I did in heart rejoice (Joseph Key): Difference between revisions

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*{{NewWork|2012-10-26}} {{CPDLno|27493}} [{{filepath:KeyJ-IDid.pdf}} {{pdf}}] [{{filepath:KeyJ-IDid.mid}} {{mid}}] [{{filepath:KeyJ-IDid.sib}} Sibelius 7]  
*{{CPDLno|27493}} [{{filepath:KeyJ-IDid.pdf}} {{pdf}}] [{{filepath:KeyJ-IDid.mid}} {{mid}}] [{{filepath:KeyJ-IDid.sib}} Sibelius 7]  
{{Editor|Edmund Gooch|2012-10-26}}{{ScoreInfo|A4|4|78}}{{Copy|Public Domain}}
{{Editor|Edmund Gooch|2012-10-26}}{{ScoreInfo|A4|4|78}}{{Copy|Public Domain}}
:'''Edition notes:''' The time signature in the source is retorted time. Only the first verse of the text is underlaid in the source: three subsequent verses have been added editorially: it is suggested that if the second verse given here is sung, the dotted minim in the soprano and tenor parts in bar 41 should be split (as shown in small notes) to avoid word-splitting in the text. The note shown here as C{{sharp}} in the soprano part in bar 26 has no accidental in the source. The E and D on beat 1 of bar 27 in the tenor part and the G on beat 1 of bar 30 in the soprano part are printed in the source as small quaver grace notes and have been written out in full editorially.
:'''Edition notes:''' The time signature in the source is retorted time. Only the first verse of the text is underlaid in the source: three subsequent verses have been added editorially: it is suggested that if the second verse given here is sung, the dotted minim in the soprano and tenor parts in bar 41 should be split (as shown in small notes) to avoid word-splitting in the text. The note shown here as C{{sharp}} in the soprano part in bar 26 has no accidental in the source. The E and D on beat 1 of bar 27 in the tenor part and the G on beat 1 of bar 30 in the soprano part are printed in the source as small quaver grace notes and have been written out in full editorially.
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'''Description:''' This setting of [[Psalm 122]] in the metrical Old Version, to a tune by Joseph Key, was published on p40 of his third book, {{NoComp|Five Anthems, Four Collects, Twenty Psalm Tunes|Joseph Key}} [1785]. ''Hymn Tune Index'' tune number 4569.
'''Description:''' This setting of [[Psalm 122]] in the metrical Old Version, to a tune by Joseph Key, was published on p40 of his third book, {{NoComp|Five Anthems, Four Collects, Twenty Psalm Tunes|Joseph Key}} [1785]. ''Hymn Tune Index'' tune number 4569.


'''External websites:'''<br>
'''External websites:'''


==Original text and translations==
==Original text and translations==

Revision as of 11:40, 24 January 2013

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Editor: Edmund Gooch (submitted 2012-10-26).   Score information: A4, 4 pages, 78 kB   Copyright: Public Domain
Edition notes: The time signature in the source is retorted time. Only the first verse of the text is underlaid in the source: three subsequent verses have been added editorially: it is suggested that if the second verse given here is sung, the dotted minim in the soprano and tenor parts in bar 41 should be split (as shown in small notes) to avoid word-splitting in the text. The note shown here as C in the soprano part in bar 26 has no accidental in the source. The E and D on beat 1 of bar 27 in the tenor part and the G on beat 1 of bar 30 in the soprano part are printed in the source as small quaver grace notes and have been written out in full editorially.

General Information

Title: I did in heart rejoice
Composer: Joseph Key
Lyricist: William Kethe

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn

Language: English
Instruments: Other
Published: 1785

Description: This setting of Psalm 122 in the metrical Old Version, to a tune by Joseph Key, was published on p40 of his third book, Five Anthems, Four Collects, Twenty Psalm Tunes [1785]. Hymn Tune Index tune number 4569.

External websites:

Original text and translations

Original text and translations may be found at Psalm 122.