Fontevrault Credo (Anonymous): Difference between revisions
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* {{PostedDate|2021-01-03}} {{CPDLno|62217}} [[Media:Credo_(Fontevrault).pdf|{{pdf}}]] | * {{PostedDate|2021-01-03}} {{CPDLno|62217}} [[Media:Credo_(Fontevrault).pdf|{{pdf}}]] | ||
{{Editor|Richard Mix|2021-01-03}}{{ScoreInfo|Letter|3|36}}{{Copy|CPDL}} | {{Editor|Richard Mix|2021-01-03}}{{ScoreInfo|Letter|3|36}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Problems of rhythm and a bit of perplexing alignment are left to the ingenuity of performers. I have not distinguished an oblique form of clivis.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Fontevrault Credo ''}} | |||
{{Composer|Anonymous}} | {{Composer|Anonymous}} | ||
{{Lyricist|}} | {{Lyricist|}} | ||
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{{Pub|1|13c?|[[Fontevrault Gradual]]|pg=239v}} | {{Pub|1|13c?|[[Fontevrault Gradual]]|pg=239v}} | ||
{{Descr|The neume-against-neume style does not have obvious rhythmic implications; one might try to fit the notes to equal syllables, or vice versa.}} | {{Descr|The neume-against-neume style does not have obvious rhythmic implications; one might try to fit the notes to equal syllables, or vice versa.}} | ||
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==Original text and translations== | ==Original text and translations== | ||
Spellings like "Cum sustantialis" (for "consubstantialis") may have implications for a French pronunciation. | Spellings like "Cum sustantialis" (for "consubstantialis") may have implications for a French pronunciation. | ||
Revision as of 16:39, 17 April 2021
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- (Posted 2021-01-03) CPDL #62217:
- Editor: Richard Mix (submitted 2021-01-03). Score information: Letter, 3 pages, 36 kB Copyright: CPDL
- Edition notes: Problems of rhythm and a bit of perplexing alignment are left to the ingenuity of performers. I have not distinguished an oblique form of clivis.
General Information
Title: Fontevrault Credo
Composer: Anonymous
Lyricist:
Number of voices: 2vv Voicings: TB or SA
Genre: Sacred, Mass fragment
Language: Latin
Instruments: A cappella
First published: 13c? Fontevrault Gradual, p. 239v
Description: The neume-against-neume style does not have obvious rhythmic implications; one might try to fit the notes to equal syllables, or vice versa.
External websites:
Original text and translations
Spellings like "Cum sustantialis" (for "consubstantialis") may have implications for a French pronunciation. Original text and translations may be found at Credo.