Grande messe des morts, H 75 (Hector Berlioz): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
===Full score=== | ===Full score=== | ||
<big>'''1. Requiem et Kyrie. Introït'''</big> | |||
*{{CPDLno|1404}}{{ | *{{PostedDate|2000-09-26}} {{CPDLno|1404}} [[Media:h.75.requiem_et_kyrie.pdf|{{pdf}}]] [[Media:h.75.requiem_et_kyrie.mxl|{{XML}}]] [[Media:h.75.requiem_et_kyrie.sib|{{sib}}]] {{ScoreInfo|A3|31|392}} | ||
{{Editor|Philip Legge|2000-09-26}} {{Copy|Personal}} | |||
: | :{{EdNotes|}} | ||
<big>'''2. Dies iræ. Prosa'''</big> | |||
*{{ | *{{PostedDate|2000-09-26}} {{CPDLno|1425}} [[Media:H.75.dies irae.pdf|{{pdf}}]] [[Media:H.75.dies irae.mxl|{{XML}}]] [[Media:H.75.dies irae.sib|{{sib}}]] {{ScoreInfo|A3|24|456}} | ||
:4. Rex tremendæ | {{Editor|Philip Legge|2000-09-26}} {{Copy|Personal}} | ||
:{{EdNotes|}} | |||
*{{CPDLno|1431}}{{ | <big>'''3. Quid sum miser'''</big> | ||
: | *{{PostedDate|2000-09-26}} {{CPDLno|1430}} [[Media:h.75.quid_sum_miser.pdf|{{pdf}}]] [[Media:h.75.quid_sum_miser.mxl|{{XML}}]] [[Media:h.75.quid_sum_miser.sib|{{sib}}]] {{ScoreInfo|A4|5|331}} | ||
{{Editor|Philip Legge|2000-09-26}} {{Copy|Personal}} | |||
:{{EdNotes|}} | |||
*{{ | <big>'''4. Rex tremendæ'''</big> | ||
<big>'''5. Quærens me'''</big> | |||
*{{PostedDate|2000-09-26}} {{CPDLno|1431}} [[Media:H.75.quaerens me.pdf|{{pdf}}]] [[Media:H.75.quaerens me.mxl|{{XML}}]] [[Media:H.75.quaerens me.sib|{{sib}}]] {{ScoreInfo|A4|9|107}} | |||
*{{ | {{Editor|Philip Legge|2000-09-26}} {{Copy|Personal}} | ||
{{ScoreInfo|||}} | :{{EdNotes|}} | ||
<big>'''6. Lacrimosa'''</big> | |||
*{{PostedDate|2000-09-26}} {{CPDLno|1426}} [[Media:h.75.lacrymosa.pdf|{{pdf}}]] [[Media:H.75.lacrymosa.mxl|{{XML}}]] [[Media:H.75.lacrymosa.sib|{{sib}}]] {{ScoreInfo|A3|18|293}} | |||
{{Editor|Philip Legge|2000-09-26}} {{Copy|Personal}} | |||
:{{EdNotes|}} | |||
<big>'''7. Offertoire (Chœur des âmes du Purgatoire)'''</big> | |||
<big>'''8. Hostias'''</big> | |||
*{{PostedDate|2000-09-26}} {{CPDLno|1432}} [[Media:H.75.hostias.pdf|{{pdf}}]] [[Media:H.75.hostias.mxl|{{XML}}]] [[Media:H.75.hostias.sib|{{sib}}]] {{ScoreInfo|A4|9|107}} | |||
{{Editor|Philip Legge|2000-09-26}} {{Copy|Personal}} | |||
:{{EdNotes|}} | |||
<big>'''9. Sanctus'''</big> | |||
<big>'''10. Agnus Dei'''</big> | |||
*{{PostedDate|2000-09-28}} {{CPDLno|1433}} [[Media:h.75.agnus_dei.pdf|{{pdf}}]] [[Media:h.75.agnus_dei.mxl|{{XML}}]] [[Media:h.75.agnus_dei.sib|{{sib}}]] {{ScoreInfo|A3|17|313}} | |||
{{Editor|Philip Legge|2000-09-28}} {{Copy|Personal}} | {{Editor|Philip Legge|2000-09-28}} {{Copy|Personal}} | ||
: | :{{EdNotes|}} | ||
===Arrangements for SATB=== | |||
:'''2. Dies iræ. Prosa.''' | <big>'''1. Requiem et Kyrie. Introït.'''</big> | ||
