Fontevrault Credo (Anonymous): Difference between revisions
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{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1||[[Fontevrault Gradual]]|pg=239v}} | {{Pub|1|13c?|[[Fontevrault Gradual]]|pg=239v}} | ||
'''Description:''' The neume-against-neume style does not have obvious rhythmic implications; one might try to fit the notes to equal syllables, or vice versa. | '''Description:''' The neume-against-neume style does not have obvious rhythmic implications; one might try to fit the notes to equal syllables, or vice versa. | ||
'''External websites:''' | '''External websites:''' | ||
==Original text and translations== | ==Original text and translations== | ||
Revision as of 00:35, 3 January 2021
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- (Posted 2021-01-03) CPDL #62217:
- Editor: Richard Mix (submitted 2021-01-03). Score information: Letter, 3 pages, 36 kB Copyright: CPDL
- Edition notes: Problems of rhythm and a bit of perplexing alignment are left to the ingenuity of performers. I have not distinguished an oblique form of clivis.
General Information
Title: Fontevrault Credo
Composer: Anonymous
Lyricist:
Number of voices: 2vv Voicings: TB or SA
Genre: Sacred, Mass fragment
Language: Latin
Instruments: A cappella
First published: 13c? Fontevrault Gradual, p. 239v
Description: The neume-against-neume style does not have obvious rhythmic implications; one might try to fit the notes to equal syllables, or vice versa.
External websites:
Original text and translations
Spellings like "Cum sustantialis" (for "consubstantialis") may have implications for a French pronunciation. Original text and translations may be found at Credo.