Dont vient cela (Thomas Crecquillon): Difference between revisions
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==Text and translations== | ==Text and translations== | ||
{{Text|French | {{Text|French| | ||
''(modernized French)'' | ''(modernized French)'' | ||
D'où vient cela, Belle, je vous supplie | D'où vient cela, Belle, je vous supplie | ||
Que plus à moi ne vous recommandez ? | Que plus à moi ne vous recommandez ? | ||
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Je crois que plus d'Ami ne demandez, | Je crois que plus d'Ami ne demandez, | ||
Ou mauvais bruit de moi on vous révèle, | Ou mauvais bruit de moi on vous révèle, | ||
Ou votre | Ou votre cœur a fait amour nouvelle. | ||
}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] | ||
Revision as of 21:22, 10 March 2015
Music files
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File details |
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Help |
- Original key editions
- CPDL #22938:
Finale 2008 
- Editor: André Vierendeels (submitted 2011-01-01). Score information: A4, 4 pages, 106 kB Copyright: CPDL
- Edition notes: Original AAATT pitch from the 1543 Susato print.
- CPDL #16083: NoteWorthy Composer
- Editor: Brian Russell (submitted 2008-02-17). Score information: A4, 4 pages, 38 kB Copyright: CPDL
- Edition notes:
- CPDL #10712:
- Editor: Charles H. Giffen (submitted 2006-01-12). Score information: Letter, 6 pages, 137 kB Copyright: Personal, may be freely distributed for non-profit performance or use.
- Edition notes: No musica ficta, otherwise same format and text underlay as CDPL #10711.
- CPDL #10711:
- Editor: Charles H. Giffen (submitted 2006-01-12). Score information: Letter, 6 pages, 137 kB Copyright: Personal, may be freely distributed for non-profit performance or use.
- Edition notes: Musica ficta clearly indicated (probably more generous than necessary or advisable). The Canon (Quintus) on the Superius is pitched a diatonic step below the Superius. With these two voices and the Contratenor frequently overlapping in range, this creates a very rich texture.
- Original key edition, but with the Canon part up an octave
- CPDL #10584:
- Editor: Dick Wursten (submitted 2006-01-05). Score information: A4, 4 pages, 65 kB Copyright: Personal
- Edition notes: based on a transcription of the partbooks by Klaas Spijker; transcription in modern clefs. No further editorial marks... Update of MIDI and PDF 11-01-2006 to include the 5th voice, which is a canon of the superius. Explanation: see below.
- Scan of original four part books
- CPDL #10494:
- Editor: Dick Wursten (submitted 2005-12-26). Score information: A4, 4 pages, 89 kB Copyright: Personal
- Edition notes: digital copy of the 4 original part books
General Information
Title: Dont vient cela
Composer: Thomas Crecquillon
Lyricist: Clément Marot , Chanson XIV, l'Adolescence Clementine (1532)
Number of voices: 5vv Voicing: SSATB
Genre: Secular, Chanson
Language: French
Instruments: A cappella
Published: 1st published by Tielman Susato in Antwerp, 1543: Vingt et six chansons musicales et nouvelles à cinq parties
Description: This is five-voiced setting with four parts, the superius being a canon. Same melody is used as in the original setting of Claudin De Sermisy. The canon has to start and stop at the indicated place, only a 'secunde' lower... (at C instead of D) without transpositon of course, which results in perfect harmony but an 'estrangement' of the melody, just as Crecquillons tip suggested: Chanter vous fault estrangement: You have to sing strangely.
External websites:
- http://www.psalmen.wursten.be/dontvient_ps10.htm (Dutch)
- http://www.psalmen.wursten.be/dontvient_ps10-english.htm (English)
Text and translations
French text
(modernized French)
D'où vient cela, Belle, je vous supplie
Que plus à moi ne vous recommandez ?
Toujours serai de tristesse rempli
Jusques à tant qu'au vrai le me mandez.
Je crois que plus d'Ami ne demandez,
Ou mauvais bruit de moi on vous révèle,
Ou votre cœur a fait amour nouvelle.