Come sound his praise abroad (from An Eighth Set of Psalm Tunes) (Thomas Clark): Difference between revisions

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*{{PostedDate|2016-07-03}} {{CPDLno|40222}} [[Media:ClarT-ComeSoundHisPraise-EighthSet.pdf|{{pdf}}]] [[Media:ClarT-ComeSoundHisPraise-EighthSet.mid|{{mid}}]] [[Media:ClarT-ComeSoundHisPraise-EighthSet.mxl|{{XML}}]] [[Media:ClarT-ComeSoundHisPraise-EighthSet.sib|{{sib}}]] (Sibelius 7)
*{{PostedDate|2016-07-03}} {{CPDLno|40222}} [[Media:ClarT-ComeSoundHisPraise-EighthSet.pdf|{{pdf}}]] [[Media:ClarT-ComeSoundHisPraise-EighthSet.mid|{{mid}}]] [[Media:ClarT-ComeSoundHisPraise-EighthSet.mxl|{{XML}}]] [[Media:ClarT-ComeSoundHisPraise-EighthSet.sib|{{sib}}]] (Sibelius 7)
{{Editor|Edmund Gooch|2016-07-03}}{{ScoreInfo|A4|2|56}}{{Copy|Public Domain}}
{{Editor|Edmund Gooch|2016-07-03}}{{ScoreInfo|A4|2|56}}{{Copy|Public Domain}}
:'''Edition notes:''' The original order of parts is 2nd - 1st - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] thereafter. The alto voice part is given in the treble clef an octave above sounding pitch in the source. The concluding symphony is given on the voice parts in the source, with the second treble-range instrumental part (given here on the alto stave) printed on the tenor stave at the same pitch as given in this edition (i.e. this has not been transposed by an octave in transcription). The first verse of the text is underlaid in the source, with three subsequent verses printed after the music: these have here been underlaid editorially.
:{{EdNotes|The original order of parts is 2nd - 1st - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] thereafter. The alto voice part is given in the treble clef an octave above sounding pitch in the source. The concluding symphony is given on the voice parts in the source, with the second treble-range instrumental part (given here on the alto stave) printed on the tenor stave at the same pitch as given in this edition (i.e. this has not been transposed by an octave in transcription). The first verse of the text is underlaid in the source, with three subsequent verses printed after the music: these have here been underlaid editorially.}}
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==General Information==
==General Information==
{{Title|''Come sound his praise abroad''}}
{{Title|''Come sound his praise abroad''}}
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{{Instruments|Basso continuo}}
{{Instruments|Basso continuo}}
{{Pub|1|1830|in ''{{NoCo|An Eighth Set of Psalm Tunes}}''|pg=16}}
{{Pub|1|1830|in ''{{NoCo|An Eighth Set of Psalm Tunes}}''|pg=16}}
 
{{Descr|The same text was set by Clark to a different tune, [[Come sound his praise abroad (Charing) (Thomas Clark)|'Charing']], in his earlier collection {{NoComp|A Third Set of Psalm and Hymn Tunes|Thomas Clark}}, London: [1807].}}
'''Description:''' The same text was set by Clark to a different tune, [[Come sound his praise abroad (Charing) (Thomas Clark)|'Charing']], in his earlier collection {{NoComp|A Third Set of Psalm and Hymn Tunes|Thomas Clark}}, London: [1807].
{{#ExtWeb:}}
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{LinkText|Psalm 95}}
{{LinkText|Psalm 95}}

Revision as of 01:14, 30 April 2021

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  • (Posted 2016-07-03)  CPDL #40222:        (Sibelius 7)
Editor: Edmund Gooch (submitted 2016-07-03).   Score information: A4, 2 pages, 56 kB   Copyright: Public Domain
Edition notes: The original order of parts is 2nd - 1st - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] thereafter. The alto voice part is given in the treble clef an octave above sounding pitch in the source. The concluding symphony is given on the voice parts in the source, with the second treble-range instrumental part (given here on the alto stave) printed on the tenor stave at the same pitch as given in this edition (i.e. this has not been transposed by an octave in transcription). The first verse of the text is underlaid in the source, with three subsequent verses printed after the music: these have here been underlaid editorially.

General Information

Title: Come sound his praise abroad
Composer: Thomas Clark
Lyricist: Isaac Watts

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn   Meter: 66. 86 (S.M.)

Language: English
Instruments: Basso continuo

First published: 1830 in An Eighth Set of Psalm Tunes, p. 16
Description: The same text was set by Clark to a different tune, 'Charing', in his earlier collection A Third Set of Psalm and Hymn Tunes, London: [1807].

External websites:

Original text and translations

Original text and translations may be found at Psalm 95.