*{{CPDLno|17810}} [ | *{{PostedDate|2008-07-30}} {{CPDLno|17809}} [[Media:1._Kyrie.pdf|{{pdf}}]] [[Media:1._Kyrie_-_midi.mid|{{mid}}]] [[Media:1._Kyrie_-_sib_4.mxl|{{XML}}]] [[Media:1._Kyrie_-_sib_4.sib|{{sib}}]] (Sibelius 4) | ||
:{{ScoreInfo|Letter| | {{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|15|203}}{{Copy|Personal}} | ||
:{{EdNotes|{{KbdVer}}}} | |||
<big>'''2. Dies iræ. Prosa.'''</big> | |||
*{{PostedDate|2008-07-30}} {{CPDLno|17810}} [[Media:2._Dies_Irae.pdf|{{pdf}}]] [[Media:2._Dies_Irae_-_midi.mid|{{mid}}]] [[Media:2._Dies_Irae_-_sib_4.mxl|{{XML}}]] [[Media:2._Dies_Irae_-_sib_4.sib|{{sib}}]] (Sibelius 4) | |||
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|16|201}}{{Copy|Personal}} | |||
:{{EdNotes|{{KbdVer}}}} | |||
<big>'''3. Quid sum miser'''</big> | |||
*{{PostedDate|2008-07-30}} {{CPDLno|17811}} [[Media:3._Quid_sum_miser.pdf|{{pdf}}]] [[Media:3._Quid_sum_miser_-_midi.mid|{{mid}}]] [[Media:3._Quid_sum_miser_-_sib_4.mxl|{{XML}}]] [[Media:3._Quid_sum_miser_-_sib_4.sib|{{sib}}]] (Sibelius 4) | |||
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|3|45}}{{Copy|Personal}} | |||
:{{EdNotes|{{KbdVer}}}} | |||
<big>'''4. Rex tremendæ'''</big> | |||
*{{PostedDate|2008-07-30}} {{CPDLno|17812}} [[Media:4._Rex_Tremendae.pdf|{{pdf}}]] [[Media:4._Rex_Tremendae_-_midi.mid|{{mid}}]] [[Media:4._Rex_Tremendae_-_sib_4.mxl|{{XML}}]] [[Media:4._Rex_Tremendae_-_sib_4.sib|{{sib}}]] (Sibelius 4) | |||
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|15|181}}{{Copy|Personal}} | |||
:{{EdNotes|{{KbdVer}}}} | |||
<big>'''5. Quærens me'''</big> | |||
*{{PostedDate|2008-07-30}} {{CPDLno|17813}} [[Media:5._Quaerens_me.pdf|{{pdf}}]] [[Media:5._Quaerens_me_-_midi.mid|{{mid}}]] [[Media:5._Quaerens_me_-_sib_4.mxl|{{XML}}]] [[Media:5._Quaerens_me_-_sib_4.sib|{{sib}}]] (Sibelius 4) | |||
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|5|64}}{{Copy|Personal}} | |||
:{{EdNotes|Berlioz's second version, with cut of "Culpa rubet" verse and new connecting passage. {{ScoreError|Bar 37: the top alto divisi note does not appear in the original 1st tenor part.}}{{KbdVer}}}} | |||
<big>'''6. Lacrimosa'''</big> | |||
*{{PostedDate|2008-07-30}} {{CPDLno|17814}} [[Media:6._Lacrimosa.pdf|{{pdf}}]] [[Media:6._Lacrimosa_-_midi.mid|{{mid}}]] [[Media:6._Lacrimosa_-_sib_4.sib|{{sib}}]] (Sibelius 4) | |||
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|14|208}}{{Copy|Personal}} | |||
:{{EdNotes|{{KbdVer}}}} | |||
<big>'''7. Offertoire. (Chœur des âmes du Purgatoire.)'''</big> | |||
<big>'''8. Hostias'''</big> | |||
*{{CPDLno| | *{{PostedDate|2008-07-30}} {{CPDLno|17815}} [[Media:8._Hostias.pdf|{{pdf}}]] [[Media:8._Hostias_-_midi.mid|{{mid}}]] [[Media:8._Hostias_-_sib_4.sib|{{sib}}]] (Sibelius 4) | ||
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|2|44}}{{Copy|Personal}} | |||
