singing. New York: Mason and Law. 384 pp.
• Maxim, Abraham. 1802. The oriental harmony. Exeter, New Hampshire: Henry Ranlet. 56 pp.
• Maxim, Abraham. 1805. The Northern Harmony. Exeter, New Hampshire: Henry Ranlet. 151 pp.
• McDonald, William. The Wesleyan minstrel: A collection of hymns and tunes for Sunday schools and social worship. Second Edition. Boston, Massachusetts: Charles D. Strong.
• Metcalf, Frank J. 1917. American Psalmody, or Titles of Books Containing Tunes Printed in America from 1721 to 1820. New York, Charles F. Heartman. 54 pp.
• Metcalf, Frank J. 1925. American Writers and Compilers of Sacred Music. New York: The Abington Press. 373 pp.
• Metcalf, Samuel. 1818. Kentucky harmonist, being a choice selection of sacred music. Cincinnati, Ohio: Morgan, Lodge, and Company. 128 pp.
• Montgomery, James. 1825. The Christian psalmist, or hymns selected and original. Glasgow, Scotland: W. Collins and Co., for Chalmers and Collins. 444 pp.
• Montgomery, James. 1826. The Christian psalmist, or hymns selected and original. Fourth Edition. Glasgow, Scotland: W. Collins and Co., for Chalmers and Collins. 456 pp.
• Moore, William. 1825. Columbian harmony: or a choice collection of psalm tunes, hymns, and anthems … selected from the most eminent authors in America. Cincinnati, Ohio: Morgan, Lodge, and Fisher. 200 pp.
• Moors, Hezekiah. 1809. The province harmony, being an original composition of airs, consisting of three and four parts, adapted to all the meters usually sung in churches. Boston, Massachusetts: J. T. Buckingham. 140 pp.
• Music, David W. 1983. Ananias Davisson, Robert Boyd, Reubin Monday, John Martin, and Archibald Rhea in East Tennessee, 1816-26. American Music 1(3):72-84.
• Music, David W. 1984. Alexander Johnson and the Tennessee Harmony. Current Musicology 37/38:59-73.
• Music, David W. 1986. John B. Jackson, Southern Tunebook Compiler. The Hymn 37:26-30.
• Music, David W. 2012. The Second Edition (1837) of William Walker's the Southern Harmony. American Music Research Center Journal 21:93-99.
• Music, David W., Editor. 1998. Oliver Holden (1765-1844): Selected Works. New York, New York: Routledge. 258 pp.
• Music, David W., Editor. 2005. A Selection of Shape-Note Folk Hymns From Southern United States Tune Books, 1816-61. Middleton, Wisconsin: A-R Editions. 91 pp.
• Nathan, Hans, Editor. 1977. The complete works of William Billings, Volume II. Brunswick, Maine: American Musicological Society, 362 pp. [4]
• Newhall, James. 1803. The vocal harmony. Northampton, Massachusetts: Andrew Wright.
• Nichols, Charles L. 1912. Isaiah Thomas: Printer, Writer, and Collector. Boston: The Club of Odd Volumes. 145 pp.
• Norton, Kay. 2014. Reading between the Lines: Slaves, Women, and Native Americans Reflected in a Southern Hymnal of 1810. Pp. 39–63 in Edith L. Blumhofer and Mark A. Noll, Editors. Singing the Lord's Song in a Strange Land: Hymnody in the History of North American Protestantism. Tuscaloosa, Alabama: University of Alabama Press. 277 pp.
• Olmsted, Timothy. 1805. The musical olio, containing: A concise introduction to the art of singing by note; A variety of psalm tunes, hymns, and set-pieces, selected principally from European authors. Northampton, Massachusetts: Andrew Wright. 122 pp.
• Parker, Matthew. 1560. The whole Psalter translated into English metre, which containeth an hundred and fifty Psalmes. London, England: John Daye.
