Di pensier in pensier (Orlando di Lasso): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2018-09-20}} {{CPDLno|51337}} [[Media:Lasso-Di_pensier_in_pensier.pdf|{{pdf}}]] [[Media:Lasso-Di_pensier_in_pensier.mid|{{mid}}]] [[Media:Lasso-Di_pensier_in_pensier.mxl|{{XML}}]]  
*{{PostedDate|2018-09-20}} {{CPDLno|51337}} [[Media:Lasso-Di_pensier_in_pensier.pdf|{{pdf}}]] [[Media:Lasso-Di_pensier_in_pensier.mid|{{mid}}]] [[Media:Lasso-Di_pensier_in_pensier.mxl|{{XML}}]]
{{Editor|Willem Verkaik|2018-09-20}}{{ScoreInfo|Letter|6|489}}{{Copy|CPDL}}
{{Editor|Willem Verkaik|2018-09-20}}{{ScoreInfo|Letter|6|489}}{{Copy|CPDL}}
:'''Edition notes:'''  {{MXL}}
:{{EdNotes|}}


==General Information==
==General Information==
'''Title:''' ''Di pensier in pensier''<br>
{{Title|''Di pensier in pensier''}}
{{Composer|Orlando di Lasso}}
{{Composer|Orlando di Lasso}}
{{Lyricist|Francesco Petrarca}}
{{Lyricist|Francesco Petrarca}}


{{Voicing|6|SSATTB}}<br>
{{Voicing|6|SSATTB}}
{{Genre|Secular|Madrigals}}
{{Genre|Secular|Madrigals}}
{{Language|Italian}}
{{Language|Italian}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1579|in ''[[Corona di madrigali a sei voci… Libro primo]]''|no=10}}
{{Pub|1|1579|in ''[[Corona di madrigali a sei voci libro primo]]''|no=11}}
{{Pub|2|1583|in ''[[Musica divina di 19 autori illustri a 4, 5, 6, & 7 Voci]]''|no=52}}
{{Pub|2|1583|in ''[[Musica divina di 19 autori illustri]]''|no=52}}
'''Description:'''
{{Descr| }}
 
{{#ExtWeb:}}
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{top}}
{{top}}
Line 26: Line 24:
mi guida Amor, ch'ogni segnato calle
mi guida Amor, ch'ogni segnato calle
provo contrario a la tranquilla vita.
provo contrario a la tranquilla vita.
Se 'n solitaria piaggia, rivo, o fonte,
Se 'n solitaria piaggia, rivo, o fonte,
se 'n fra duo poggi siede ombrosa valle,
se 'n fra duo poggi siede ombrosa valle,
ivi s'acqueta l'alma sbigottita;
ivi s'acqueta l'alma sbigottita;
Line 36: Line 34:
onde a la vista huom di tal vita esperto
onde a la vista huom di tal vita esperto
diria: Questo arde, e di suo stato è incerto.
diria: Questo arde, e di suo stato è incerto.
    ''Petrarca, Canzoniere 129, Stanza 1''}}
''Petrarca, Canzoniere 129, Stanza 1''}}
{{mdl|2}}
{{mdl|2}}
{{Translation|English|
{{Translation|English|
Line 52: Line 50:
so that a man expert in such a life would say
so that a man expert in such a life would say
at the sight of me: ‘He is on fire, and uncertain of his state.’
at the sight of me: ‘He is on fire, and uncertain of his state.’
  ''Translation A.S.Kline''}}
''Translation A.S.Kline''}}
{{btm}}
{{btm}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 17:49, 12 July 2021

Music files

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  • (Posted 2018-09-20)  CPDL #51337:       
Editor: Willem Verkaik (submitted 2018-09-20).   Score information: Letter, 6 pages, 489 kB   Copyright: CPDL
Edition notes:

General Information

Title: Di pensier in pensier
Composer: Orlando di Lasso
Lyricist: Francesco Petrarca

Number of voices: 6vv   Voicing: SSATTB
Genre: SecularMadrigal

Language: Italian
Instruments: A cappella

First published: 1579 in Corona di madrigali a sei voci libro primo, no. 11
    2nd published: 1583 in Musica divina di 19 autori illustri, no. 52
Description: 

External websites:

Original text and translations

Italian.png Italian text

Di pensier in pensier, di monte in monte
mi guida Amor, ch'ogni segnato calle
provo contrario a la tranquilla vita.
Se 'n solitaria piaggia, rivo, o fonte,
se 'n fra duo poggi siede ombrosa valle,
ivi s'acqueta l'alma sbigottita;
e come Amor m'invita,
Hor ride, hor piange, hor teme, hor s'assicura;
e 'l volto che lei segue ov'ella il mena
si turba e rasserena,
et in un esser piciol tempo dura;
onde a la vista huom di tal vita esperto
diria: Questo arde, e di suo stato è incerto.
 Petrarca, Canzoniere 129, Stanza 1

English.png English translation

Love leads me on, from thought to thought,
from mountain to mountain, since every path blazed
proves opposed to the tranquil life.
If there is a stream or a fountain on a solitary slope,
if a shadowed valley lies between two hills,
the distressed soul calms itself there:
and, as Love invites it to,
now smiles, or weeps, or fears, or feels secure:
and my face that follows the soul where she leads
is turbid and then clear,
and remains only a short time in one mode:
so that a man expert in such a life would say
at the sight of me: ‘He is on fire, and uncertain of his state.’
 Translation A.S.Kline