<big>'''9a. Sanctus'''</big> | |||
*{{CPDLno| | *{{PostedDate|2008-07-30}} {{CPDLno|17816}} [[Media:9a._Sanctus.pdf|{{pdf}}]] [[Media:9a._Sanctus_-_midi.mid|{{mid}}]] [[Media:9a._Sanctus_-_sib_4.sib|{{sib}}]] (Sibelius 4) | ||
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|39|3}}{{Copy|Personal}} | |||
<big>'''9b. Hosanna'''</big> | |||
*{{CPDLno| | *{{PostedDate|2008-07-30}} {{CPDLno|17817}} [[Media:9b._Hosanna.pdf|{{pdf}}]] [[Media:9b._Hosanna_-_midi.mid|{{mid}}]] [[Media:9b._Hosanna_-_sib_4.sib|{{sib}}]] (Sibelius 4) | ||
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|69|4}}{{Copy|Personal}} | |||
<big>'''10. Agnus Dei'''</big> | |||
*{{ | *{{PostedDate|2008-07-30}} {{CPDLno|17818}} [[Media:10._Agnus_Dei.pdf|{{pdf}}]] [[Media:10._Agnus_Dei_-_midi.mid|{{mid}}]] [[Media:10._Agnus_Dei_sib_4.sib|{{sib}}]] (Sibelius 4) | ||
{{Editor|Thomas Lloyd|2008-07-30}}{{ScoreInfo|Letter|13|168}}{{Copy|Personal}} | |||
:{{EdNotes|{{KbdVer}}}} | |||
: | |||
==General Information== | ==General Information== | ||
{{Title|''Grande messe des morts'', "Requiem", Op. 5, H 75}} | |||
{{Composer|Hector Berlioz}} | {{Composer|Hector Berlioz}} | ||
{{Voicing|6|SSTTBB | {{Voicing|6|SSTTBB|add=with contraltos, and {{Vcat|Solo Tenor|Tenor solo}} in ''Sanctus''}} | ||
{{Genre|Sacred|Requiems|9=Berlioz, Hector}} | {{Genre|Sacred|Requiems|9=Berlioz, Hector}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|Large orchestra, with 4 additional brass orchestras}} | |||
{{Pub|1|1838 (Maurice Schlesinger, Paris); revised version 1853 (G. Ricordi, Milan)}} | |||
{{Descr|Composed in 1838, this choral work uses the largest orchestral forces of any work prior to the 20th Century.}} | |||
{{#ExtWeb: | |||
*{{IMSLP2|Grande messe des morts, H 75 (Berlioz, Hector)}} | |||
<!--*{{Broken}}[{{website|pml}}berlioz/ PML Music Editions: Music of Hector Berlioz]--> | <!--*{{Broken}}[{{website|pml}}berlioz/ PML Music Editions: Music of Hector Berlioz]--> | ||
*[http://www.hberlioz.com/ The Hector Berlioz Website] | *[http://www.hberlioz.com/ The Hector Berlioz Website]}} | ||
==Original text and translations== | ==Original text and translations== | ||
Berlioz's setting of the traditional text of the mass for the dead reorders and omits some lines. Words in round brackets have been inserted or rearranged from another part of the text. Words denoted in square brackets have been moved to a different place in the text as indicated, or otherwise omitted altogether. Refer to the [[Requiem]] page for translations. | Berlioz's setting of the traditional text of the mass for the dead reorders and omits some lines. Words in round brackets have been inserted or rearranged from another part of the text. Words denoted in square brackets have been moved to a different place in the text as indicated, or otherwise omitted altogether. Refer to the [[Requiem]] page for translations. | ||
