Dont vient cela (Thomas Crecquillon): Difference between revisions
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*{{PostedDate|2006-01-12}} {{CPDLno|10711}} [[Media:Crecq_Dont_vient_cela.pdf|{{pdf}}]] [[Media:Crecq_Dont_vient_cela.mid|{{mid}}]] [[Media:Crecq_Dont_vient_cela.mus|{{mus}}]] | *{{PostedDate|2006-01-12}} {{CPDLno|10711}} [[Media:Crecq_Dont_vient_cela.pdf|{{pdf}}]] [[Media:Crecq_Dont_vient_cela.mid|{{mid}}]] [[Media:Crecq_Dont_vient_cela.mus|{{mus}}]] | ||
{{Editor|Charles H. Giffen|2006-01-12}}{{ScoreInfo|Letter|6|137}}{{Copy|Personal}} | {{Editor|Charles H. Giffen|2006-01-12}}{{ScoreInfo|Letter|6|137}}{{Copy|Personal}} | ||
: | :{{EdNotes|''Musica ficta'' clearly indicated (probably more generous than necessary or advisable). The Canon (Quintus) on the Superius is pitched a diatonic step below the Superius. With these two voices and the Contratenor frequently overlapping in range, this creates a very rich texture.}} | ||
; Original key edition, but with the Canon part up an octave | ; Original key edition, but with the Canon part up an octave | ||
*{{PostedDate|2006-01-05}} {{CPDLno|10584}} [http://www.psalmen.wursten.be/partituren/dontvient-crecquillon-pdf.pdf {{extpdf}}] [http://www.psalmen.wursten.be/partituren/dontvient-crecquillon_canon.mid {{extmid}}] | *{{PostedDate|2006-01-05}} {{CPDLno|10584}} [http://www.psalmen.wursten.be/partituren/dontvient-crecquillon-pdf.pdf {{extpdf}}] [http://www.psalmen.wursten.be/partituren/dontvient-crecquillon_canon.mid {{extmid}}] | ||
{{Editor|Dick Wursten|2006-01-05}}{{ScoreInfo|A4|4|65}}{{Copy|Personal}} | {{Editor|Dick Wursten|2006-01-05}}{{ScoreInfo|A4|4|65}}{{Copy|Personal}} | ||
: | :{{EdNotes|based on a transcription of the partbooks by Klaas Spijker; transcription in modern clefs. No further editorial marks… Update of MIDI and PDF 11-01-2006 to include the 5th voice, which is a canon of the superius. Explanation: see below.}} | ||
; Scan of original four part books | ; Scan of original four part books | ||
Revision as of 14:20, 30 April 2021
Music files
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- Original key editions
- Editor: André Vierendeels (submitted 2011-01-01). Score information: A4, 4 pages, 106 kB Copyright: CPDL
- Edition notes: Original AAATT pitch from the 1543 Susato print.
- Editor: Brian Russell (submitted 2008-02-17). Score information: A4, 4 pages, 38 kB Copyright: CPDL
- Edition notes: NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer.
- Editor: Charles H. Giffen (submitted 2006-01-12). Score information: Letter, 6 pages, 137 kB Copyright: Personal
- Edition notes: No musica ficta, otherwise same format and text underlay as CDPL #10711.
- Editor: Charles H. Giffen (submitted 2006-01-12). Score information: Letter, 6 pages, 137 kB Copyright: Personal
- Edition notes: Musica ficta clearly indicated (probably more generous than necessary or advisable). The Canon (Quintus) on the Superius is pitched a diatonic step below the Superius. With these two voices and the Contratenor frequently overlapping in range, this creates a very rich texture.
- Original key edition, but with the Canon part up an octave
- Editor: Dick Wursten (submitted 2006-01-05). Score information: A4, 4 pages, 65 kB Copyright: Personal
- Edition notes: based on a transcription of the partbooks by Klaas Spijker; transcription in modern clefs. No further editorial marks… Update of MIDI and PDF 11-01-2006 to include the 5th voice, which is a canon of the superius. Explanation: see below.
- Scan of original four part books
- Editor: Dick Wursten (submitted 2005-12-26). Score information: A4, 4 pages, 89 kB Copyright: Personal
- Edition notes: digital copy of the 4 original part books
General Information
Title: Dont vient cela
Composer: Thomas Crecquillon
Lyricist: Clément Marot (Chanson XIV from Adolescence clémentine)
Number of voices: 5vv Voicing: SSATB
Genre: Secular, Chanson
Language: French
Instruments: A cappella
First published: 1543 in Vingt et six chansons musicales et nouvelles a cincq parties, no. 1
Description: This is five-voiced setting with four parts, the superius being a canon. Same melody is used as in the original setting of Claudin de Sermisy. The canon has to start and stop at the indicated place, only a 'secunde' lower… (at C instead of D) without transpositon of course, which results in perfect harmony but an 'estrangement' of the melody, just as Crecquillons tip suggested: Chanter vous fault estrangement: You have to sing strangely. One of Tielman Susato's publications.
External websites:
- http://www.psalmen.wursten.be/dontvient_ps10.htm (Dutch)
- http://www.psalmen.wursten.be/dontvient_ps10-english.htm (English)
Original text and translations
French text D’où vient cela, Belle, je vous supply, |
English translation What reason be, my Fair, I do entreat,
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- André Vierendeels editions
- Brian Russell editions
- Charles H. Giffen editions
- Dick Wursten editions
- Thomas Crecquillon compositions
- SSATB
- 5-part choral music
- Secular music
- Chansons
- Works in French
- A cappella
- 1543 works
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- French texts
- Translations
- English translations
- Translations with attribution
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- Renaissance music