Cancionero de Medinaceli: Difference between revisions

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The '''Cancionero de Medinaceli''' or ''Cancionero Musical de Medinaceli'' (CMM) is a manuscript containing Spanish music of the Renaissance. It was copied during the second half of the 16th century and kept at the Library of the Duke of Medinaceli's house, hence its name. Is it probably the most important compilation of Spanish secular polyphony of the Renaissance after the [[Cancionero de Palacio]]. (excerpt translated from the [http://es.wikipedia.org/wiki/Cancionero_de_Medinaceli Spanish Wikipedia article])
The '''Cancionero de Medinaceli''' or ''Cancionero Musical de Medinaceli'' (CMM) is a manuscript containing 177 pieces of music from the Spanish Renaissance. It was copied during the second half of the 16th century and rediscovered in the 19c in the Library of the Duke of Medinaceli, whence its name. With 100 examples of Spanish secular polyphony, it is probably the most important compilation of its kind after the [[Cancionero de Palacio]]. (excerpt translated from the [http://es.wikipedia.org/wiki/Cancionero_de_Medinaceli Spanish Wikipedia article])


{{PubDatePlace|post 1550||Manuscript}}.
*{{WikipediaLink}}
*{{WikipediaLink}}
==List of choral works==
{|cellpadding="1" cellspacing="0" width=500
|'''Title'''
|'''Composer'''
|-
|''[[A bente y siete de março (Anonymous)|A bente y siete de março]]'' || [[Anonymous]]
|-
|''[[Aquella fuerça grande (Anonymous)|Aquella fuerça grande]]'' || [[Anonymous]]
|-
|''[[Cavallero si a Francia ides (Anonymous)|Cavallero, si a Francia ides]]'' || [[Anonymous]]
|-
|''[[Corten espadas afiladas (Anonymous)|Corten espadas afiladas]]'' || [[Anonymous]]
|-
|''[[Di perra mora (Anonymous)|Dí, perra mora]]'' || [[Anonymous]]
|-
|''[[Lágrimas de mi consuelo (Antonio Cebrián)|Lágrimas de mi consuelo]]'' || [[Antonio Cebrián]]
|-
|''[[Llaman a Teresica (Anonymous)|Llaman a Teresica]]'' || [[Anonymous]]
|-
|''[[Por ese mar d'Helesponto (Anonymous)|Por ese mar d'Helesponto]]'' || [[Anonymous]]
|-
|''[[Prado verde y florido (Francisco Guerrero)|Prado verde y florido]]'' || [[Francisco Guerrero]]
|-
|''[[Pues que no puedo olvidarte (Ginés de Morata)|Pués que no puedo olvidarte]]'' || [[Ginés de Morata]]
|-
|''[[Puse mis amores (Anonymous)|Puse mis amores en Fernandillo]]'' || [[Anonymous]]
|}


 
==Works at CPDL==
==List of choral works==
{{MultiPubList|com,gen,subg,vo,voices,lan|1550}}
*''[[A bente y siete de março (Anonymous)]]''
*''[[Corten espadas afiladas (Anonymous)]]''
*''[[Di perra mora (Anonymous)]]''
*''[[Lagrimas de mi consuelo (Antonio Cebrian)]]''
*''[[Llaman a Teresica (Anonymous)]]''
*''[[Por ese mar d´Helesponto (Anonymous)]]''
*''[[Prado Verde y Florido (Francisco Guerrero)]]''
*''[[Pues que no puedo olvidarte (Ginés de Morata)]]''


[[Category:Music publications]]
[[Category:Music publications]]
[[Category:Manuscripts]]
[[Category:Renaissance choral collections]]

Revision as of 01:48, 8 April 2021

The Cancionero de Medinaceli or Cancionero Musical de Medinaceli (CMM) is a manuscript containing 177 pieces of music from the Spanish Renaissance. It was copied during the second half of the 16th century and rediscovered in the 19c in the Library of the Duke of Medinaceli, whence its name. With 100 examples of Spanish secular polyphony, it is probably the most important compilation of its kind after the Cancionero de Palacio. (excerpt translated from the Spanish Wikipedia article)

Publication date and place: post 1550 . – Manuscript
.

List of choral works

Title Composer
A bente y siete de março Anonymous
Aquella fuerça grande Anonymous
Cavallero, si a Francia ides Anonymous
Corten espadas afiladas Anonymous
Dí, perra mora Anonymous
Lágrimas de mi consuelo Antonio Cebrián
Llaman a Teresica Anonymous
Por ese mar d'Helesponto Anonymous
Prado verde y florido Francisco Guerrero
Pués que no puedo olvidarte Ginés de Morata
Puse mis amores en Fernandillo Anonymous

Works at CPDL

No works at CPDL