{{top}} | |||
{{Text|Latin| | {{Text|Latin| | ||
'''1.''' Réquiem ætérnam dona eis, Dómine: | '''1.''' Réquiem ætérnam dona eis, Dómine: | ||
Line 131: | Line 138: | ||
Cum vix justus sit secúrus. | Cum vix justus sit secúrus. | ||
[Rex | [Rex treméndæ… moved to no. 4] | ||
(Recordáre Jesu pie, | (Recordáre Jesu pie, | ||
Line 139: | Line 146: | ||
Oro supplex et acclínis, | Oro supplex et acclínis, | ||
Cor contrítum quasi cinis: | Cor contrítum quasi cinis: | ||
Gere curam mei finis.) | Gere curam mei finis.)}} | ||
{{mdl|3}} | |||
{{Text|Simple| | |||
'''4.''' (O) Rex treméndæ majestátis, | '''4.''' (O) Rex treméndæ majestátis, | ||
Qui salvándos salvas gratis, | Qui salvándos salvas gratis, | ||
Line 180: | Line 188: | ||
Státuens in parte dextra! | Státuens in parte dextra! | ||
[Confutátis | [Confutátis maledíctis… moved to no. 4; | ||
Oro | Oro supplex… moved to no. 3] | ||
'''6.''' Lacrimósa dies illa, | '''6.''' Lacrimósa dies illa, | ||
Line 189: | Line 197: | ||
Pie Jesu Dómine, | Pie Jesu Dómine, | ||
dona eis réquiem (ætérnam, Dómine!) | dona eis réquiem (ætérnam, Dómine!) | ||
[Amen. moved to no. 7] | [Amen. moved to no. 7]}} | ||
{{mdl|3}} | |||
{{Text|Simple| | |||
'''7.''' Dómine Jesu Christe, Rex glóriæ, | '''7.''' Dómine Jesu Christe, Rex glóriæ, | ||
líbera ánimas ómnium fidélium defunctórum de pœnis inférni, et de profúndo lacu: | líbera ánimas ómnium fidélium defunctórum de pœnis inférni, et de profúndo lacu: | ||
Line 224: | Line 233: | ||
cum sanctis tuis in æternum, Domine, quia pius es! | cum sanctis tuis in æternum, Domine, quia pius es! | ||
Amen.}} | Amen.}} | ||
{{btm}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Romantic music]] | [[Category:Romantic music]] |
Revision as of 12:42, 27 October 2021
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Sibelius | |
File details | |
Help |
Full score
1. Requiem et Kyrie. Introït
- Editor: Philip Legge (submitted 2000-09-26). Copyright: Personal
- Edition notes:
2. Dies iræ. Prosa
- Editor: Philip Legge (submitted 2000-09-26). Copyright: Personal
- Edition notes:
3. Quid sum miser
- Editor: Philip Legge (submitted 2000-09-26). Copyright: Personal
- Edition notes:
4. Rex tremendæ 5. Quærens me
- Editor: Philip Legge (submitted 2000-09-26). Copyright: Personal
- Edition notes:
6. Lacrimosa
- Editor: Philip Legge (submitted 2000-09-26). Copyright: Personal
- Edition notes:
7. Offertoire (Chœur des âmes du Purgatoire) 8. Hostias
- Editor: Philip Legge (submitted 2000-09-26). Copyright: Personal
- Edition notes:
9. Sanctus 10. Agnus Dei
- Editor: Philip Legge (submitted 2000-09-28). Copyright: Personal
- Edition notes:
Arrangements for SATB
1. Requiem et Kyrie. Introït.
- Editor: Thomas Lloyd (submitted 2008-07-30). Score information: Letter, 15 pages, 203 kB Copyright: Personal
- Edition notes: Includes a keyboard version of the original accompaniment.
2. Dies iræ. Prosa.
- Editor: Thomas Lloyd (submitted 2008-07-30). Score information: Letter, 16 pages, 201 kB Copyright: Personal
- Edition notes: Includes a keyboard version of the original accompaniment.
3. Quid sum miser
- Editor: Thomas Lloyd (submitted 2008-07-30). Score information: Letter, 3 pages, 45 kB Copyright: Personal
- Edition notes: Includes a keyboard version of the original accompaniment.
4. Rex tremendæ
- Editor: Thomas Lloyd (submitted 2008-07-30). Score information: Letter, 15 pages, 181 kB Copyright: Personal
- Edition notes: Includes a keyboard version of the original accompaniment.
5. Quærens me
- Editor: Thomas Lloyd (submitted 2008-07-30). Score information: Letter, 5 pages, 64 kB Copyright: Personal
- Edition notes: Berlioz's second version, with cut of "Culpa rubet" verse and new connecting passage.
- Possible error(s) identified. Error summary: Bar 37: the top alto divisi note does not appear in the original 1st tenor part. Includes a keyboard version of the original accompaniment.
6. Lacrimosa
- Editor: Thomas Lloyd (submitted 2008-07-30). Score information: Letter, 14 pages, 208 kB Copyright: Personal
- Edition notes: Includes a keyboard version of the original accompaniment.
7. Offertoire. (Chœur des âmes du Purgatoire.)
8. Hostias
- Editor: Thomas Lloyd (submitted 2008-07-30). Score information: Letter, 2 pages, 44 kB Copyright: Personal
9a. Sanctus
- Editor: Thomas Lloyd (submitted 2008-07-30). Score information: Letter, 39 pages, 3 kB Copyright: Personal
9b. Hosanna
- Editor: Thomas Lloyd (submitted 2008-07-30). Score information: Letter, 69 pages, 4 kB Copyright: Personal
10. Agnus Dei
- Editor: Thomas Lloyd (submitted 2008-07-30). Score information: Letter, 13 pages, 168 kB Copyright: Personal
- Edition notes: Includes a keyboard version of the original accompaniment.
General Information
Title: Grande messe des morts, "Requiem", Op. 5, H 75
Composer: Hector Berlioz
Number of voices: 6vv Voicing: SSTTBB, with contraltos, and Tenor solo in Sanctus
Genre: Sacred, Requiem
Language: Latin
Instruments: Large orchestra, with 4 additional brass orchestras
First published: 1838 (Maurice Schlesinger, Paris); revised version 1853 (G. Ricordi, Milan)
Description: Composed in 1838, this choral work uses the largest orchestral forces of any work prior to the 20th Century.
External websites:
- Grande messe des morts, H 75 (Hector Berlioz) at the Petrucci Music Library (IMSLP)
- The Hector Berlioz Website
Original text and translations
Berlioz's setting of the traditional text of the mass for the dead reorders and omits some lines. Words in round brackets have been inserted or rearranged from another part of the text. Words denoted in square brackets have been moved to a different place in the text as indicated, or otherwise omitted altogether. Refer to the Requiem page for translations.
Latin text 1. Réquiem ætérnam dona eis, Dómine: |
4. (O) Rex treméndæ majestátis, |
7. Dómine Jesu Christe, Rex glóriæ, |