• Patterson, Daniel W. 1988. William Hauser's Hesperian Harp and Olive Leaf: Shape-Note Tunebooks as Emblems of Change and Progress. Journal of American Folklore 101(399):23-36.
• Patterson, Robert. 1813. Patterson’s church music, containing the plain tunes used in divine worship, by the churches of the Western country. Cincinnati, Ohio: Browne and Looker. 53 pp.
• Peck, Daniel. 1808. The musical medley. Dedham, Massachusetts: H. Mann. 103 pp.
• Pilsbury, Amos. 1799. The United States Sacred Harmony, Containing the Rudiments of Vocal Music in a Concise and Comprehensive Manner; and a Large and Valuable Collection of Psalm Tunes and Anthems. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews. 224 pp.
• Playford, John. 1677. The whole book of Psalms: With the usual hymns and spiritual songs. London, England: W. Godbid.
• Pool, David; and Josiah Holbrook. 1813. American and European harmony, or Abington collection of sacred music. adapted to the use of schools and congregational worship. Providence, Rhode Island: Mann and Company. 207 pp.
• Porter, Ellen Jane, and John F. Garst. 1979. More tunes in the Captain Kidd meter. The Hymn 30(3): 252-262.
• Ravenscroft, Thomas. 1621. The whole booke of psalmes: with the hymnes evangelicall, and songs spirituall, composed into four parts by sundry authors. London, England: Company of Stationers. 278 pp.
• Read, Daniel. 1785. The American singing book; or a new and easy guide to the art of psalmody. New Haven, Connecticut: Author.
• Read, Daniel. The American singing book; or a new and easy guide to the art of psalmody, Second Edition. New Haven, Connecticut: Author. 72 pp.
• Reed, Ephraim. 1817. Musical monitor, or New-York collection of devotional church music. Utica, New York: William Williams. 120 pp.
• Reynolds, William J. 2001. Henry Ward Beecher's Significant Hymnal. The Hymn 52(2):17-24.
• Rhinehart, W. R. 1848. The American church harp: Containing a choice selection of hymns and tunes, containing a variety of meters, well adapted to all Christian churches, singing schools, and private families. Germantown, Ohio: W. R. Rhinehart. 132 pp.
• Richardson, Paul A. 2004. The Missouri Harmony: A Book of Many Chapters. The Hymn 55(2):15-23.
• Robinson, G. O.; and I. B. Woodbury. The casket: Sacred melodies for public and social worship: Containing many choice melodies for eminent European and American composers, besides a large amount of new music, also selections from the works of Handel, Haydn, Mozart, Beethoven, Rossini, and other celebrated masters, arranged expressly for this work. Charleston, South Carolina: Southern Baptist Publication Society. 352 pp.
• Rowland, L. P. 1872. Young Men's Christian Association hymn and tune book. Philadelphia, Pennsylvania: Y. M. C. A.
• Scholten, James W. 1975. Amzi Chapin: Frontier Singing Master and Folk Hymn Composer. Journal of Research in Music Education 23(2):109-119.
• Scholten, James W. 1976. Lucius Chapin: A New England Singing Master on the Frontier. Contributions to Music Education (Ohio Music Education Association) No. 4, pp. 64-76.
• Shaw, Benjamin. 1829. The Columbian harmony, or pilgrim's musical companion. Cincinnati: Lodge, L'Hommedieu and Hammond.
• Shaw, Oliver, Amos Albee, and Herman Mann. 1808. The Columbian sacred harmonist: Or, collection of grammatical music. Dedham, Massachusetts: Hermann Mann.
• Shaw, Oliver. 1819. Melodia sacra: Or Providence Selection of Sacred Music from the latest European publications, with a number of original compositions. Providence, Rhode Island: Miller and Hutchens.
• Shumway, Nehemiah. 1793. The American harmony, containing, in a concise manner, the rules of singing; together with a collection of Psalm tunes, hymns, and anthems. Philadelphia, Pennsylvania: John McCullough. 212 pp.
