Fontevrault Credo (Anonymous): Difference between revisions

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* {{PostedDate|2021-01-03}} {{CPDLno|62217}} [[Media:Credo_(Fontevrault).pdf|{{pdf}}]]
* {{PostedDate|2021-01-03}} {{CPDLno|62217}} [[Media:Credo_(Fontevrault).pdf|{{pdf}}]]
{{Editor|Richard Mix|2021-01-03}}{{ScoreInfo|Letter|3|36}}{{Copy|CPDL}}
{{Editor|Richard Mix|2021-01-03}}{{ScoreInfo|Letter|3|36}}{{Copy|CPDL}}
:'''Edition notes:''' Problems of rhythm and a bit of perplexing alignment are left to the ingenuity of performers. I have not distinguished an oblique form of clivis.
:{{EdNotes|Problems of rhythm and a bit of perplexing alignment are left to the ingenuity of performers. I have not distinguished an oblique form of clivis.}}


==General Information==
==General Information==
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{{Lyricist|}}
{{Lyricist|}}


{{Voicing|2|TB,SA}}<br>
{{Voicing|2|TB,SA}}
{{Genre|Sacred|Mass fragments}}
{{Genre|Sacred|Mass fragments}}
{{Language|Latin}}
{{Language|Latin}}
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{{Pub|1|13c?|[[Fontevrault Gradual]]|pg=239v}}
{{Pub|1|13c?|[[Fontevrault Gradual]]|pg=239v}}
{{Descr|The neume-against-neume style does not have obvious rhythmic implications; one might try to fit the notes to equal syllables, or vice versa.}}
{{Descr|The neume-against-neume style does not have obvious rhythmic implications; one might try to fit the notes to equal syllables, or vice versa.}}
'''External websites:'''
{{#ExtWeb:}}
 
==Original text and translations==
==Original text and translations==
Spellings like "Cum sustantialis" (for "consubstantialis") may have implications for a French pronunciation.
Spellings like "Cum sustantialis" (for "consubstantialis") may have implications for a French pronunciation.

Revision as of 02:01, 18 July 2021

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  • (Posted 2021-01-03)  CPDL #62217:   
Editor: Richard Mix (submitted 2021-01-03).   Score information: Letter, 3 pages, 36 kB   Copyright: CPDL
Edition notes: Problems of rhythm and a bit of perplexing alignment are left to the ingenuity of performers. I have not distinguished an oblique form of clivis.

General Information

Title: Fontevrault Credo
Composer: Anonymous
Lyricist:

Number of voices: 2vv   Voicings: TB or SA
Genre: SacredMass fragment

Language: Latin
Instruments: A cappella

First published: 13c? Fontevrault Gradual, p. 239v
Description: The neume-against-neume style does not have obvious rhythmic implications; one might try to fit the notes to equal syllables, or vice versa.

External websites:

Original text and translations

Spellings like "Cum sustantialis" (for "consubstantialis") may have implications for a French pronunciation. Original text and translations may be found at Credo.