Kyrie (Tr. 87, f. 126r) (John Dunstable): Difference between revisions
Jump to navigation
Jump to search
m (Text replacement - "Category:Sheet music " to "Category:Sheet music Category:Trent codices ") |
(→Music files: Exported PDF file as MXL one, uploaded and added link) |
||
(9 intermediate revisions by 3 users not shown) | |||
Line 2: | Line 2: | ||
==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2016-02-29}} {{CPDLno|38733}} [[Media:Kyrie_(Dunstaple)_Tr._87,_f._126r.pdf|{{pdf}}]] [[Media:Kyrie_(Dunstaple)_Tr._87,_f._126.mid|{{mid}}]] | *{{PostedDate|2016-02-29}} {{CPDLno|38733}} [[Media:Kyrie_(Dunstaple)_Tr._87,_f._126r.pdf|{{pdf}}]] [[Media:Kyrie_(Dunstaple)_Tr._87,_f._126.mid|{{mid}}]] [[Media:Kyrie_(Dunstaple)_Tr._87,_f._126r.mxl|{{XML}}]] | ||
{{Editor|Simon Biazeck|2016-02-29}}{{ScoreInfo|A4|3|93}}{{Copy|CPDL}} | {{Editor|Simon Biazeck|2016-02-29}}{{ScoreInfo|A4|3|93}}{{Copy|CPDL}} | ||
: | :{{EdNotes|This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. Cue-sized and cautionary accidentals are editorial. The original prolation sign, tempus perfectum, suggests a moderate three in a bar. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and indeed much music of the late Medieval early Renaissance periods. No attempt has been made to correct so-called forbidden intervals.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Kyrie (Tr. 87, f. 126r)''}} | |||
{{Composer|John Dunstable}} | {{Composer|John Dunstable}} | ||
{{Lyricist|Traditional}} | {{Lyricist|Traditional}} | ||
Line 15: | Line 15: | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|0|post 1445|in the ''[[Trent codices|Trent codices codex 87]]''|ms=ms}} | ||
{{Descr| }} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Kyrie}} | {{LinkText|Kyrie}} |
Revision as of 20:07, 3 May 2021
Music files
ICON | SOURCE |
---|---|
Midi | |
MusicXML | |
File details | |
Help |
- Editor: Simon Biazeck (submitted 2016-02-29). Score information: A4, 3 pages, 93 kB Copyright: CPDL
- Edition notes: This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. Cue-sized and cautionary accidentals are editorial. The original prolation sign, tempus perfectum, suggests a moderate three in a bar. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and indeed much music of the late Medieval early Renaissance periods. No attempt has been made to correct so-called forbidden intervals.
General Information
Title: Kyrie (Tr. 87, f. 126r)
Composer: John Dunstable
Lyricist: Traditional
Number of voices: 3vv Voicing: ATBar.
Genre: Sacred, Liturgical music, Mass fragment
Language: Latin
Instruments: A cappella
Manuscript post 1445 in the Trent codices codex 87
Description:
External websites:
Original text and translations
Original text and translations may be found at Kyrie.