• Smith, John M., Daniel Ayres, John D. Myers, and G. P. Disosway, Compilers. 1823, The Methodist harmonist, Containing a great variety of tunes collected from the best authors, adapted to all the various meters in the Methodist Hymn-Book, and designed for the use of the Methodist Episcopal Church in the United States, to which is added a choice selection of anthems and pieces, for particular occasions. New York: N. Bangs and T. Mason, for the Methodist Episcopal Church.
• Smith, Joshua. 1794. Divine hymns, or spiritual songs, for the use of religious assemblies and private Christians. Portsmouth, New Hampshire: John Melcher. 158 pp.
• Smith, Joshua. 1800. Divine hymns, or spiritual songs, for the use of religious assemblies, and private Christians, Seventh Edition. Elizabeth-Town, New York: J. Woods, for John Tibbout. 168 pp.
• Spring, Gardiner. 1823. The Brick Church hymns, designed for the use of prayer meetings and families. New York, New York: Members of the church. 170 pp.
• St. John, Stephen. 1821. The American harmonist, containing easy and concise rules of music, together with a collection of the most approved Psalm and hymn tunes. Harrisburg, Pennsylvania: William Greer. 136 pp.
• Steel, David Warren, and Richard H. Hulan. 2010. The Makers of the Sacred Harp. Urbana, Illinois: University of Illinois Press. 322 pp.
• Steel, David Warren, Editor. 1995. Stephen Jenks: Collected Works. Madison, Wisconsin: A-R Editions. 407 pp.
• Stickney, John. 1774. The gentleman and lady's musical companion, containing a variety of excellent anthems, tunes, hymns, etc., collected from the best authors. Newburyport, Massachusetts: Daniel Bayley. 218 pp.
• Stone, Joseph, and Abraham Wood. 1793. The Columbian harmony, containing the rules of psalmody, together with a collection of sacred music, designed for the use of worshiping assemblies and singing societies. Publisher not stated. 120 pp.
• Swan, Timothy. 1801. New England harmony, containing a variety of psalm tunes, in three and four parts, adapted to all meters: Also, a number of set pieces, of several verses each, together with a number of anthems. Northampton, Massachusetts: Andrew Wright. 104 pp.
• Tansur, William. 1771. The American harmony: Or royal melody complete. Newburyport, Massachusetts: Daniel Bayley. 138 pp. [Bound with Williams 1771]
• Taylor, Virgil C. 1846. Taylor's sacred minstrel: Or American church music book: A new collection of psalm and hymn tunes, adapted to the various meters now in use; together with anthems, sentences, chants, and other pieces, for the use of choirs, congregations, singing schools, musical societies, social sacred music circles, and private devotion; containing between three and four hundred new pieces, original and selected, now for the first time presented to the American public, and others from the most distinguished European composers. Hartford, Connecticut: J. H. Mather. 383 pp.
• Thomas, Isaiah. 1792. The Worcester collection of sacred harmony. Fourth Edition.
• Thomas, Isaiah. The Worcester collection of sacred harmony. Fifth Edition. Boston, Massachusetts: Isaiah Thomas and Ebenezer T. Andrews.
• Today, George; E. M. Tappan, Silas Curtis, and O. B. Cheney. 1859. The choralist: A collection of hymns and tunes, for public, social, and family worship. Dover, New Hampshire: Freewill Baptist Printing Establishment.
• Van Deventer, Cornelius. 1829. The New Brunswick collection of sacred music, Fifth Edition. New Brunswick, New Jersey: Terhune and Letson. 136 pp.
• Wakefield, Samuel, and Lazarus McLain. 1837. The Christian's Harp, containing a choice selection of psalm and hymn tunes, Fourth Edition. Pittsburgh, Pennsylvania: Johnston and Stockton.160 pp. + Appendix, 64 pp.
• Wakefield, Samuel. 1825. The ecclesiastic harmony. Pittsburgh, Pennsylvania: Eichbaum and Johnston.
• Walker, William. 1835. The southern harmony, and musical companion: containing a choice collection of tunes, hymns, psalms, odes and anthems. Spartansburg, South Carolina: William Walker. 216 pp.
• Walker, William. 1867. The Christian harmony, containing a choice collection of hymns and psalm tunes, odes and anthems, selected from the best authors in Europe and America. Philadelphia, Pennsylvania: E. W. Miller and William Walker. 384 pp.
• Wayland, John W. 1911. Joseph Funk: Father of Song in Northern Virginia. Dayton, Virginia: Roebush-Kieffer Company. 12 pp.
• West, Elisha. 1802. The musical concert: Containing, a concise introduction, with a suitable proportion of tunes and anthems, calculated for the use of schools and religious worship, never before published. Northampton, Massachusetts: Andrew Wright. 204 pp.
• West, Elisha. 1807. The musical concert, containing, the rudiments of music, and a great variety of psalm tunes, together with a number of anthems, suitable for churches and singing societies, many of which were never before published. The second edition. Northampton, Massachusetts: Andrew Wright. 104 pp.
• White, Benjamin, and Elisha King. 1844. The Sacred Harp, a Collection of Psalm and Hymn Tunes, Odes, and Anthems. Philadelphia, Pennsylvania: S. C. Collins. 262 pp.
• White, Thomas B., and Edward L. White. 1836. Washington harmony, a collection of sacred music, Second Edition. Newburyport, Massachusetts: Thomas B, White.
• Williams, Aaron. 1763. The universal psalmodist. London, England: Joseph Johnson.
• Williams, Aaron. 1771. The American harmony, Or universal psalmodist. Newburyport, Massachusetts: Daniel Bayley. 100 pp.
• Williams, Edward, and Edward Parsons, Editors. 1803. Works of the Rev. P. Doddridge, D. D., in Ten Volumes. Leeds, England: Editors. 616 pp. Volume 2, 1803, 608 pp. Volume 3, 1803, 654 pp. Volume 4, 1803, 574 pp. Volume 5, 1804. 610 pp. Volume 6, 1804, 590 pp. Volume 7, 1804, 595 pp. Volume 8, 1805, 613 pp. Volume 9, 1805, 622 pp. Volume 10, 1805, 610 pp.
• Williams, Edward. 1801. A collection of above six hundred hymns, designed as a new supplement to Dr. Watts' Psalms and Hymns. Doncaster, England: D. Boys. 501 pp.
• Williams, G. W. 1993. "Babylon is Fallen": The Story of a North American Hymn. The Hymn 44(2):31-35.
• Wood, Abraham. 1789. Divine songs, extracted from Mr. J. Hart's hymns, and set to music in three and four parts. Boston, Massachusetts: Isaiah Thomas and Company. 32 pp.
• Woodruff, Merit. 1800. Devotional harmony, a posthumous work of Merit N. Woodruff, late of Watertown (Connecticut) deceased, published by his relatives and friends, under the inspection of Asahel Benham. Watertown, Connecticut: Unknown Publisher. 60 pp.
• Wright, Daniel. 1798. The American musical miscellany, a collection of the newest and most approved songs set to music. Northampton, Massachusetts: Andrew Wright. 300 pp.
• Wyeth, John. 1810. Wyeth's repository of sacred music. Harrisburg, Pennsylvania: John Wyeth. 120 pp.
• Wyeth, John. 1813. Wyeth's repository of sacred music, Part second. Harrisburg, Pennsylvania: John Wyeth. 132 pp. Second Edition 1820, 132 pp.
• Zeuner, Charles. 1832. The American Harp, being a collection of new and original church music, under the control of the Musical Professional Society in Boston. Boston, Massachusetts: Hilliard, Gray, and Company. 417 pp.
• Zundel, John. 1855. Zundel's psalmody: A new collection of church music. New York, New York: Daniel Burgess and Company. 168 pp.